But it was always a pleasure to go to Olive’s. Between Mr Stone and his sister there existed a relationship which had scarcely changed since childhood. The female attentions, over and above those provided by Miss Millington, of which he occasionally felt the need, were supplied by Olive during their brief visits to each other. And he was the man whose opinions she quoted, whose habits she studied and humoured and built stories around, whose occasional jokes she passed off as her own. The relationship had suffered during the war when suddenly, at the age of thirty-seven, Olive had married. Less than a year later Olive’s husband died, and shortly afterwards Gwen was born. The relationship survived, though the birth of Gwen brought into it an element of falsity, for Mr Stone did not greatly care for children and did not care at all for Gwen. But for Olive he had grown to care more. The events of that year had marked her. Her hair went grey. Her fine teeth were destroyed; her lips, adapting themselves to their protective function, lost their shape and still after all these years suggested vulnerable gums and exposed nerves. Spittle gathered at the corners of her mouth when she spoke; her speech became slower and was sometimes slurred.
Mr Stone had, however, tried with Gwen. He knew, having heard and read it often enough, that children were like dogs: they ‘knew’ when adults or ‘grown-ups’, a word he had had to add to his vocabulary, didn’t like them. He knew that the handling of children required a rare skill which was compounded of simplicity and complete honesty. And he knew that the whole tedious business was a test of the grown-up’s character. He had tried. He had talked seriously to her and played games seriously with her. But he could not always gauge the level at which she was momentarily operating, and it was not infrequent for her to ask him to stop being stupid. These afternoons, ‘with children’, of whose relaxing charms he had heard so much, left him exhausted and occasionally with feelings that were murderous. But what fixed his distaste for the child was when, on a visit to a fairground just three years ago, she had rejected his offer to go on the big dipper because, as she said, ‘I have no intention of screaming like a shop assistant on holiday.’ The words came out pat, just like that; they were clearly not her own. She was thirteen then, and it had given him a deep pleasure to see her grow fat and ungainly, with those plump forearms and short, stupid fingers which always irritated him in women. Puppy fat, Olive said; but it showed no sign of melting and he did what he could to encourage it. Chocolate, for example, which Olive forbade, was effective. Gwen was inordinately fond of it and he secretly gave her half-pound bars whenever he could. Even this did not improve their relations, for she made it plain that she regarded these gifts as bribes and that her affection was too important a thing to be bartered.
Suitable gifts, though, had been another of the problems that came with the creature. The Enid Blyton stage had seemed to be going on safely for eternity; but without warning the creature’s tastes changed, rendering futile and laughable the ‘Five’ book he had stood in a long queue in Selfridge’s to get autographed by the writer, together with her personal expression of good wishes to Gwen. Once he had brought ridicule on himself by giving her a toy handbag which was suitable for a girl of eight but not for one of fifteen. Last year he had solved the problem by giving a two-pound cheque, money down the drain; this year he would do the same.
So, though he had never come to accept her as part of Olive, he accepted her as part of Olive’s home. As Gwen had grown older Olive had seemed to reassert her separate identity, and he felt that the element of falsity in his relationship with her sister had diminished. Olive could still give him solace; she could still exercise his protective pity. To go to her was like going home; to get away from her was a recurring liberation.
But not even Olive could remove the unease with which he had come to her this year. She was welcoming and ministering and calm and slow as always. She wore the brown slacks he associated with her, a habit of dress dating from the war, which always inspired him with tenderness for her. She had the height and slim hips for slacks, but she wore them with such apparent disregard for her appearance that Mr Stone would have found them slightly comic if they didn’t reveal her stiff-waisted walk, the upper half of her body bent forward a little, so that she always had a purposeful air, as though about to rearrange things.
The days took their usual course. On Christmas eve he helped with the decorations, enduring the snappish criticisms of Gwen. (Who were such a creature’s friends? He had a vision of her, brows contracted until she was almost cross-eyed, walking down the street in her school uniform, hugging her satchel to her stomach, and chattering away between sucks on a sweet about an ‘enemy’ to a smaller, silent companion, who would soon become an ‘enemy’ as well.) Then he drank Guinness and watched television while Olive was busy in the kitchen. At meal after meal he watched Gwen, fat and sickly with unfulfilled urges, putting away sweets and potatoes with relish. Olive objected. But: ‘It’s Christmas,’ Mr Stone said.
Of these familiar things, however, he could no longer feel himself part. They had the heightened reality, which is like unreality, that a fever gives to everyday happenings. And at last it was time to leave. He took one of Olive’s puddings, as he did every year. The bowls he never returned. They remained, washed and white, in one of Miss Millington’s cupboards, this year’s bowl fitting into the pile of all the previous years’, stacked away as neatly as his experience, his past.
*
He returned to see the garden freshly covered with pepper dust: Miss Millington in command of the house, the cat at it again. But what a few days before would have roused him to pleasurable anger now left him unmoved. The naked tree permitted a clear view of The Male’s back window, curtained and lighted in its sickly green frame (a colour chosen by The Male last spring and applied with loving care to all the exterior woodwork of his establishment). The Monster’s house was unlighted. On this evening, the mists gathering in the silent school grounds, the day dying with the feel of the death of the holiday, it seemed that the world was in abeyance.
Next morning there was a letter for him. It was from Mrs Springer. She expressed her delight at meeting him and wondered whether he would like to come to a small New Year’s eve gathering. She promised biscuits and cheese, which word was followed by a mark of exclamation in parenthesis. And the letter ended, ‘As you can imagine, I am trying to cheer myself up, I do hope you can make it.’
Several things about the letter irritated him. He was a purist in matters of punctuation, and Mrs Springer had used a comma where she should have used a full stop. Her attempts at wit fell flat in her sloping old-fashioned writing, which was prim and characterless. He thought the reference to the cheese, and the exclamation mark, foolish, and the reference to her mourning ostentatious and insincere. But he was flattered that she should write. And it was the novelty, the break in his routine, to which to his own surprise he found himself looking forward. So the invitation, which perhaps from a person better known would have caused no such reaction, became of importance. It was a peak in time to which he could anchor himself over the intervening days. A new person, a new relationship: who knew what might come of that?
Mrs Springer lived in Earl’s Court. A disreputable, overcrowded area Mr Stone had always thought it, and he thought no better of it now. The entrance to the Underground station was filthy; in a street across the road a meeting of the British National Party was in progress, a man shouting himself hoarse from the back of a van. Behind neon lights and streaming glass windows the new-style coffee houses were packed; and the streets were full of young people in art-student dress and foreigners of every colour.
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