Stanley Elkin - Boswell

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Fiction. BOSWELL is Stanley Elkin's first and funniest novel: the comic odyssey of a twentieth-century groupie who collects celebrities as his insurance policy against death. James Boswell — strong man, professional wrestler (his most heroic match is with the Angel of Death) — is a con man, a gate crasher, and a moocher of epic talent. He is also the "hero of one of the most original novel in years" (Oakland Tribune) — a man on the make for all the great men of his time-his logic being that if you can't be a lion, know a pride of them. Can he cheat his way out of mortality? "No serious funny writer in this country can match him" (New York Times Book Review).

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“No, no, Bogolub misunderstood,” I said. “I want to fight him.”

“The Reaper pulls here. You’re nothing.”

“Of course,” I said. “I want to see him because I thought of a new routine.”

“He’ll be when he’ll be.”

“He’s not in town?”

“How do I know where he is? He could be with a floozy on Market Street. What do I know if he’s in town? That old man. That’s some old man.”

“Lee Lee?”

“What?”

“This shit about The Grim Reaper, what do you think about it?”

“A terrific idea. Brilliant.”

“Then you don’t believe any of it?”

“Come on,” Lee Lee said.

“It’s just a stunt,” I said, “like The Masked Playboy?”

“Well, that I don’t know. I’ll say this. I been promoting matches in Louis since 1934. Reaper was one of my first fighters.”

“That’s only sixteen years,” I said.

“Kid,” he said. “Kid, he was an old man then!”

I worked out listlessly with some of the other wrestlers on Friday’s card and at two o’clock I went back to my hotel.

I called all the hotels again. It took me an hour and a half. I left messages with all the clerks. Then I slept. I dreamt fitfully of John Sallow and awoke at ten with a headache. I wondered if I had been awakened by the telephone. I had to talk to him. Oddly, I realized, I was no longer worried about the fight. It was Sallow himself that interested me. I was curious about him. Oh, Herlitz, I thought wearily, I thought all that was over. But then I thought, no, that business wasn’t behind me yet. It never would be. The Masked Playboy unmasked. It was all true about me, as true as it may have been about Sallow. These things were no accidents. Gorgeous George is gorgeous. We were like movie stars playing ourselves. I was, spiritually at least, a rich man’s son, a bored darling of no means, of no means at all. The last two years had been nothing more than an extended vacation from myself. But Sallow had suddenly changed all that. I was too interested in his curious achievement. I was a little ashamed, but there it was. Was I, after all, a mere seeker of the picturesque? That’s what my sloppy concern with greatness boiled down to. Now my morbidness had led me back to myself. Transients within transients. Okay, I thought, here is where I live. Now just let him call.

I didn’t leave my room for fear I would miss his call. Again I had room service bring my dinner. I had them send up the papers, too, and I pored hungrily over the society pages and gossip columns. Where I lived, I thought. St. Louis was an old town. It had an aristocracy. Even after two years, their names were still familiar to me. I saw a photograph of Virginia Pale Luddy, the daughter of Roger and Eleanor Pale Luddy. I called Information, but it was an unlisted number. I asked Information to speak to her supervisor. I lied, I hinted at emergencies, but she wouldn’t give me the number.

“May I speak to your supervisor, please?” I said icily.

“I’m sorry, sir. It’s after midnight. If you’ll call back in the morning you can speak to Mr. Plouchett.”

“How do you spell that?” I demanded.

Of course I didn’t call Mr. Plouchett in the morning. It was just a threat. To get in shape. I was out of condition; all that was working for me was my will. I couldn’t even generate any of my old belief that something would happen. Almost fondly I remembered that old foolishness, a faith in the thermodynamics of forever ripening conditions. But that was in another physics. Now I could not even seduce a supervisor into revealing an unlisted number. What I might have said to Virginia Pale Luddy had I actually reached her I could not even think about. That was a luxury which was beyond the hope of any merely masked playboy. At least, I consoled myself, I knew where I stood, and, more vaguely, what I stood for. I could take it up again soon.

I waited for The Reaper’s call. It did not come. I fell asleep.

That night as I lay fully clothed upon my bed, dressed in newer versions of the clothes I had worn in the schoolyard all those years before, Herlitz appeared to me in a dream.

It was the oddest dream. I could see just his face. It never moved; it hung, suspended, on its dream horizon and I could not tell whether it was only a picture of Herlitz’s face or the face itself. It did not move, but there was an astonishing depth to it. I could make out the shadowed interior of wrinkles, almost feel the oily film inside the ancient creases of the yellowing face. The expression was complex, but it seemed impatient, vaguely disappointed. Clearly it felt I was responsible for its displeasure, but when I addressed the face to plead my innocence it did not change. Suddenly I shifted. I accepted everything, all that it could possibly accuse me of had it spoken. I eagerly assented, heaping guilt upon myself as one rubs precious oils into his skin. I proposed charges and agreed to them, my remissness, my drifting, my lack of care. I promised that I would work again on my files, my journals, that I would go through them ruthlessly, excising all reference to the merely mediocre, that they would be updated. I confessed solemnly as I gazed at Herlitz through tears, as I spoke to him through a sob- choked throat, that I had been disloyal to his spirit and I promised to change. Still the face remained the same. Then I shifted a second time. I told the face to forget about me, to go about its more important business. What was I, anyway, I demanded. A mistake, an experiment gone sour — all scientists had them, I reassured it. Let it cut its losses and be at peace. It had Schmerler, the German army, the famous Harvard classes of 1937 through 1945, the man in monorails. What did it need Boswell for? I answered my own argument. It wasn’t true about the one sheep out of the ninety, nine that went astray. That was lousy shepherdry, I insisted, God’s awful agriculture; returns diminished, I reminded it. The face remained unchanged. It hung above me like a clouded moon, still eternal, in suggestive incoherent depths. All right, I said at last, tomorrow was Friday. I would fight the Angel of Death for it. How was that? It wasn’t what we had agreed upon. I knew that, I said, but things change, conditions ripen. I hadn’t forgotten that I wasn’t a great man, I told it. Sandusky had taught me that much. (And, incidentally, how was Sandusky? Was he getting on? Was there a gymnasium for him, I asked slyly.) And anyway, I would probably lose. If I did lose, that would take care of the question of my greatness permanently, right? The face did not respond. Of course, I realized, it’s a picture after all. How could a picture respond? Just my guilty imagination groveling before a graven image. Right? Right? God damn it, right? Well, shine on, harvest moon, I said, and go screw yourself. It was useless to plead with a madman, I told it, and resolved to wake up.

I struggled out of my sleep like a person trying to move one particular finger on a hand that has gone numb. The strings are cut, I thought. Someone’s cut my strings. I looked quickly up at the face; I was positive I would catch it in a smirk. It had not changed, and I returned sadly to the job of loosening myself, and finally found myself and floated up to myself as sad in wakefulness as I had been in sleep. Instantly I knew the meaning of the dream.

Conditions do not ripen. Things do not happen. Nothing happens. We are like poor people on Sunday. We’re all dressed up but we have no place to go.

I chose my clothes slowly, ceremonially, changing from one pair of seven-ninety-five slacks to another pair of seven-ninety-five slacks, like a matador into his suit of lights.

I called the desk. “Are there any messages for me?”

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