Harry Mulisch - The Discovery of Heaven

Onno had inquired in a haughty tone whether in this building, where obviously everything went wrong, some doubt was perhaps being cast on God's creation. With an apologetic gesture, Max said that, unfortunately, they had known for the last three years that while there had been a beginning between fifteen and twenty billion years ago, it had been the result of a Big Bang: the explosion of a mathematical point with infinite density and an infinitely high temperature, from which not only all energy and matter, but also all space and time, derived. The echo of that explosion had been observed in 1964.

"So that before that sacrilegious Big Bang of yours there was nothing," said Onno.

"Exactly. No time, either."

"So nothing exploded."

"You could put it like that."

"So there was no Big Bang. There you are. The mocking laughter at that ridiculous theory will resound through astronomy for years. Don't listen to that idiot," said Onno to Ada. "Heaven and earth were created by God on Friday, April 1 in the year 4004 B.C., at a quarter past ten in the morning, and afterward he saw that it was good — or at least not bad for a beginner."

Max laughed. "You're capable of becoming a believer on purely logical grounds."

"Yes!" cried Onno ecstatically. "God is logic! Logic is God! Yes, I believe it — because it is absurd."

"Do you remember what you once told me about the 'paut' of the gods? About the god creator, who created himself from his creation?"

"I won't tell you anything anymore, because you'll always use it against me."

"Rid yourself of that fear of paradoxes. Shall I tell you what may be written on that disc of yours?"

"Now I'm really interested."

"What it says is: what is written here is illegible."

"Very good." Onno grinned. "Very good. Maybe it was written by Epimenides, who said that all Cretans are liars."

Ada's head was spinning. It was as though she were watching an intellectual fencing match: the masked fencers leaped back and forth with their glinting foils flashing between them, too quick to follow. How would she ever be able to keep up? Perhaps she didn't need to; perhaps it wasn't even required. Perhaps it had to remain their own private domain.

While Max phoned Floris in Dwingeloo about the most recent measurements, Onno went over to the window, put his hands in his pockets and said, half to himself, half to her: "This isn't a botanical garden at all, this is a horus conclusus, if you know what that is."

"I'm sorry, I've only been to the conservatory."

"The 'closed garden' where a unicorn lives. That's a kind of terrible wild animal that can only be caught by a virgin, after which it rests its head in her lap. In iconology that stands for the Immaculate Conception." He turned around, smiled at her, and said, "Be careful, my girl."

Everyone, herself included, obviously took it for granted that she would go with them to Amsterdam. When Max asked whether she needed to phone home, she said, "Of course not."

"Won't your parents be expecting you for supper?"

"Perhaps."

His car was waiting in the forecourt. The seats were folded forward, and she had to squeeze in sideways behind the two seats as best she could. A strong wind had come up, and after the drums of punch cards had been delivered to the Computer Institute, they drove out of town. On the way Onno asked cautiously whether it would be a problem having to go to Westerbork eventually when the mirrors were ready.

"Is it near the old transit camp?"

"It's on the site of the camp," said Max, feeling a stiffening in his cheeks. "They're housing Moluccans there now."

"When will they be finished?"

"Probably at the end of next year."

Onno nodded.

They glanced at each other without saying anything.

After Onno had been dropped off at the Kerkstraat, Max and Ada went for a meal in an Italian restaurant, L'Arca, where one shook hands with the owner on arrival. Under a canopy of imitation bunches of grapes and empty Chianti bottles, they talked about Onno, about her parents, about her work — and as she was about to put her knife into the spaghetti, he showed her how to do it without using a spoon. Then she went home with him.

Everything proceeded with the relentless precision of a Bach variation. She realized that this was it. It was going to happen, and that was what she wanted — what she had wanted from the first moment. Of course she'd had boyfriends and had had petting sessions with them— sweaty struggles on beds, student hands trying to get inside her panties, musicians' knees trying to force their way between her thighs; but they always ended with someone trying to open his fly with trembling fingers, which led to breathless arguments, disheveled hair, and crumpled clothes, and sometimes resulted in her face being slapped. It had never actually happened. The thought of it provoked more a vague revulsion than a feeling of desire in her. The fact that men were always after it was part of their nature, their "positive" outward-oriented construction: a penis was like the finger of a glove, but a vagina was like a glove finger drawn inward, and it was a mystery to her that some women were also sexually obsessed.

Wasn't it the difference between visiting and having visitors: if you had to, you could visit everyone, but you didn't allow everyone into your home, did you! In fact, did you ever have to let anybody into your house? Without giving it much thought, she had always more or less resigned herself to the fact that she would never invite a guest in, and now suddenly she was both a guest and a hostess with someone she had known less than half a day. What was it? His smell, the soft consistency of his skin?

"Make yourself comfortable," said Max, after he had closed the curtains and sat down in the green armchair.

He was sophisticated. Most men were stupid and sat down on their sofa themselves, thereby creating the later problem of getting their lady visitors next to them on the sofa. She now had the choice between the other armchair and the sofa. If she were to sit in the other armchair, they would both be staring unnaturally at the exceptionally empty sofa; and in so doing she would have indicated not only what she basically did not want, being a respectable girl, but also what was on her mind. If she sat on the sofa, that might mean that such nonsense had never entered her head, but it would be all the easier for him to sit next to her with his photo album or his stamp collection.

Unlike his friend Onno, who probably had no antennae for such things, he of course registered everything precisely. She was curious about his arts of seduction; she hoped he wouldn't make a fool of himself. Holding her head horizontally, she strolled past his extensive, chronologically ordered record collection and looked at a Magritte reproduction on the wall: a man looking into the mirror and seeing his own back. On the grand piano she struck an A, the D above it, and then the A again.

"A poetic theme," nodded Max. "A pity there's no M or X on the keyboard. You find them only in the highest overtones of a Stradivarius."

"So that's how you see yourself," said Ada, sitting down on the sofa.

"Onno would say: 'I am in the ultimate, metaphysical realms of the completely unknowable.' "

"And what would you say yourself?"

"Nothing."

She was struck by a sudden change in his eyes, like a pair of spectacles misting over in winter when one enters a warm room. She wasn't quite clear what was happening, but she felt that something had been touched and that he probably did not fully understand it himself. She returned his gaze and a silence fell in the room. Outside, the wind was blowing; in the distance there was the faint three-note sound of an ambulance.

"Shall we get undressed," he asked, "and go to bed?"