Lois Metzger - A Trick of the Light

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A Trick of the Light: краткое содержание, описание и аннотация

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Mike Welles had everything under control. But that was before. Now things are rough at home, and they’re getting confusing at school. He’s losing his sense of direction, and he feels like he’s a mess.
Then there’s a voice in his head. A friend, who’s trying to help him get control again. More than that—the voice can guide him to become faster and stronger than he was before, to rid his life of everything that’s holding him back. To figure out who he is again. If only Mike will listen.
Telling a story of a rarely recognized segment of eating disorder sufferers—young men—
by Lois Metzger is a book for fans of the complex characters and emotional truths in Laurie Halse Anderson’s
and Jay Asher’s
.

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Mom (when the movie is over): “That’s it? That’s how it ends, with Jason kissing Medea?”

Mike: “Yeah.”

Mom: “Do you know what happens to Jason and Medea?”

Mike (shaking his head): “They never made the sequel.”

Mom: “Jason marries Medea and they have two sons. Then he leaves her for the king’s daughter. Medea is so filled with sorrow and rage and vengeance, she kills the new wife and even her own children.”

Mike: [nothing]

Mom: “See, there are worse things than harpies and dragons. Jason and Medea—they’re the real monsters.”

What about parents who put their own children in the hospital when they’re not sick?

When Mike goes to bed, his mom says he has to leave the door open.

Tell her you need some time alone. Do a few push-ups, at least.

Mike: “Can’t you close the door for a little while?”

Mom: “No.”

She stays with him until he falls asleep, and he sleeps so heavily, he doesn’t wake up until the morning.

The next day Mike and his dad go to Luncheonette, the place with the rice pudding. They sit across from each other in a narrow booth. His dad orders a BLT for himself and a turkey club with fries for Mike. That’s another hospital rule—Mike can’t order his own meals. He feels like such a baby.

Why don’t you just sit in a high chair?

Dad: “In case you’re wondering, I’m still seeing Terry.”

Mike: [nothing]

Dad: “You want to know how we met? At that old movie place—You Must Remember This. We’d just seen The Picture of Dorian Gray .”

Mike: “I saw that movie too. At the hospital.”

Mike’s dad looks stricken. What, is Mike supposed to feel sorry for him now?

Mike: “Look, Dad, you don’t have to say anything.”

Dad: “No, I want to.” Pause. “You always seemed fine, Mike. I mean, from the beginning. When you were born, I thought, Here’s a fine, healthy kid. Even when you had problems with your speech, I never thought it was that big a deal. But I’m on board for you now, Mike. I hope you know that.”

He’s full of it. He’s not on your side. He never was. He just said so himself.

Dad: “Anyway, after the movie Terry and I sort of walked out together and we started talking. We stopped in a coffee shop and split a spinach knish.”

How romantic. Were there green bits in her teeth?

Mike smiles at that.

Dad: “Is something funny?”

Mike: “Private joke. Hey, you miss that girl you met at the gym?”

His dad hesitates.

Dad: “Honestly? When Laura walked into the gym, the whole place stopped. I miss how other guys looked at her and then over at me, enviously. That’s the truth. I’m not proud of it.”

Mike notices that his dad looks older, his eyes sadder and more deep-set. Mike can’t help wondering if his dad used to think he knew himself, and now he’s realizing how little he knew—

He’s not worth thinking about. You have no use for him.

Dad: “Are you mad at me? I don’t mean right this minute. I mean, deep down. I wouldn’t blame you if you were. Is that why you got sick, because I left?”

He’s just like Amber’s mom. It’s all about him.

Mike: “That’s not how it works.”

Mike thinks his dad doesn’t look reassured.

You’re eating like a pig. Stop it.

Dad (pointing to the quarter sandwich Mike hasn’t eaten): “You’ve got to finish that.”

You should’ve put pieces of it in your lap. Well, just tell him you’re full.

Mike: “I’m full.”

Dad: “You have to eat it. I have to watch you eat every bite. I’m getting us a rice pudding, too.”

Mike can’t stand it—eating so much, not working out. He misses how good he used to feel, strong and getting stronger, infinitely strong.

This won’t last. Your dad’s not exactly the world’s best parent, by his own admission.

CHAPTER 30

MIKE GOES BACK TO SCHOOL. HE’S NERVOUS, BUT I assure him that although he may be a novelty for a day or two, the effect will soon fade.

Ruby L: “Were you in the same place as Amber?”

Ruby C: “I heard she’s not getting out until next year at the earliest.”

Melissa Sacks: “I read about you in Teen Vogue . Well, not you specifically, but boys like you. You had manorexia, Mike.”

Ralph: “I’ll tell you what Mike had. He had it made! One guy and all those skinny chicks.”

Mike: “Well, they’re not all skinny.”

Ralph: “You had it made. Damn!”

Mike notices that Ralph’s newest T-shirt says TAKE ME DRUNK I’M HOME. He wonders why Melissa isn’t on her cell phone reporting this to her PTA-president mom, but then Ralph puts his arm around Melissa and she snuggles into him. Mike can’t believe it—they’re going out.

Then he remembers that he doesn’t care. They have nothing to do with him.

The coach catches up to Mike before homeroom.

Coach Jim: “Good to see you back. Too bad I can’t use you this year, not if you can’t make the winter workouts.”

The coach is making it sound like a scheduling conflict, not like something Mike is absolutely forbidden to do. Anyway, Mike doesn’t want to be on the team.

Coach Jim: “But I hope you’ll come watch a few games. And I’ve got a senior playing center now, so I’ll have a big hole there next year.”

Didn’t I always want to play center field? Mike thinks.

That was a long time ago, before you got your priorities straight.

Oh, no—Valerie.

She stands close to Mike. He inhales her flowery scent. He sees that tiny scar below her left cheek. His heart pounds in his chest.

Don’t forget the kind of person she is.

She can turn on me, Mike thinks, at any moment.

Valerie: “Wow, your hair got long.”

It’s not so long; it brushes the back of his neck. He wasn’t away for months on end, for heaven’s sake.

Mike: “I guess I need a haircut.”

Valerie: “No, it looks good.”

First she compliments you, then she will turn on you. Just wait.

Valerie: “I’m really busy. I’m in a show in January— Sleeping Beauty . I’m not the lead or anything, but I’ve got rehearsals all the time. I love it, though. Someday I hope to choreograph—if not ballet then modern.” She clears her throat. “Okay, that’s not really what I wanted to say. I just—Mike, I see it a lot, at dance. Kids who get so thin, they’re not strong enough to dance. But I never thought of it with you.” She looks at him, hesitates, and squeezes his arm. It’s a rather strange gesture. She holds on. It reminds Mike of that time she took his arm. It’s like she never let go, he thinks.

This girl is so utterly not on your side.

The bell rings. She dashes off.

Mike sees Tamio. Tamio betrayed me, Mike thinks.

Move on.

Mike starts walking, but Tamio follows him.

Tamio: “Wait. Want to get lunch later?”

Mike: “I have to eat in the lab with Mr. Clayton.”

Tamio (walking beside him): “I know, your mom told me. I hope it’s okay I’ve been talking to her. You know, over the past month. To see how you were doing.”

It’s not okay. He has no right to spy on you like that.

Tamio: “I got my lunch period changed. It’s all right with Mr. Clayton if it’s all right with you.”

Mike: [nothing]

Tamio takes off in the other direction. Of course he’s interpreting Mike’s silence as a yes. Because that’s what Tamio wanted to hear. They’re all alike—they only hear what they want to hear.

Lunch is weird, as I knew it would be.

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