Freddie Owens - Then Like the Blind Man - Orbie's Story

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Then Like the Blind Man: Orbie's Story: краткое содержание, описание и аннотация

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A storm is brewing in the all-but-forgotten backcountry of Kentucky. And, for Orbie Ray, the swirling heavens may just have the power to tear open his family’s darkest secrets. Then
is the enthralling debut novel by Freddie Owens, which tells the story of a feisty wunderkind in the segregated South of the 1950s, and the forces he must overcome to restore order in his world. Evocative of a time and place long past, this absorbing work of magical realism offered with a Southern twist will engage readers who relish the Southern literary canon, or any tale well told.
Nine-year-old Orbie has his cross to bear. After the death of his father, his mother Ruby has off and married his father’s coworker and friend Victor, a slick-talking man with a snake tattoo. Now, Orbie, his sister Missy, and his mother haven’t had a peaceful moment with the heavy-drinking new man of the house. Orbie hates his stepfather more than he can stand; a fact that lands him at his grandparents’ place in Harlan’s Crossroads, Kentucky.
Orbie grudgingly adjusts to life with his doting Granny and carping Granpaw, who are a bit too keen on their black neighbors for Orbie’s taste, not to mention their Pentecostal congregation of snake handlers. And, when he meets the black Choctaw preacher, Moses Mashbone, he learns of powers that might uncover the true cause of his father's death. As a storm of unusual magnitude descends, Orbie happens upon the solution to a paradox at once magical and ordinary. Question is, will it be enough?
Equal parts Hamlet and Huckleberry Finn, it’s a tale that’s rich in meaning, socially relevant, and rollicking with boyhood adventure. The novel mines crucial contemporary issues, as well as the universality of the human experience while also casting a beguiling light on boyhood dreams and fears. It’s a well-spun, nuanced work of fiction that is certain to resonate with lovers of literary fiction, particularly in the Southern tradition of storytelling.
Then Like The Blind Man: Orbie’s Story

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Miss Alma had climbed down out of the truck and was huffing and puffing her way up to the porch — she was huge — a gigantic huge black woman in a sweat stained housedress. Wrapped around her head was a black, green polka dotted hankie with two little rabbit ears sticking out the sides. She came up, sucking air and blowing wind, but when her eyes fell on Momma all her everything just stopped. “Lawd Ruby! What happen?”

Momma put on a friendly face. “Why nothing, Miss Alma.”

“You a ghost, girl.” Miss Alma said. “What happen here?”

Momma forced a smile. “Nothing Miss Alma. I’m fine. What are you in such a hurry about?”

Miss Alma looked at Momma still with a question in her eyes, still trying to get her breath. “Radio say dey twistas! North a Circle Stump!”

“Oh, but this will blow over,” Momma said. “It always does.”

“Dis house is what gone blow over, girl!” Miss Alma shouted. “Everythang gone blow! Ya’ll bes come on now, down to Moses’! Wait dis out!”

Without warning, a wall of cold wind bent the Jesus Tree. It took Miss Alma’s dress between her legs and caused Willis to have to hold on to his papers. Thunder shook the house. Momma got up with Missy, looked around at the trailer and then at the angry clouds. “Can you take the boys? I got to shut down the stove and warn Victor.”

Miss Alma frowned. “Ya’ll bes hurry girl!”

“I ain’t going nowhere,” I said.

“Leave dem windows open,” Miss Alma said. “House blow, you don’t!”

Momma headed for the door, serious now. “Put them comic books away and go on! You and Willis. Don’t argue with me now! Go on with Miss Alma!” Momma hurried around me with Missy in her arms and went inside the house. I got my comic books and papers and Willis’s picture of Momma and piled them all in a stack with my colors on the top. I picked it all up and carried it in the house in the front room and put it on the couch. I could hear Momma, messing with the stove in the kitchen. I quick got my ball cap and went back out on the front porch. Miss Alma had already turned the truck around. Chester was tied to the back end. Willis sat up in the cab with Miss Alma. Vern and Fable stood in the truck bed, signaling me to hurry.

———————

It took us only about a minute to get to Moses’ house.

Willis got out and untied Chester. Me and Vern and Fable followed Miss Alma up to the house, her two giant butt halves battling each other all the way.

“I thought we were going in the storm cellar Miss Alma,” I said.

She huffed and puffed herself up to Moses’ front door and stopped to look in the sky. “Let see what da radio say. Fable. Vern. Ya’ll go on now. Get dat cellah ready. Dey a broom down there. Some rag in a bucket.”

Vern made a face.

“Go on now! Fable, you too. We be down soon! Willis, you and Orbie come with me. Ain’t no time be horsein’ round.”

