Harry Mulisch - The Discovery of Heaven

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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The very first day, after a few hours, he realized what he had suspected: that through the centuries the writings about the temple of Jerusalem and the ark of the covenant had formed as vast a conglomerate as Rome itself, in which one thing was built on another and most things were under the ground. He couldn't restrain himself from browsing a little in the countless rabbinical commentaries, having a quick glance at what Philo had written about the ark; in the Middle Ages, Thomas Aquinas; in the Renaissance, Pico della Mirandola, Francesco Giorgi, Campanella; in the sixteenth and seventeenth centuries Fludd and Kepler and even Newton; down to the watered-down views of modern freemasons, Rosicrucians, and anthroposophists.

The existence of all those speculations made him realize even more acutely what a commotion it would cause if the ark actually appeared — but apart from that, it was all much too interesting. He knew from experience that he would never finish if he went into that any further. Via entries in Jewish encyclopedias, not only Hebrew ones, through notes, references, bibliographies, he had to follow the trail closely, trot like a police dog with its nose close to the ground, not looking up or around, ignoring everything that did not immediately serve his purpose. And that purpose was not religious or metaphysical or symbolic but very concrete: did the ark still exist — and if so, where was it?

The following morning he checked all references to the ark, closer to two hundred than a hundred, with the help of a biblical concordance; and in the afternoon he looked with Quinten's eyes at the history of the Lateran palace, the basilica, and the Sancta Sanctorum. When the library closed that evening, he had made a couple of discoveries that would surprise Quinten; but he decided only to talk to him about it when he had more or less sewn things up. At the last moment he had found in a systematic catalog a promising Italian title about the treasure of the Sancta Sanctorum, and because he did not feel like going to the same library again, he first phoned the art historical institute on the Via Omero; it turned out to have a copy too, indeed in the German original. Only when he was on his way there did he realize that he had again put on a tie.

When the librarian saw him, a smile crossed her face. "Did you leave your pious companion at home today?"

"That's my son. He's wandering through the city somewhere, looking for the secrets of antiquity."

"Congratulations. I've never seen such a beautiful boy. The spitting image of John the Baptist in that painting by Leonardo da Vinci." She put out her hand and said, "Elsa Schulte."

Onno started. He put his stick into his other hand, shook hers, and was going to say Enrico Delius, but before he realized it he had said: "Onno Quist."

He realized that he had now driven a hole through his isolation once and for all, but no sign of recognition appeared on Elsa Schulte's face. The book that he had asked about was already on the reading table: Die römische Kapelle Sancta Sanctorum und ihr Schatz: Meine Entdeckungen und Studien in der Palastkapelle der mittelalterlicheren Päpste, published in 1908 by a certain Grisar, an Austrian Jesuit. Now he learned everything — even that the altar was about five feet long, twenty-two inches wide, and three feet high, so that the ark could have fitted into it fairly exactly. But it wasn't in it. He himself of course hadn't doubted that for a moment, and he was apprehensive about having to tell Quinten shortly.

At lunchtime he ate two panini in the canteen and went back to order his notes. Gradually he began to feel like a student who had to do research for his crazy professor, and who would now definitely fail his master's exam, since the results didn't tally with the exaggerated expectations. But at the same time the crazy work filled him with nostalgic memories of the days of the Phaistos disc.

An hour later an intellectual-looking gentleman came toward him. He glanced at Onno's stick, which lay on the chair next to him, and then at his ponytail. With an expressionless face he said: "Hello, Mr. Quist. Nordholt. I'm the director here."

"I know." Onno nodded and looked at him over his reading glasses. He knew because he had appointed him at the time.

"I'm pleased that you are kind enough to make use of our institute. Our budget was cut drastically a few years ago by the then-minister of state, and people have been dismissed, but I hope you find what you are looking for." With a short nod of his head he turned on his heel and disappeared.

Again a score had been settled. Onno had had no opportunity to say anything else, but what could he have said? That the director should go and have a look at Westerbork? That thanks to his financial cuts in the foreign cultural institutes the universe had become twice as big? That it had been a favor to a friend? In any case, the news of his presence in Rome would now quickly get back to Holland; perhaps Nordholt was on the telephone at this very moment, to report that Quist — you know, that one — had gone completely to the dogs. Onno shrugged his shoulders and again bent over his book, but could no longer concentrate. He took off his glasses, looked out the window for a moment, and strolled toward a round reading table in the corner, where international art periodicals were displayed, and also a few Dutch newspapers and weeklies.

As he stood there, he read that yesterday in Rome the trial had begun of a Turk, who four years previously had tried to assassinate the pope. "I am Jesus Christ," he had cried from his heavily barred cage—"the end of the world is at hand!" To think that he had to learn about this from a Dutch newspaper. He leafed on a little, sat down in amazement, and for the first time in four years filled himself in on the situation in Holland and the world.

When he looked up an hour later and realized where he was, he felt as though he were returning from the dead. Nothing was the same anymore. From political commentaries he discovered that Dorus's cabinet, in which he was to have been minister of defense, had survived no longer than nine months; after that Koos and the Social Democrats had left, or had been driven out, after which the cabinet had soldiered on for a little, and meanwhile Dolf had become prime minister. Dolf! Of course! Called a "domestique" teasingly, a term from cycling he understood, Dolf was always underestimated by Koos too. He was welcome to it; during that dreadful boat trip, the last day of his previous life, Dolf was the only one to put a hand on his shoulder. Yes, that's how things went — they had kept the front door in their sights, the gentlemen, but not the back door: the classic error. But not only in Holland had the political situation changed. If he'd become minister of defense, then he would have had to deal with massive demonstrations against the stationing of American cruise missiles; but in the Soviet Union a new secretary-general seemed to have been in control for the past few months — a man of his own age, not with the usual concrete features, but with an open, human face and a calm, determined look.

Suddenly he had the feeling that the world had begun a transformation. How was he to picture it? Was the end of the Cold War at hand? The thought was of course absurd — East and West were still armed to the teeth — but he felt as though he had just looked at the world like a chess player, who on first seeing a game played by two other people immediately saw a possible conclusion, which still escaped the two players. He closed the papers and magazines and stared out of the window. Was it conceivable that by the year 2000 the Communist party in the Soviet Union would be forbidden? Of course that was inconceivable, but was the inconceivable precisely about to happen? Was his numb left side — as the result of a right-wing breakthrough in his head — perhaps a political prophecy? He was amazed at that brainwave; was he in the process of adopting Quinten's way of thinking? At the same time that thought reconciled him a little with his discomfort. Lenin, he remembered, had had a stroke at about the same time, but he had had his right side paralyzed.

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