Albert Cossery - Proud Beggars

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Early in "Proud Beggars," a brutal and motiveless murder is committed in a Cairo brothel. But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life.
Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

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“Well, my son! You’ve seen the misfortune that struck me! What did I do to God?”

“It’s nothing,” said El Kordi.

“What! You think it’s nothing. By Allah! Such a crime! And in my own house!”

“These things happen even in the best houses. Believe me, you’re worrying about nothing.”

“May God hear you, my son! I feel as old as the world.”

“You, old!” El Kordi laughed. “Come on! I’ll take care of you if you’d like me to.”

“Be quiet, you shameless child! I could be your mother.”

These vehement protests of an indignant woman were only show; El Kordi knew this and found it entertaining. He saw her squirming on the couch, aroused, he thought, by his lewd allusion. But the truth lay elsewhere; at the moment, Set Amina was far from being responsive to this kind of flirtation. One thing above all worried her: the conversation in a foreign language that had taken place that memorable night between El Kordi and the police inspector. She leaned forward, grabbed the young man’s arm, and pulled him toward her.

“Look in my eyes and tell me the truth.”

“What do you want to know?” asked El Kordi, a little disturbed by this behavior. Did the poor woman seriously believe he wanted to sleep with her?

“Tell me. What was he saying to you in English?”

“Who, woman?”

“The police inspector. You spoke in English. I didn’t understand, but I know it was English. I’m not stupid, I can recognize languages.”

“It was a conversation of a private nature,” said El Kordi. “It had nothing to do with the crime.”

“You’re sure? He didn’t talk about me?”

“Not one word. On my honor! Don’t worry!”

“He predicted the worst misfortunes for me. What have I done to that man? Why is he blaming it on me? Do I look like a killer?”

“It’s his business to frighten people. He tried to impress me too. But I assure you: it had no shred of importance.”

“I’d like to believe you.” She thought a minute, then with a curious smile said, “I thought that was it.”

“What do you mean?”

“It didn’t take me long to know what kind of man he was. May Allah preserve me! He’s a pederast.”

El Kordi fell back in his chair and broke out laughing.

“Really?”

“As if you didn’t know,”’ continued Set Amina. “And him making eyes at you! I saw it all. Next thing you know, he would have kissed you on the mouth.”

“I did suspect it a little,” El Kordi admitted.

So, nothing escaped the old procuress’s vigilance; she had figured out Nour El Dine from the first. El Kordi was ashamed of his lack of perspicacity. What a pitiful figure he must have cut during that scene of base seduction! The way he let himself be fooled was unpardonable. And he thought that he made fun of authority!

“Since you are so close to him, try to soften him up a bit. Ask him not to give me such trouble.”

“What are you saying, woman? I am not friendly with him. On the contrary, I am preparing several nasty surprises for him. What do you take me for? I am not the young seducer you imagine.”

“Don’t do that, my son! You want to ruin me! Look at this house, what sadness! And these girls who now spend their time sleeping. They’re learning terrible habits. How am I going to give them back a taste for work?”

“I’ll lend you a hand,” offered El Kordi. “Nothing would give me greater pleasure.”

He stood up.

“And now I must leave you. Peace be with you! Is Naila in her bedroom?”

“Yes, where else? I tell you, all they do is sleep. They don’t seem to have any idea of the fate that has befallen us. I’m the only one here who worries. Well, try not to be conspicuous when you leave; apparently there is a plainclothes policeman prowling around the house.”

“Don’t worry. I’ll be careful,” promised El Kordi.

Naila’s bedroom was like all the other bedrooms where the girls carried on their work of prostitution, but each time El Kordi crossed the threshold, he felt a vague uneasiness, a kind of superstitious fright. This painful sensation was due, in large part, to the medicinal odor that permeated the musty atmosphere of the room. He could never take his mind off the medicines that were hidden in the mirrored armoire so as not to frighten the customers. It was only through them that he was aware of his mistress’s disease; they were the only visible sign of a suffering whose inward depth went beyond his understanding. Never having been sick, El Kordi had the tendency to judge the suffering of others by the outward signs of their illness. Since the tuberculosis that gnawed away at Naila didn’t manifest itself by any visible wound, he felt only pity for her, tinged with skepticism. At bottom, this odor put him in an awkward position; it suddenly reminded him that he was in a sick person’s room. It was very disagreeable. He had come there animated by sensual desires, with the intention of making love and not of feeling pity.

Now, however, he felt a sudden pang, and he was overcome with immense tenderness at the sight of the young girl stretched out on the bed. She was lying with her eyes closed, breathing unevenly, her pale face imprinted with extraordinary sadness. In his confusion, El Kordi had trouble recognizing her; for a moment he forgot the demands of his sensuality and thought only of saving from an abject death this creature that blind destiny had thrown in his path.

He approached her bed.

“My darling!”

Naila opened her eyes and looked at him with astonishment.

“It’s you!”

“Yes, my darling. How are you?”

“What’s it to you? Since when have you been worried about my health?”

She’d already taken the offensive; as usual, she wanted to complain of her loneliness and prove to him that he couldn’t do anything for her.

“I couldn’t come earlier. You don’t understand: the house is surrounded by police.”

“So the police frighten you now. I thought you would go through flames for me.”

“That’s true, my darling! But it’s not just the police. The truth is, I was busy with a lot of things. I must get you out of here as fast as possible. I’ve decided you cannot continue this life.”

“You’ve decided! Well, let me tell you that it’s my life, and that I don’t want any other.”

“Please understand: I want to see you happy.”

“Hah! How do you plan to make me happy? With your lousy ministry pay you couldn’t make a starving cat happy.”

“I’m going to make a lot of money very soon,” said El Kordi with boyish enthusiasm. “I’m onto a colossal affair. Trust me.”

He didn’t believe a word he was saying, but that wasn’t the point. The point was to appease Naila’s anger with appropriate, inconsequential lies. Anyway, deep down she wanted nothing better than to believe him; no matter how she tried to resist, she always abandoned herself to the beautiful words her lover lavished on her. This whimsical love that she had inspired in El Kordi filled her with pride. He was so different from all the other men she had met in Set Amina’s house. And although he was as poor as a beggar, his social standing was far above hers. For one mustn’t forget that El Kordi was a civil servant and belonged to a superior social class. Beaten down by the wretchedness of her condition, Naila could only explain the young man’s strange passion by his strong physical desire for her. She had thought at first that the sickness with which she was tainted would alienate him, but contrary to her expectations, she was amazed to find him more ardent, more passionate than ever. The young man’s morbid attitude puzzled her. She didn’t know that El Kordi considered her the scapegoat of a social system that he abhorred, and that, sick or not, in his eyes she personified the image of a disinherited world.

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