Harry Mulisch - The Discovery of Heaven

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The Discovery of Heaven: краткое содержание, описание и аннотация

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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Suddenly Jesús cried out: "Fidel!"

Max felt as though an electric shock had gone through him. In front of them was a column of military vehicles. They were being observed calmly but intently from the rear car by two heavily armed soldiers, one with binoculars and one with a walkie-talkie. A gesture was made indicating that they should keep their distance. The situation in the Chrysler changed instantly.

Jesús turned his head, pointed across his steering wheel, and said again, "Fidel!"

Ada leaned forward, Guerra stretched his neck, and Marilyn sat up straight. Five hearts suddenly beat faster because a certain man was close by, a man like all other men, flesh and blood, with two eyes, two ears, two arms, and two legs — and at the same time a man like no other: the liberator of his people, history personified. Max looked over Jesús's shoulder at the slowly proceeding column. He saw antennas and here and there a leg half out of a car and the barrel of an automatic rifle. He was there somewhere: power was on the move.

Guerra said that he always traveled like that, or rather that he was constantly roaming over the island in cars or helicopters. He had no kind of residence or department anywhere in Havana — that was his department, that was where all his intimates were; they knew everything and everyone, slept in barracks, with farmers, or in hammocks among the trees. That restless style was inherited from the guerrilla war; it had even driven Che out of the country. No one ever knew where Fidel was — he suddenly turned up all over the place — and of course that was also good for his safety, because there were lots of people who would like to see him dead.

But when the soldier with the walkie-talkie gestured that they could pass, Max wondered whether this wasn't a frivolous decision. In the front seat of their own car, on the side of the column that they were now overtaking, there was an American woman with a weapon at the ready: how were they to know that this was not the execution of a diabolically planned CIA assassination attempt, with the cynical sacrifice of a cellist and a promising astronomer? Perhaps the explanation was that their watchfulness was not based on fear. However, hands kept appearing, motioning them to drive on faster. Max bent deep across Ada's lap so as not to miss anything, Guerra leaned back so as not to obstruct his view, but it all happened too quickly to see much.

One military vehicle after another, including a mobile kitchen, an ambulance, a radio car, and suddenly a line of jeeps with comandantes and other officers. In a flash he saw him sitting in the front jeep: next to the black driver, wearing glasses with dark frames and reading papers, a submachine gun on an iron grille above his knees.

The bay lay like a grail of deep-blue blood beneath the cloudless sky. Standing next to the car, Max and Ada looked open-mouthed at the scores of great white pelicans flying high above the waves with their long beaks and suddenly plummeting straight down into the water like depth charges, disappearing, and a little later emerging dripping and with thrashing pouches below their beaks, to continue their flight. It seemed as though those incessant, vertical movements, like slim, invisible columns, transformed space into an enclosed dome. Woods stretched down to the wide sandy beach. As though the trees did not cast a shadow but the shadow carried the trees. Not a leaf stirred. "This is out of this world," said Ada.

Farther along, the beach was crowded, but here there were only a few left-wing artists and intellectuals with international reputations sitting in the sun. Hidden among the trees were charming but rather dilapidated bungalows, which, Guerra told them, used to be inhabited for two months a year by Cuban and American brothel-keepers and cocaine dealers but now served as guest homes for various organizations. The villas along the open beach were for public use.

On the shady veranda of a bungalow, lunch was served by a Chinese Cuban in a white coat: gazpacho, grilled swordfish, with a dry white wine, which everyone drank apart from Marilyn, sweet hazelnut ice cream, and coffee. As he was about to go and put on his swimming trunks, Max asked Ada if she had also gotten the impression that he and Onno had been seen through as impostors.

"Don't be silly," she said. "It's just your guilty conscience."

"Do you think so?"

"Of course, but you two will have to set things straight one day."

"I hope you're right."

Her remark had reassured him, as had the wine. There was a diving mask on the chair, and as soon as he was undressed he ran across the red-hot, velvety sand toward the surf and dived into the sea with the mask over his arm. Used to the cold North Sea and cool Mediterranean, he was not prepared for a lukewarm dip. He resurfaced with a cry of pleasure and immediately fell back again. This couldn't be true! Life had originated in a sea like this! He waved to Ada, who was spreading her towel, but she indicated that she would be coming in a moment. He frolicked about in the water like a little child in a paddling pool, jumped up, dived, and had already forgotten that a short while ago he had had a headache. He put on the mask and in an instant the world that he had only known in his dreams unfolded, swaying silence, movement that had become vegetable, light wandering around on stilts, spectral colors transformed into fish, into which a gigantic pelican plunged like doom through the blinding roof of the sky and scooped up its prey; but his mask, which dated from before the revolution, filled with water and he had to return to the sunshine.

Marilyn had rid herself of her weapon and was sitting next to Ada in a bikini on a towel. Obviously, other people provided security here.

Guerra had stayed on the veranda, where he was talking to Jesús and the Chinese waiter, who had put his legs up on the table; a fat black woman in a white apron was sweeping the floor tiles. Max sat down on the other side of Ada, next to Marilyn. The bare, downy skin of her arms and legs and belly, without a submachine gun, was different than if he had never seen her with one. Then she would have simply been a young woman in a bikini, like Ada; but because of its absence, the submachine gun was somehow even more present than when it had been there. Was that what attracted soldiers to a certain kind of woman: the fact that they finally had to disarm themselves for her? Was it perhaps also a kind of justification for the women who had slept with German soldiers during the war? Were they really resistance fighters unjustly shorn of their hair after the liberation? While the enemy was on top of them, he couldn't shoot!

He did not like thinking about the war. He lay on his back, folded his hands under his head, and asked in English: "What would Fidel do now?"

"Certainly not sunbathe," said Ada. "He's never done that."

"I've seen him. My life is fulfilled. From now on things can only go downhill."

Marilyn turned her head over her shoulder and gave him a searching look. "What kind of joke is that?"

"Why do you think it's a joke? Perhaps it's not a joke. Perhaps it's a joke that's not a joke."

"You sound like Onno," said Ada.

He looked up into Marilyn's eyes and saw that he must be a little careful. He had found repeatedly that in Cuba the revolution was not devoid of good-humored features, but he had noticed little of that among the foreigners at the conference, just as he had not when he had been in Eastern Europe — and here was an American. At the same time, it titillated him and he felt like teasing her.

"Perhaps we should see everything in perspective."

"What perspective?"

"Eternity."

This time she seemed to understand him even better than he had intended. She turned onto her stomach and said didactically:

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