Will Self - Umbrella

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Umbrella: краткое содержание, описание и аннотация

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A brother is as easily forgotten as an umbrella. James Joyce, Ulysses Recently having abandoned his RD Laing-influenced experiment in running a therapeutic community — the so-called Concept House in Willesden — maverick psychiatrist Zack Busner arrives at Friern Hospital, a vast Victorian mental asylum in North London, under a professional and a marital cloud. He has every intention of avoiding controversy, but then he encounters Audrey Dearth, a working-class girl from Fulham born in 1890 who has been immured in Friern for decades. A socialist, a feminist and a munitions worker at the Woolwich Arsenal, Audrey fell victim to the encephalitis lethargica sleeping sickness epidemic at the end of the First World War and, like one of the subjects in Oliver Sacks' Awakenings, has been in a coma ever since. Realising that Audrey is just one of a number of post-encephalitics scattered throughout the asylum, Busner becomes involved in an attempt to bring them back to life — with wholly unforeseen consequences.

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Busner thinks: I’m disarmed by the feint and lunge of his repartee. He tries another tack: Did you. . had you at any point considered if — well, it seems to me, having observed Miss Dearth, that her higher functions may be. . intact — that she may be quite conscious of what goes on around her, although powerless to. . intervene. He falls silent, wondering how it is possible to be regarded simultaneously with affection and derision. Marcus quacks more ruminatively: Forty years ago those were my own fanciful thoughts precisely, we are all too conscious — he pokes an admonitory finger up to where Hot Love gushes from some parental stereo system turned up far too loudly! — of what goes on around here, but quite without the means to intervene. Busner wonders, Is it an indulgence to feel his padded-out hips with my hands? Is it flirting with psychosis — as in the mad, bad old days — to relax inside Marcus’s tinged old skin and peer down over the furred curve of his belly at the polished brass boot-scraper and my own feet?. . and there’s no messing.