“Momma will be along soon, won’t she?” I said.

“Uh huh. Soon,” Miss Alma said.

Moses’ house was maybe about half the size of Granny and Granpaw’s, the outside walls covered in brown sandy shingles. The tree that had fallen on the roof was gone. Still there was a place inside where the ceiling had bellied down.

“Tree almost break through,” Miss Alma said. “Mo gone fix it ‘fo he up and vanish.”

Just then, it was something grabbed me around by the neck. I tried to twist loose, but whatever had me wouldn’t let go. I turned around to face the thing and there sat Bird, outfitted like usual, hunched forward in a rocking chair. She’d hooked me around by the neck with her cane. “That is you, ain’t it? Ruby’s boy! I knowed it was. Come closer to me!” She opened the brown hole of her mouth and a world of garlicky dead breath washed over my face.

“Unloose dat chile,” Miss Alma said.

Bird unhooked her cane from around my neck. “He thanks I’m crazy but I showed him the moon. Didn’t I, Ruby’s boy?” She spied Willis then, standing in back of me. “Zat that brokeleg boy? Tiz ain’t it?”

“Let dem boys be,” Miss Alma said.

Bird poked the floor with her cane and a grin gashed her face. The front room was small, the ceiling so low the rabbit ears on Miss Alma’s hankie almost touched it. Off from the room was a kitchen. A radio was playing scratchy hillbilly music out there. Bird worked her rubbery mouth around in a circle. “Radio say a funnel cloud touched ground. Up Glasgow way. Mudlick too. Two drowned up there! Flash floods!”

“Lawd!” Miss Alma said.

Willis and me looked at each other.

“I hope to God that cellar’s clean!” Bird said. “Last time it was so nasty, I couldn’t find no place to sit!” Miss Alma’s eyebrows hitched together. Bird got up and spider-walked herself toward the kitchen.

Miss Alma looked out the window. “Sun gone now. Lawd Lawd.” Right then a white sheet of light flashed all around Miss Alma, all around the house, in through the windows in the kitchen. There was another sound of something like boulders hitting the ground. The radio went dead. Miss Alma turned away from the window. White whiskery hairs — little pieces of silvery green fire — stood out on her chin. It started to rain — a million hands, slapping against the house, against the window in the front room, against the windows in the kitchen. Miss Alma hollered over the roar.

“Bird! It time!”

Bird shambled back into the front room, carrying a basket now with a red-and-white-checkered dishtowel over the top.

“Dis rain let up, we go!” Miss Alma hollered.

“What about Momma?” I said. “What about Missy?”

Miss Alma smiled. “We’ll keep dat cellah door open till dey come.”

“Not if they’s a twister we won’t,” Bird said. “They’s a twister that door will be shet!” Miss Alma hitched her eyebrows together. Willis touched me on the arm.

Bird held up the basket. A warm good smell flowed out from the dishtowel. She spider-walked herself to the front door and pulled it open. The rain had already started to let up, the air cool as the inside of a well. Bird went out, then me and Willis — then Miss Alma. Bubbly purple and green clouds circled overhead. The storm cellar was a stone’s throw away from the house, a bulge of red clay with a rusted slantwise door that was now open and lying off to one side. I could see the dark box of the cellar’s opening and Vern’s fuzzy head sticking out.

As we walked toward the cellar, I turned and looked up Bounty, halfway expecting Momma and the black Ford to come barreling over the hill. What I saw instead was a little river of red muddy water, boiling down the side of the road. A new pond had formed at the bottom of the hill, covering the road there and spreading out over Moses’ front yard.

“I be fit to tie!” Miss Alma said, but she was looking in the other direction, toward Circle Stump. From there came Reverend Pennycall’s white police car, rushing toward us with its red bubble light madly circling on top. It slid around into Moses’ driveway; slinging orange muddy water and spinning its wheels before coming to a stop. Old Man Harlan got out the car on the passenger side. Reverend Pennycall on the driver’s. The rain was just a sprinkle now, but cold and steady. Both hurried up to the red hill of the cellar, Old Man Harlan holding the lapels of a black coat around his chin, Reverend Pennycall with his hand pressed flat against the top of his dingy straw hat.

Old Man Harlan’s eyes were bloodshot. Beads of rain slid off the end of his veiny nose. “Cold son?” he said to me.

I stood next to Willis just in my shorts and tee shirt. I was cold, but I wasn’t going to talk about it with Old Man Harlan.

“Not cold as his grandparents is going to be,” Reverend Pennycall said. Both stood in the rain, grinning and nodding their heads like the truth was a secret nobody knew but them.

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