And I actually worked with a clear head the whole time, no building sickness, no building psychosis, so Roithamer. Then, after I had thoroughly studied my sister, above all her mental and emotional condition, it was clear that the edifice to build for her was the Cone. No other form. And I knew that no cone had ever been built before by any man, not even a Frenchman, not even a Russian, my Cone will be the first cone ever built to be lived in, I told myself, and I decided to build the Cone. When we set out to do something we’re constantly being sidetracked, we’re thought to be crazy, our refusal to yield and to compromise makes many enemies for us (enemies we’ve always had), but that’s just what impels us onward, those constantly mounting accusations against us, slanders against us, ruthlessness against us which is far greater than our own ruthlessness, all of it ultimately makes it possible for us to make our way through this human filth to which we’re continually exposed, through the filth of their slander, their false accusations. The world around us is constantly balking and hindering us and it is precisely by this constant inhibiting and hindering action that it enables us to approach our aim and finally even reach it. We’re told and we’re made to feel that we have neither the right nor the nerve nor the brutality to achieve our aim, but we do have the right and the nerve and the brutality and because we are what we are, our nerve and our brutality and our right keeps increasing. We’re constantly badgered with insinuations by those who don’t want us to accomplish our aim because they begrudge us our achievement, so we’re constantly subjected to their meanness, their spying presence which only fills us with disgust, they never cease their vulgar spying. Most of the time we have to deal with human filth, so Roithamer, we’re forced to wade through it, and when we’ve made our way through one heap of filth we must get through the next, on and on, each time faster, more radically than the last, because we’ve caught on that there’s nothing but this human filth, which we have to get through. To reach our aim we must traverse this human filth, human filth in the form of common filth in the head, the sole purpose of which is to do us in. Whoever says otherwise commits the violent crime of hypocrisy, “violent crime of hypocrisy” underlined, the words human filth always first underlined, then crossed out, then stetted. At first we hope for support from the person closest to us, but to cling to our “neighbor” would mean, as we soon find out, the suicide of the (of our) spirit, suicide of our being, our soul, “soul” underlined. Then we think that we must turn to the professionals (of the mind, the soul, the world of things), because we’re constantly looking for help, but there we keep meeting only with deepest disappointment, “deepest” underlined, we encounter only disappointments.
We’re up to something, as we know, it’s invariably something stupendous, even our most insignificant, unimpressive brainchild is always the most stupendous thing, and we feel we must speak of it, go into it, and we’re disappointed, either we’re not understood, no matter how clearly and force-fully we put our case, or else we don’t want to be understood. We’re always left without an answer, and of course in a more debilitated state than before, because no one, no expert or person, whichever, wants to help us. And so we naturally have to depend entirely on ourselves all our lives and we go our way alone, depending on ourselves only, working to earn everything ourselves, with no outside help. And so we’re always full up and never come to rest, so Roithamer, “never come to rest” underlined. We’re surrounded by malice, so Roithamer. First twenty-one chambers in the Cone, then eighteen, then seventeen chambers. A single chamber under the Cone’s tip, with a view in every direction, but in every direction the same vista into the forest, nothing else. Three-storied, because a threestoried edifice accords with my sister’s character, “my sister’s character” underlined. Of the seventeen chambers, nine are without a view, among them the meditation chamber on the second floor, beneath the chamber in the tip. The meditation chamber is so constructed as to make it possible to meditate there for several days in a row, and it’s intended for no other use but meditation, it’s totally devoid of any objects, there’s not to be a single object in the meditation chamber, nor any light either. A red dot in the center of the meditation chamber indicates the actual center of the meditation chamber, which is also the true center of the Cone. The radius from this center in every direction is fourteen meters long. Spring water on tap in the meditation chamber. Underneath the meditation chamber, areas for diversions. Above the meditation chamber, the circular chamber inside the tip of the Cone, affording views in all directions, but in every direction nothing but forest is to be seen, the Kobernausser forest, under this rotunda the meditation chamber, under the meditation chamber the diversions areas and under the diversions areas what I call the antechambers into which whoever enters the Cone, enters to prepare himself for the Cone, on the ground floor, in fact. On the ground floor there are five chambers, all without any designation in particular. These chambers must be left without the specific designation, like all the chambers in the Cone, always, without designation, except for the meditation chamber.
If the person domiciled in the Cone, my sister, in fact, should be tempted to assign specific functions to the individual chambers, for she is sure to be suddenly inclined and then impelled to designate the individual chambers as, say, a bedroom here and a workroom there and thirdly a kitchen andsoforth, she must remind herself, if necessary tell herself aloud, that the individual chambers in the Cone are not to be specifically designated, it must be possible to live in a building in which the individual chambers are undesignated, though it is only natural for the chamber constructed as a meditation chamber to be designated as a meditation chamber. The chambers are all whitewashed. No windows but look-outs that are neither to be opened nor shut, natural airing of the inner-spaces always without having to open or shut the look-outs. Solar energy for heating. Stone, bricks, glass, iron, nothing else. The Cone is whitewashed outside as well as inside. The Cone’s height is the same as the height of the forest so that it’s impossible to see the Cone unless one is standing directly in front of it, the road leading to the Cone! doesn’t lead directly to it through the Kobernausser forest but winds toward it six times in a northeasterly and six times in a northwesterly direction, so that the Cone can be seen only at the moment when the new arrival finds himself directly in front of it. Eight thousand loads of coarse gravel, two thousand loads of a finer grade, so Roithamer. At first I was going to let my sister in on my plans from the beginning, but I dropped the idea when she showed her aversion to my plan, I’ll build about a third of the Cone first, I thought, then I’ll show her the Cone, a third of it already done, but I dropped that idea too, because I suddenly realized that I must finish the Cone before I show it to my sister, there’s the risk in showing my sister the Cone before it’s finished, that I may (owing to her reaction) lose the strength to finish the Cone, the Cone must be finished, perfect, when I show it to her, it was built to be perfection for her. If anything happens to my sister during my lifetime, I’ll let nature take its course with the Cone, so Roithamer, after my sister no one is to set foot in the Cone, this stipulation to be included in my will to be drawn up eventually, so Roithamer, this will musn’t be put off too long. (Roithamer did in fact stipulate in his will, viz. the slip of paper he had on him when Hoeller found his body, that no one should be allowed to set foot inside the Cone now, after his sister’s death and after his own death, and that the Cone must be entirely abandoned to nature.
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