He does not discover himself in the blowy street, nor recover himself in rhyme, Rain, rain go away, come again another day . The consideration that Lords is over there evades him, as will the coming cricket season. He doesn’t clamber into the Austin’s metal belly and drive up Abbey Road — he remains there, curled in the old man’s caul and waiting for his own senescence to come of age, which it does after a protracted labour, long-drawn-out clenchings of that fulcrum, the prostate, upon which the ageing man tries to balance, inclining one way for a dull ache, the other for relief . . Outside there is the musical whine, the quasi-rhythmic bash — all the airy clangour of scaffolding being taken down, while below on the pavement stands a conductor in a leather apron. La Cadenga is the name of an African woman, her hips gripped by. . batik? a calabash jumbled with fruit set on her stately head. He must have rolled over in his sleep, for now Busner lies on his back, his bladder puddling and these orange boxes full of his office things clearly in view. 10.22. He has slept for another full hour and now he really must rise and to prevent himself from heading back to bed plunges instead towards the kitchenette — Whoa! How did that happen, that tuck in time? Although Busner is by no means a valetudinarian, it is still due to little incidents of this kind that he learns he must correctly calculate all trajectories in advance, as course adjustments are no longer possible — even in domestic space. Until touched-down by a dusty heap of muesli, his brain floats inside his skull, cutting capers for his camera I. Sitting at a counter inset with earth-toned tiles, he pours the milk, plants his spoon in the heap and paddles through the cereal — to all the desolation of station hotels, where films of milky slurry mask haddock. His uncle Maurice sits opposite, over his shoulder in a glass darkly a china figurine of a Foo dog, of which Busner learns, much later, that they can eat as much as they like without ever shitting. . like the English upper middle classes . Maurice has the long, carefully rolled baton of Reynolds News tucked under the edge of his plate, where could we have been going on a weekend? He knew. Now, Maurice says, after the visit, have you any other plans for the day? He dabs at his moustache with his napkin, drops it to the table and slaps his thigh with an attempt at merriment so desperately at odds with his discreet character — writing cases inside hatboxes inside portmanteaus inside steamer trunks — that they both laugh, and Zack thinks then of James Robertson Justice and now: When did I first know Maurice was homosexual? Always . His uncle: discreet, clever, careful, meticulous — but mostly clever, in a way that Jews of his generation might try to hide , although for Maurice this was unnecessary since he passed in all respects as an Englishman, who, if not heterosexual, was certainly nothing else . There were more like that then, to appear neutered was socially acceptable — enjoined, almost. Hymens hardening into old age, prepuces never pulled, we are speaking of the deathly respectable here, not anyone . . alive . Maurice had been too clever to need to pretend to anything he didn’t feel — too clever and too kind .An interest in music but no passion , some golf — always powerful and impressive cars such as Bristols, Rovers and Rolls-Royces. A little fly-fishing — I went with him once, somewhere in Scotland . . rhododendrons everywhere, the sea a fallen sky. Some shooting . .there was a gun cabinet at Redington Road — gone before Henry got ill . But never too much of any one thing — just as in his portfolio there was some of Cunard, a little of Trusthouse Forte — did he know Rocco? — and Imperial Chemicals, quite a lot of Gainsborough Studios because this was an investment that amused him, that Maurice took an active interest in — in as much as such a state of mind could ever be detected, his brownish moustache twitching, two beautifully manicured fingers rotating his signet ring, which was set with a bevelled green stone — an emerald? Hopelessly sclerotic, of course, his heart fit to burst — and did! The Ministry of Defence have confirmed. . At least there was none of that pillar-of-the-community shit at the funeral . . Sergeant Brian Culcross of the Second Battalion Royal Marines. . That actress who read, what was her name? Minna? Minna. . Standish? It was about thrushes, certainly, and spring rain — Browning? . .an improvised explosive device. . But this is purest invention! After forty-five years only the rubber stamps on their circular stand beside the blotter have any real substance. The blotter on the kneehole desk and the share certificates in its bottom drawers, tied in bundles with different-coloured ribbons like lawyers’ briefs, together with his will in triplicate and an accounts book preprinted for double-entry. How apt! Leapfrogging back another forty-five years, the entries were a comprehensive listing of cocks and arseholes, their sizes, their appearance and those attributes of the men they had belonged to. In the widest column, neatly and legibly, Maurice had set down the facts of what was done, where and with whom — although there were no names, only numbers. From this presumably comprehensive tabulation Maurice’s nephew could deduce very little. Zachary could not say whether his uncle had been a happy bugger or a driven, persecuted and paranoid erotomane — all he could tell was that his uncle had observed the same principle in his sexual practice as he had in his life generally: never too much of any one thing. That Maurice had been cosmopolitan Zachary had always known — but not this cosmopolitan, with a predilection, or so it seemed, for all ages, races and classes of men . . And now Jenni Murray with Woman’s Hour. . as he had sat leafing through the accounts book, Zack began to understand exactly why it — along with the house and a pleasant but not excessive private income — had been entailed to him: it was the most effective riposte. Sitting at the breakfast bar of his shabby rental flat, old enough now to be the uncle to my uncle , Busner thinks back. . and back. . almost enjoying the very feminine blush of shame he feels mounting from his neck to his face, while also considering that no elapsing of time could ever be sufficient, whether biologic — the marching of entire orders and phyla into extinction — or geologic — the shuffling of plates thrusting up mountain ranges — to annul this shameful image: Me, full of myself at another breakfast table and grinding away at my uncle . .believing it clever as well as kind to employ my newly machined analytic tools on the basis that repression could be reduced to fine filings of the perverse and so blown away. Preposterous! to interrogate him concerning his relationship with his mother — and to continue doing so, refusing to take no answer for a no . Yet he was so gracious about it — playful, really , refolding the Times, tucking it back under the edge of his plate, and warning me of Missus Mac’s proximity by the slightest arching of his beautifully trimmed eyebrows, while wryly observing, Have you read Bernard Levin’s column this morning? There’s something in what he says, I think, that we can both agree on . . — Some oat flake must have flown off and so provided the necessary bearing, Busner’s hand saunters unthinkingly after it and turns off the radio, so that: Cameron Macintosh’s new —. Silence. And then from the street below rises the unmistakable rattling bash of a flatbed truck’s tailgate being closed, followed by its diesel engine revving, a deep and throaty fugue. The scaffolding is down . .and what was the cultivation of memory — through solitude, through reverie — if not the erection of a scaffolding in order to facilitate the construction of current behaviours . Yes, that was it: a behavioural aid, such as the holding and then the letting fall of ping-pong balls so as to stimulate movement, or the wearing of a loudly ticking watch so as to supply a tempo by which to recalibrate the complex motor sequences needed to stand up, that should be automatic, but that needed to be relearned . . every time .

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