Harry Mulisch - The Discovery of Heaven

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The Discovery of Heaven: краткое содержание, описание и аннотация

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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"Who do you think you're kidding?" inquired Helga. "Me or yourself?"

Onno fell silent and sighed deeply. "What an insufferable woman you are. Of course I'm kidding myself. But couldn't you have allowed me a little more time to do so?"

"I know exactly when you'll pick up the telephone and call your embittered comrades."

"And that will be?"

"When you get home in a little while and see the yellowed papers of your disc hanging on the wall."

He looked at her severely for a few seconds. "Do you think it's decent to know someone so well? It's not at all what's needed between man and woman. Between man and woman there should be nothing but misunderstandings, so that they can be overcome by physical intercourse."

"Forgive me."

He took her hand and planted a kiss on it. "Where would I be without you?"

And a few weeks later he sat on a bench, which was in fact too small for his bulk, in the Lower House as a member of Parliament and groaned as he listened to the government's policy statement.

The Phaistos disc had driven him back to The Hague. Just like most of his colleagues from the previous cabinet, he could have applied for a job outside politics — he might have become director of the Foundation for Pure Scientific Research, or mayor of a municipality like Westerbork, before receiving the sarcastic congratulations of his eldest brother; but he did what according to him befitted a politician in his circumstances: he joined the opposition, which was now led by the ex-prime minister.

Apart from that, none of those social functions accorded with his character. He had never felt like a real politician; but real politicians had in common with him the fact that in the last instance they were bohemians, street urchins, not to say street fighters, marginal figures, adventurers. And he soon realized that in a certain sense he was more in his element as parliamentarian than as a member of the government: he was better at caustic interruptions than wise policy. He created a political squabble in the blink of an eye. In response to developments in left-wing Holland, the two most important Protestant parties had merged with the Catholic party into a general confessional party; but in fact the Catholics had simply annexed the Protestants — the iconoclasts had finally been subdued by the idolaters — which prompted him to go to the microphone during the annual debate on government policy and say to the new ultra-Catholic prime minister that the revolt against Spain, out of which the nation had been born, had obviously been fought in vain. In saying this he had cut Holland to the quick, obliquely involving even the royal family, and the observation created a commotion in the papers and on television for weeks.

But when he saw the face of the prime minister stiffen, he felt disgust. Not because he was doing something to him — because his opponent was precisely a master of that style — but because again it was the words that were doing things. Now that he was a monitoring member of Parliament with no power, his world in fact turned out to be even more rarefied and abstract than it had been when he could still make decisions. That had an immoral dimension, as he had put it to Max — it was acting without doing anything, but at least it led to results. Now his speaking was on the one hand no longer action, on the other hand still not normal speech, but a hybrid, bastardized activity — in the chamber of the house, in committee rooms, and all those other forums of verbal conjuring in Parliament light-years removed from reality. It all happened in a glass bowl, which only Max might one day see thanks to his thirteenth and fourteenth mirrors, which Onno had long since been able to secure for him and which were now under construction.

"Do I really have to go on doing this for four years?" he asked Helga reproachfully as he sat on her sofa. "And perhaps for another four years after that? I'll be fifty-two by then! How long can you be a democrat with no power?"

"Who knows," she said. "Perhaps there'll be another crisis soon, or something unexpected will happen that will change everything."

"Oh Lord!" he exclaimed. "Make all things new!"

There was no interim crisis, and for the four years that the despicable, scandalous right-wing cabinet was in power — as the counterpart of the Spanish-Catholic-Habsburg tyranny in the sixteenth century — he saw Quinten even less than before — no more than a couple of times a year: on his birthday, at Christmas, at Granny To's funeral — partly because he no longer had a chauffeur-driven car, and not even one without a chauffeur, because neither he nor Helga had a driver's license: driving, in his opinion, was for chauffeurs and not for passengers like him. Increasingly, Quinten became an incident from the past for him.

But at Groot Rechteren life went on even without him. Since Quinten had appeared at the door of Sophia's bedroom that night, she had, as Max had expected, no longer appeared in his room. After seven years of clandestine faithfulness, which at the same time had been thrilling deceit, and after a few weeks of celibacy, he had started an affair with a secretary at the observatory in Dwingeloo — Tsjallingtsje Popma, a tall blond woman of about thirty, with a good figure but also with a severe rural Christian appearance.

She looked like a sculpture by Arno Breker, Hitler's favorite sculptor. Whenever she saw him, in his elegant, worldly outfit, a look of deep revulsion and contempt had appeared in her eyes; that had left him indifferent, although he had interpreted it from the very beginning as a declaration of love, because of course one did not look like that at someone one scarcely knew. But with the help of his self-denial she began to excite him more and more each day. The very first evening after he had proposed going to see the new moon with her, in the thundering silence on the heath her virtuous revulsion turned into struggling lust and loud cries of "Oh God! Oh God!" which frightened the grouse and heath frogs, so that with his trousers around his knees, he stopped with a laugh and listened to hear whether any alarmed astronomers were approaching.

But afterward: blood and tears. He had deflowered her.

"I'm so ashamed, I don't even know you…"

"Well, we have that in common."

She lived in a rented room in Steenwijk over a little stationer's, which also sold postcards and photo albums. One of the things that made him grow fond of her was the touching, girlish interior, with a little collection of old tin toys; because it had gotten too expensive for her in recent years, he occasionally bought her a colored wind-up bird when he was in Leiden.

They did not talk much, least of all about him and his life: they listened to music, he unfolded his radio maps, she made a cable-knit sweater for him that he would have to wear, and after taking a shower he went home. Although she had once asked him, he never took her to Groot Rechteren — although it was not primarily out of consideration for Sophia. Since after all there had never been anything between Sophia and him during the day, after a few months he had told her casually in the kitchen:

"Oh, by the way, I should tell you something, Sophia. I've got a girlfriend."

"How nice for you," she said, without looking up. "I can smell that you occasionally use a different soap."

"Respectable woman — a vicar's daughter from Enter," he added, but she didn't ask anything more; nor did she indicate that she would like to meet her.

They never talked about it after that. But it was mainly Quinten who prevented him from introducing his sturdy, affectionate Tsjallingtsje. Groot Rechteren was first and foremost Quinten's domain, which Max must not disturb with his private frivolities; apart from that he was a little frightened of the look Quinten might focus on her. Nor did he discuss her with Onno.

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