Stanley Elkin - The Rabbi of Lud

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Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn’t want to live (or die) anywhere else.
As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it — or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.

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Though if those assorted Sabras, balebostes and chaverot, the Fannies, Joans, Sylvias, Miriams, Elaines, Roses and Nao-mis, showed an interest in me — I mean in the fascinated, spellbound sense of the word — why, I was no less interested in them, all my powerful, exiled scholar’s instincts alerted to their own peculiar gynarchic routines. Joan Cohen shopped, one of those lanky, elegant women who wore her boots and leathers, suedes and woolens, their textures graduate as the gauge of knitting or the finish on sandpaper, and all her colors flat and dull as the shades on maps, as camouflage, as if fashion were only a step from actual blood sport. It was as if, her tints bleached by distance, you perceived her through binoculars, some quick tweed movement in a field. She looked like someone who could hold liquor. Because she seemed so efficient, she was probably the least credible of the women in the group when she opened her mouth to sing.

Joan Cohen shopped and Elaine Iglauer moved. She was one of those Jersey rovers — it’s a phenomenon I’ve only observed here — who regularly changed houses, trading up or down or even. Changing towns, following the school systems, following the country clubs, on the spoor of the fashionable synagogues. Once, it’s claimed, she actually bought a house because the town it was in was reputed to have a good newspaper. In the years we’d lived in Lud, Elaine Iglauer had lived in seven houses in six different towns and, word had it, was now on the trail of another.

But all these women— good old Shelley! — were on one trail or other, hot pursuit a way of life. Joan Cohen’s shopping sprees, Elaine Iglauer’s house hunting, Naomi Shore’s and Rose Pickler’s romantic involvements, even, I suppose, Fanny’s and Miriam’s divorces and subsequent marriages, and their flattering, collective forays into my (as the rabbi of opportunity) customs — oh, oh, how they stormed my fort! — and secrets — the question of sugar, the mystery of milk. The dietary proprieties and pieties. For openers, for conversational spur-of-the-moment ploys — a fishing expedition.

What, fishing myself, I might have told them!

That Lord-of-Kit-and-Kaboodle set Eve up, that He was never any equal opportunity Creator, that He disdains women — He doesn’t like the way they smell, as a matter of fact, and that’s why He makes such a big deal out of the mikvah, the ritual bath they’re supposed to cleanse themselves in after their menses — and why He never took a Goddess; that He isn’t even very interested if you want to know the truth, and never came on to one as a shower of gold or swan or any white bull either, and that the only books in the Bible named for women, Ruth’s and Esther’s, are — what? — ten lousy pages. That He’s this man’s-man God; that that’s why He gave them periods in the first place and relented only after He invented hot flashes and then gave them those instead; that as far as He was concerned they could stay in the tent barefoot and pregnant forever at the back of the bus, and that that’s why he made them beautiful, snappy (looking at Joan Cohen) dressers, good (glancing at Miriam Perloff) at real estate, interested (tucking my thumbs into my suspenders and taking all of them in at once) in the big questions. That this was why I had seen my Connie cry but never heard her whistle.

But this is what I thought, not what I would ever tell them. I’m only the Rabbi of Lud. You go along to get along.

Telling them nothing and settling instead for the cheap — my God, how difficult it is to have power, to be, I mean, however adjunct, however peripherally, in the glamorous way — some idol of the amateur, a rabbi, any insider — thrill-a-minutes of any on-site, backstage reality. Giving them instead, Shelley’s susceptible ladies, eyewitness, hands-on experience.

“Oh, Con nie,” raising the window in the rec room where they’d been rehearsing, I called out sweetly, “ Con nie darling.” She was out front, risking the funeral corteges, which were the street’s only traffic, rather than play in our backyard that looked out on Lud’s biggest cemetery, gravestones floating on the level, becalmed surface of its unleavened earth like buoys. She was biting her nails, mauling her fingers with her mouth, drifting from station wagon to station wagon, aimless as a kid with a collection can at a red light.

“Connie,” I called, “shouldn’t we be doing Stan Bloom now? Come inside, sweetheart, and we’ll get to him while we’re both still fresh.” As I’d promised Al Harry, I’d been praying for Stan Bloom’s blood count, getting up Stan’s prayers with my daughter like a kind of 4-H project. “Come on, darling, you’ll play afterwards.” I lowered the window again. “I’ve this very dear friend in Chicago,” I told the ladies. “Connie and I have been praying for him.”

“A rare blood disease. He was on his last legs,” Shelley chipped in. “But Jerry thinks he may have caught it in time.”

They trembled, I tell you, shuddered. A small seizure. The chill of awe. Because people believe in intervention, in salvation and influence like a fixed ticket.

Connie lumbered in, the little girl all bulked up in her resentment as if it were a kind of steroid.

“Go wash,” I murmured.

“Ahh,” quivered Elaine Iglauer, Sylvia Simon and Joan Cohen together.

“Excuse me,” I told them, “I really ought to brush my teeth first.”

“Hmn,” vibrated Miriam Perloff, Rose Pickler and Fanny Tupperman.

When I came back I was wearing my yarmulke, I was wearing my tallith.

“Should we leave?” Naomi Shore asked.

“Not me,” Shelley said.

“That’s all right,” I said. “We’ll be in my study. Connie?”

“Here I am, Dad.”

I began with a couple of broches, laid on a Sh’ma, then, before they knew what had hit them — I could hear their attention through the thin walls — I was into my theme.

“Teller God of Collections and Disbursements, of Bottom Lines and Last Dipensations,” I prayed, “Lord, I mean, of Now-You-See-’em-Now-You-Don’t — Your servant, Jerry Goldkorn here with his lovely daughter, Constance.”

“Da-ad,” Connie bleated.

“—his lovely daughter, Constance.”

“Dad!” she scolded.

“Jerry Goldkorn here. Beseeching You from his hideaway in Jersey, Jersey Jerry Goldkorn. With my daughter at my side — the lovely Connie. As if,” I continued, “You didn’t know. Who knows everything. Eh, Old Sparrow Counter? Where we’re coming from. Why we’re here. You know what we’re up to. I don’t have to tell You !

“It’s Stan Bloom’s blood count again. Back in Chicago. In the Kaplan Pavilion. A young man. In his early fifties. With a lymphocyte count of a hundred and fifty thousand bleaching his blood. To only seven or eight grams hemoglobin. Is this a way to do a young fellow? Fix my old pal’s ratios, Lord. Bring that white smear down where it’s manageable. Down to ten, fifteen thousand. Beef up his red count to acceptable levels — twelve, fourteen grams.

“We have not yet forgotten Hebe Heldshaft, the Yiddish Mockeybird, whose falsetto prayers raised up a melanoma on his vocal cords like a welt to Your glory. Or those other good lads from the minyan — Norm Sachs, Ray Haas, Marv Baskin.

“Do what You can, would You? Grant our prayer. Oh, by the way, this happens to be a challenge grant. The kid’s faith is riding on it.

“Have you something to add, darlin’? Is there anything you’d like to say?”

“No,” she said.

“Connie joins me in the Amen.”

I could feel the frissons through the walls.

They so admire a rascal, other people’s cynicism. I was their rascal of God. Only Constance did not admire me. Though I was doing this for her. Getting His attention for her. Only for her. I wasn’t showing off for the women anymore. Not for Joan Cohen with all her wardrobe or Elaine Iglauer and her trade-up heart. Not for Naomi or Rose with their easy Valentine acquiescence. Or any other of those predisposed ladies, choir girls, songstresses for God. Not even for Shelley. (Though ultimately, I think, nearly everything I do is for Shelley.)

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