Harry Mulisch - The Discovery of Heaven

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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In the dark shed Max now had his eyes wide open. Again and again he brought the empty glass mechanically to his lips and put it back again; it was as though in the darkness the mists of alcohol cleared, but at the same time he knew that this was not the case. He suddenly saw an enervating drawing from a still more distant past, while he remembered immediately where it came from; from the translation of a popular book by Gamov, One, Two, Three.. Infinity, which he had read when he was seventeen and which had played a part in his decision to become an astronomer. Gamov, he had later learned, had first made the Big Bang theory scientifically acceptable and in 1948 had predicted its echo, the cosmic background radiation observed in 1964, which finally established the theory. His hand-drawing in the book showed a topological distortion of a man walking on earth and admiring the starry sky: everything was turned inside out. If in reality the organs were all enclosed in the body, which was surrounded by the universe — with the only access to that outside world via the mouth, the alimentary canal, and the anus — now the internal had become the external: his intestine stretched out limitlessly like extestines, while the universe, full of planets and stars and spiral nubulae, had become the interior of the man, where he was still walking inside out on the earth and which his eyes were still looking at. Who was the wretched man? Himself, looking through the vanishing point into the negative space-time to the far side of the Big Bang? God? Or was it perhaps a woman? Was it Ada, in her womb the tumor that had taken the place of Quinten? Or was it his own mother, with him in hers? The mother of the universe. . Ada and Eva.. Women. . only women. .

Again he had fallen asleep. When he woke up he felt tired and happy. He was now in his fifties and he was still preoccupied with the same things as when he was seventeen. Had anything really happened in his life since then? There was no break, as there was with Onno; the boy he had been had no need to be ashamed of him. He got up and again thought of the child that Tsjallingtsje wanted by him. Of course: Octavia! He couldn't make the child tonight — he was too drunk for that; what's more, the coil was still in place. He opened the door and with the handle in his hand he stopped.

Where was Onno? Who had Onno become? How was it possible that he could deny his child so completely? And poor Quinten himself — who was farther away for him now, his mother or his father?

The house was dark, the garden lay silently in the moonlight. Janácek, he thought. Fairy Tale. Forcing himself not to stagger, he walked down the path to the erratic stone, on which he sat down to have a break. The March night was cool and damp. Was it all nonsense that he had thought up? Had the VBLI really seen the primeval singularity, perhaps seen right through it, into another, timeless world, which was therefore larger than the universe? Wasn't he forgetting something? How drunk was he, actually? How was it possible to demonstrate that none of this was the case?

If something like that were possible, then at least an enormous red shift must have taken place — so great that it did not occur to anyone. The maximum that had been measured up to now, in OQ 172, had a value of 3.53; the lyman-line had found its way into visible light. For MQ 3412 they were now looking somewhere between 4 and 5, but perhaps you should look around 20, or 50. Or 100! No one in his right mind would look there, not even Maarten. What would such a shift be good for? He tried to calculate, but he was no long capable. Somewhere on the shortwave band, probably. Perhaps some radio ham had once received a singular voice: "I am the Lord thy God!" — after which he had turned the dial in boredom because he thought he was dealing with a weirdo on the air! Obviously not a second Moses!

Max raised his arms, threw back his head and began laughing loudly.

The thunderous impact with which a white fireball, like a rocket from the sky, hit the stone on which he was sitting scorched all the trees and plants in the garden. It shattered the windows of Tsjallingtsje's house, the curtains caught fire, and the explosion woke up the whole village. Everywhere dogs began barking, cocks crowing. For miles around, lights went on in panic and out of the windows people began shouting to each other that it must be a gas explosion. The following day even the erratic stone seemed to have partly evaporated.

That was how Max finally made the world press — not because of his cosmological hunch, which remained unknown, but because of the unbelievable coincidence of his being in the place where he was. As far as was known, the only person who shared his fate was a seventeenth-century Franciscan monk in Milan. The direct hit had left nothing more of the unfortunate Dutch astronomer than is left of an ant when two flints strike.

Experts assumed that the meteorite had been the size of a fist. Only tiny fragments had been recovered, from which it could be deduced that this was a stone meteorite, an achondrite, over 4 billion years old, probably originating from the area between Mars and Jupiter.

In accordance with international custom the celestial body was named after the nearest post office: the Westerbork.

50. The Decision

Four days later, at the funeral in the churchyard of Westerbork — to the strains of Janácek's Fairy Tale —Quinten did not dare ask himself what was in the coffin that was descending into the earth. Surrounded by astronomers and technicians, he glanced at Sophia, who stood arm in arm with Tsjallingtsje. Was there anything in it? But what had happened only got through to him with a jolt a month later.

Sophia and he had been invited by Theo and Selma Kern to dinner for Easter. Sophia had provided the wine, and around a great dish of pot-au-feu with horseradish they were talking about the gigantic Easter bonfire that the baron used to light every year on the grounds near Klein Rechteren — a tradition that had not been continued after his death. According to Kern, the reason was that there were no other country noblemen living in the area; they were more to the south, in Overijssel and Gelderland. Gevers had been the northernmost nobleman. Since the old baroness, together with Rutger and his hundred-square-yard curtain, had recently moved in with her daughter in The Hague, who ran a flourishing beauty salon for a select clientele, the rabble would shortly appear in Klein Rechteren too and destroy it.

"I'm a simple man of the people," he said. "My grandmother was a water-and-hot-coal seller in Utrecht, with sand on the floor, but if I have to choose between the nobility and the rich rabble, then I don't have to think for very long. Of course the aristocracy is also rabble, everyone is rabble, but they at least have style."

"You're getting old, Theo," said Selma.

"You're telling me. And just as well."

Quinten looked at him. The sculptor sat on his chair like a gnarled, snow-covered pinecone; his bare right foot was lying on a white linen pouf, the ankle swollen and the skin purplish, as though he had stepped in a jar of blackberries. Did the aristocracy have style? Quinten was reminded of Roskam's father, who had had to bury his cap on the orders of Rutger's grandfather. Yes, perhaps that was style — but a particular kind. On the other hand, the baron had left him lots of money because he had looked after the grave of Deep Thought Sunstar and had taught Rutger to weave. Perhaps the thing was that the aristocracy really thought there were two kinds of people: on the one hand themselves, with the queen at the head, and on the other side ordinary bourgeois people — in the same way that there were men and women. He would like to talk to his father about that, but he had disappeared.

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