Harry Mulisch - The Discovery of Heaven

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The Discovery of Heaven: краткое содержание, описание и аннотация

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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"I'd like a bit of a walk."

"You're restless."

He gave her a kiss on the forehead and went out. As he closed the garden gate, the lights came on again all over the house.

The Hague lay silent in the darkness. There were scarcely any cars about. The houses were lighter-colored than in Amsterdam, but almost all the windows were dark. The civil servants were asleep and dreaming of putting an end once and for all to the disturbances in the capital that had been going on for years, with tanks on the street corners and dive bombers firing rockets at the university institutes, after which they would be appointed governor of the pacified city.

In his heavy full-length winter coat, Onno walked in the direction of the main road to Leiden. Although it was freezing he was not wearing gloves, but he did not put his hands in his pockets: he held them on his back, where they gradually became purple with cold, without him noticing. Here, where he had spent his whole youth, he knew every stone, but that awakened no nostalgic feelings in him. Moreover, he did not look around him; nor did he reflect on the evening that had just passed. Stooping a little, with a slightly labored gait in his clumsy, and as always unpolished, shoes, he walked through the deserted streets, with a circular clay tablet constantly in his mind — sometimes one side, sometimes the other.

He suddenly seemed like a different person. He kept his tongue on the left side of his mouth between his teeth and chewed on it gently, as he always did when he was thinking. There was a sleepy look on his face, but that was not because of tiredness or alcohol; it was the sleepiness of thought. Thought is never action, forward, up and at it, as people think who do not know what thinking is; it is not like a forest explorer cutting back creeping vines, but more like someone letting himself relax into a hot bath.

The tablet, the so-called Phaistos disc, was the size of a dessert plate. Both sides had a pattern, which resembled nothing so much as a hopscotch diagram of the kind that children draw on the street with chalk: a spiral moving inward in a clockwise direction, ending in a central point. It looked like a maze, but it was definitely not one. It was impossible to get lost in it — there was only one way, and that led to the center. The diagram was divided into compartments filled with primitive signs, such as a helmeted head, a number of human and animal figures in profile, an ax, something like a portable cage, and many other illustrations. Onno looked at the rebus, whose 242 signs and forty-five syllables in the sixty-one compartments he knew better than his own body, and which in another sense was still a maze — while ever new connections formed in his mind, disappeared, emerged again in modified form, linked with other linguistic facts and signs, Philistine, Lycian, Semitic. .

There was a great silence around him.

2. Their Meeting

As Onno Quist was leaving his parents' house, in another, considerably less distinguished, area of The Hague a man of the same age had reached orgasm in four or five waves, accompanied by loud cries.

"Well, well!" he gasped when it had subsided, both surprised and appreciative. "Thank you."

He was lying on the floor, and with his eyes closed he stroked the woman who had collapsed on top of him like a half-empty balloon; and somehow, something was wrong. He felt a leg where in fact there could be no leg; her head was at a point where he expected a foot. He stroked a rounding that was probably the beginning of a breast but might also have been that of a buttock, raised his eyebrows in resignation, sighed deeply, and dozed off. .

He had met her in Rotterdam a few hours earlier. Some students from the Economics University had organized a "revolutionary carnival" there, and he had read the announcement on a noticeboard in Leiden, where he worked. He lived in Amsterdam, but because he had nothing to do, he had driven to the party later that evening after work. Deafening music in decorated rooms, people dancing everywhere; even the stairs were full. At an improvised Cuban restaurant, Moncada, he ate a hunk of meat, and in a Flemish tavern, the Racing Shorts, he ordered an orange juice. In a side room an "occult market" had been set up: at trestle tables all kinds of individuals were offering their services, free, with Tarot cards, horoscopes, pendulums, crystal balls, and I Ching paraphernalia. He searched the throng for girls he might be able to chat up, but everyone was accompanied, had dressed up — there were scores of boys in Che Guevara berets — and were enjoying themselves; he soon began to tire of the relaxed, unerotic atmosphere. Human beings were not on earth for their pleasure, he believed — fucking was an imperative — and after an hour he decided he might as well go back to his car. He was tired, but he mustn't give in to that, either; there was still time to fix up something in Amsterdam.

On his way to the exit he again passed through the room with the wizards and witches, but in the meantime it had virtually emptied. As the atmosphere became more intense, interest in higher things had disappeared; most people were already busy packing up their supernatural equipment. Only by the stall of a woman in a purple sweater was there still a girl sitting with her hand, palm upward, in that of the lady, like a saint showing her stigmata.

She was an attractive girl. She was no more than nineteen or so, with her blond hair in a ponytail. With feigned interest he stopped and listened to what the palmist had to say. With a slim pen she drew lines, crosses, and circles alongside significant twists in the lines of the hand, which reminded him of markings on astronomical photographs. In general the patterns seem to present a favorable picture, but certain side branches of the lifeline did give cause for alarm: they pointed to a serious illness at the age of about forty; it was also better not to have a grille on the Mount of the Sun. The girl looked at her hand and nodded in understanding.

"I think what you're doing is quite scandalous," he said suddenly — first and foremost, of course, to make himself known to the girl, but he also meant what he said. "I hope she thinks it's all nonsense, because that's what it is; but meanwhile it's been planted in her head — your threat about that illness. For twenty years." The two women looked up at him, the girl with an amused look, the astrologer with a morose glance over her semicircular reading glasses. She was his own age, perhaps a little older; dark-brown hair lay in strange twists across her head, as though an enormous lizard had nestled there, an iguana. Something in her face immediately grabbed him. He saw her small breasts in her sweater, between them a pendant with a flat metal hand on it — and at that moment he knew that he wanted to go to bed not with her client, but with her.

"Scandalous," he said, still looking at her.

Perhaps the girl had seen the change; she got up, said goodbye politely, and left.

"I think we have a bone to pick with each other," he said severely.

When she got up to pack, she turned out to be very slightly built: her beastly crown did not even come up to his shoulders. Without a word she put on her coat and went outside. Wondering how he was to break through that silence, he followed her to the car park. When she had put the key into the door of a small car, she suddenly turned to him and gestured invitingly.

He burst out laughing. "I've got one too. I'll follow you."

A little later, in his dark-green sports car with the white cloth hood, which was raring to go faster, he dawdled behind her along the road to The Hague, with a constant semi-erection because of the situation.

"A fortune-teller!" he cried as they passed Delft, and banged his wooden steering wheel. "That's all I needed!" He felt in his element and began singing a Mahler song: "Wenn mein Schatz Hochzeit macht, fröhliche Hochzeit macht …" Tears welled up in his eyes. Melancholy, lust, music — suddenly everything overwhelmed him as he watched the red taillights.

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