Will Self - Walking to Hollywood

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Walking to Hollywood: краткое содержание, описание и аннотация

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This title is an extraordinary triptych in which Will Self burrows down through the intersections of time, place and psyche to explore some of our deepest fears and anxieties with his characteristic fearlessness and edgy humour.

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By the time I had reached the middle of the bridge, and was standing there listening to the wind shear lament through the cables, and watching the drop yawn below me, I had succumbed to its sublime contours. If the monumental was an architecture of social control, then what could be said of monumental bridges, save that they were very obviously for jumping off — that they in fact ordered you to jump off them? ‘Jump!’ they bellowed, sergeant-majors on the vast parade ground of civilization, and so the Mayans, the Easter Islanders, the Norse Greenlanders, the Romans and now the entire West did their bidding.

What possible purchase could Section 2193 of the State of California’s Penal Code have on the profound gravity of this situation; for this was about physics, about small things and big things — people hardly entered into it. And in those last few moments, when a woman in a hijab heading one way and a Japanese — American woman eating a beanshoot salad from a Tupperware container as she strolled the other, simultaneously gasped as I vaulted nimbly on to the thick, rivet-warty girder of the balustrade, my loved ones were of scarcely any concern, being irredeemably actual size.

I had hoped… for what? A game of Scrabble on the way down, or to get married, or at the very least to link hands with a serendipitous octet of fellow self-murderers — the drop had certainly looked big enough for such skydiving antics. After all, the waves in the bay were wrinkles, while from up there downtown San Francisco had no more civilization than a playroom Lego ruin.

As I fell towards the deceptively yielding pavé of the bay (and, believe me, like all suicides, I knew just how hard the impact would be, foresaw entirely the Faroese slaughter of my expiration: a small pink whale gashed open and wallowing in a cloudy red stain), I also anticipated feeling this consolation: that I had cast the beastly Barbour aside, and so was meeting my fate without any baggage at all , no plasticized Beethoven, no paperback Great Expectations , no rolled-up plastic trousers, no waxed cotton class suit; I was going to my execution as every baby-boomer should: in a T-shirt and Levis, bravely refusing Ray-Bans.

So it was with a sense of fretful — almost pettish — annoyance that I realized Death was bopping me on the head without any more ado, that my extinction, far from being profoundly protracted, was to have all the grand tragedy of a prankster creeping up behind me and suddenly yanking down the woolly hat I’d forgotten I was sporting, so that I was entombed in a tickly darkness — for all eternity.

I came to in a large poorly lit room notable for a tacky earthenware statue of the Buddha on a low table. This Gautama had an expression not so much spiritual as obscurely self-satisfied, while the joss sticks set before him curdled brown smoke into the gloom. Around me shuffled the shades, all dressed in floppy shirts and baggy pants of faun, umber and other earthy tones, which looked to be woven from flax, or hemp, or some other retro-fibre.

My groan hearkened one of these souls to me; he or she was suitably inter-sex, with sepia hair scraped into a mule tail and circular wire-rimmed spectacles. ‘Would you like an urbal tea?’ he or she asked gently. ‘We’ve got most varieties, cardamom, caraway seed, ginger?’

‘Whatever,’ I pleaded, and he or she footed soundlessly away.

A lissom man, with a sandy trowel-shaped beard and the tense look of someone who practises yoga furiously, mounted the low platform behind the Buddha and concertinaed into a full lotus as easily as I might’ve scratched my arse (when alive). Despite my recent death I could sense the aggression radiating from this man, and as he picked up a small brass mallet and tapped a bell his mild features writhed with barely repressed fury.

I was remarkably unfazed.

‘For our dharma discussion today,’ announced the sandy Sangha, ‘I will be taking suggestions; anything you wish guidance on I am happy to consider—’

‘It’s vervain,’ said the shade, pressing a tepid mug into my hand. ‘Enjoy.’

Remarkably unfazed because this all seemed altogether just: that the Tibetan Buddhist cosmology should turn out to be correct and that my own bardo should — at least initially — take the form of a room full of the angriest people in the world: occidental Buddhists. Of course, what would begin to happen when my ego started to disintegrate I shuddered to think; presumably in place of the multi-headed demons that tormented Tibetans I’d be visited with my own bogeybeings; perhaps the fibrous Buddhists would transmogrify into giant Bionicles, those weirdly skeletal robotic toys loved by my youngest child that had techno-scimitars and laser guns for arms, and could be posed on their long legs so as to delve surgically in their victims’ innards.

‘Drug addiction and the dharma,’ offered one seeker. ‘Dharma and movement practice,’ said a second. ‘The three pearls,’ a third in lotus position said, his thick glasses like an insect’s compound eyes.

‘OK, OK,’ the Sangha snorted. ‘That’s enough — we could go on all night taking suggestions and have no time for instruction.’

The seekers tittered obsequiously, while behind the Sangha’s enlightened head I could see the dark ballooning of a massive and unconstrained ego.

‘I’m, I’m…’ I grasped the wrist of the exiguous urbalist who had coiled into the canvas chair beside me, ‘not dead, am I?’

‘Heavens no,’ s/he relied in a beige undertone. ‘You poor man, you fell backwards from the parapet of the Golden Gate Bridge on to the walkway there and were brought by paramedics into the rescue centre. We get a lot of sufferers such as yourself; if there isn’t absolute proof that a person is trying suicide’ — ‘trying’, I liked that, it suggested that suicide was only one of the options available from the smorgasbord of inexistence — ‘then the Bridge cops are happy to, like, outsource—’

‘It seems,’ the sandy Sangha’s gentle voice was viciously clenched, ‘that someone with us this evening has a more nuanced interpretation of the three pearls; so, would you like to share?’

The urbalist bowed his/her head in abject shame. I, however, was on the point of rising up and chinning the fraud, but was forestalled by a commotion from the doors — that and the sharp pain in the back of my head, which was — I now realized — swathed in a crêpe bandage.

One of the slipshod sannyasas came shuffling down the aisle and bent to whisper, ‘Your friend is here now to collect you.’

Friend? What friend? As I limped to the door, passing by the rows of outlines of devotion, I racked my bruised brain: I had no friend in San Francisco, nor — without being self-piteous — did I have that many friends anywhere. Besides, how might such a friend have found me?

The answer to the second question came in the form of the Barbour, thrust into my unwilling arms so that it hung, slick and black as a roosting flying fox. The answer to the first was Sherman Oaks, who stood out on the Sausalito sidewalk, pulling intemperately on a stogie.

In that instant of recognition, my eyes drinking in the scant three feet of him, I realized a thing at once terrifying and beautiful: it wasn’t that the Buddhists had been rendered indistinct by their quest for the white void, or that the community hall within which they were assembled was any more vapid than such places usually are — it was me. Had I suffered some pinpoint-accurate injury to my visual cortex, or was this only a form of hysteria? Whichever the case, the result was the same: casting wildly about the main street of the chichi resort town, I could make out the outlines of all intermediately sized things — such as cars, people and the no-good pagoda of Spinnakers seafood restaurant — but not their infill; whereas the very large things that blocked in the horizon — the hills, the bridge, Alcatraz — retained their detailing even in the twilight.

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