John Hawkes - Death, Sleep & the Traveler

I heard the tapping on the door. I heard excited voices and the sound of feet moving quickly across the deck outside. I heard the sound of her voice calling softly through the louvers of my cabin door.

“Allert? Are you there? We are passing the island. Won’t you come and look?”

I waited, stretched flat on the coverlet, and quite distinctly I felt some alteration in the position of our tonnage as it shifted in the deep sea, and could not prevent myself from hearing the hivelike excitement of those passengers who were gathering on the starboard rail. I could hear the wind in the straw hats, I could hear the bodies crowding each other at the mahogany rail.

“Allert? Will you answer? I know you’re there.”

I was of course thoroughly certain that she could not possibly know that I was lying tensely inside my cabin since I had taken care to draw the green curtain across my porthole. And yet the very ordinary sound of her voice as well as her faith in my whereabouts, prompted me to reply.

“It is only an island, after all,” I said evenly. “It is not Atlantis.”

“It’s important, Allert. Open the door.”

“Very well,” I said then. “In a moment.”

“If you don’t hurry we shall be past it and then there will be nothing to see.”

I swung myself up from the bed and buttoned my shirt, drew on my trousers, opened the door. The intense light of midday, the ungainly binoculars on a strap around her neck, the now louder sounds of the expectant passengers, it was all exactly as I knew it would be, concreteness rotating toward illusion. And in my doorway, or nearly in my doorway, she was smiling and resting one small gentle hand on the binoculars.

“And Allert,” she said in the voice that only I could hear, “have you been sleeping?”

“No,” I said, closing and locking the door behind me and taking hold of one of her frail but well-proportioned arms, “no, I have not been sleeping. I have been meditating. As a matter of fact, Ariane, I have been wondering exactly who you are.”

“But, Allert, you know who I am.”

“More important, perhaps, I have been wondering exactly who I am.”

“But I know who you are, Allert. And that’s enough.”

“Perhaps you do,” I said, gazing to sea and thinking that her declaration was somehow more than an assertion of innocence, “perhaps you do indeed know after all. But where did you get that man-sized pair of binoculars?”

“From one of my friends, of course. We’ll use them for looking at the island.”

“Of course. From one of your friends. But tell me,” I said then, diverting us back to one of the subjects I had been considering in my cabin. “What is your age?”

“Twenty-six, Allert. And yours?”

“Oh, I am much too old to say,” I replied in a thicker, more milky voice. “Much too old to say.”

“As you will, Allert. I really don’t care about your age.”

“But then it’s probably true that in matters of shipboard romance, at least, the greater the disparity between the ages the better.”

“You’re in a very difficult mood today. I wish you’d stop.”

“In a moment,” I said then, and squeezing the thin arm, “in another moment I’ll growl at you in Dutch.”

She laughed, we were walking in step together, she caused her little hip to fall against my big pillowed flank, she laughed again. And yet it seemed to me that even so she was still not completely reassured.

At this moment we rounded the great glass front of the observation lounge and strode hand in hand into the windy open space of the forward deck where, precisely as I had envisioned the scene, the group of passengers was gathered birdlike at the starboard rail. I was interested to see that they were more bizarre and yet not so numerous as I had thought. In particular I noticed one man whose body was not unusually masculine but who was naked except for a pair of khaki-colored shorts and an enormous rouge-colored conical straw hat that went down to his shoulders. A woman, heavy set and bold, was holding a small wicker basket filled with fruit, as if preparing to drop it quickly over the side.

“Allert,” Ariane whispered as we squeezed to the rail, “they’re all looking at you. They’re all jealous because your companion is so young and so attractive.”

“Yes,” I whispered back, “they cannot imagine what we do together, but they have ideas.”

“Oh, Allert,” she said then, suddenly putting her hand on top of mine, “surely the captain is going to crash into the island!”

For a moment it seemed even to me that what Ariane had said was true. Because the island, a dry, treeless and apparently heart-shaped knoll, was rising out of the sea directly off our starboard bow. Considering the various angles of vision between masts, cables, diminishing horizon, approaching island, and considering the vast expanse of totally open sea in which the ship and island were the only two concrete points — one fixed, one free — and that the space between the two was disappearing as quickly as breath, given all these circumstances it did indeed appear true that the captain was subjecting us all to unnecessary risk by changing course and by aiming the prow of the ship directly toward the arid heart of volcanic land anchored so permanently in the deep sea. Then I recovered myself and realized that for the first time during the voyage I was out of sympathy with Ariane, who, after all, was quite as capable as I was of common sense.

“Look,” I said brusquely, “anyone can see there will be no collision.”

“But we arc very close to the island, Allert. Very close.”

“Close,” I said then in a gentler tone, “but safe.”

We veered to within perhaps a hundred meters or so of the island. The man in the rouge-colored hat cried out and in an instant trained on the burning island the telescope of his terrible motion-picture camera, a camera I had failed to see, cradled as it was against his eye inside the cone of his hat. Ariane and I stood quietly touching each other and sharing the black binoculars, in the process of which she allowed her fingers to slide unconsciously over my buttocks while I, in turn, wet the vulnerable spot behind her car with the tip of my tongue.

“It’s so barren,” she whispered, “so beautifully barren.”

“Yes. And notice how the goats apparently manage nonetheless to survive on an island without food.”

“It’s because they’re unreal, Allert. That’s why.”

But the goats were real enough for me, and though there did not appear to be a blade of grass or the slightest sign of fresh water on the island, still the community of goats stood ruffled and silhouetted atop the nearest hummock and stared at what to them must have been the specter of a white ship bearing down on their final garden. Through the binoculars I could see the spray crowning the tightly spiraled horns, could see how old and young alike crowded together haunch to haunch, horns among horns, posing in the certainty of survival in the midst of pure desolation. The animals were as still as rocks, though their horns were flashing and their coats of long hair were blowing and ruffling in the emptiness of the ocean wind.

“The goats arc real enough,” I said. “But they are a strange sight. Even a haunting sight, perhaps.”

“Allert,” she said then, as if she had failed to hear my observation, “let’s not allow them to disappear so easily. Come, let’s watch until there’s nothing more of them to see.”

But it was only too clear that she neither doubted nor required my acquiescence, since she had taken back the binoculars and was already making her way out of the crowd and toward the stern of the ship which appeared now to be coasting past the island at an ever-diminishing nautical speed. Ariane walked swiftly, then ran, then walked swiftly again until finally she stood at the last extremity of the slowly moving ship, motionless with the binoculars dwarfing her face and her hard shoulder braced against the slick white glistening surface of the ship’s flagpole.