Will Self - Grey Area

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A New York Times Notable Book of the Year, Grey Area demonstrates Will Self's razor-sharp wit in nine new stories that delve into the modern psyche with unsettling and darkly satiric results. "Inclusion®" tells the story of a doctor who is illegally testing a new antidepressant made from bee excrement. "A Short History of the English Novel" brings us face to face with a pompous publisher who is greeted at every turn by countless rejected authors. In "The End of the Relationship" a woman who has been left by her boyfriend provokes — "like some emotional Typhoid Mary" — that same reaction among all the couples she goes to for comfort. The narrator of "Between the Conceits" declares without hesitation that London is controlled by only eight individuals, and, thankfully, he is one of them.

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‘You know, Peter-Donald, I don’t believe the Dykeses can afford proper scubas. Hardly anyone in the area can, apart from yourself — I have one because of my job, you know.’

‘Really? Oh well, I suppose it stands to reason. Did you say that bird had cancer? D’you think I should get some special masks made for the pheasants? I shouldn’t want them all to get it — ‘

And then they too were swallowed up by the fog.

Grey Area

I was standing by the facsimile machine this afternoon peering through the - фото 7

I was standing by the facsimile machine this afternoon, peering through the vertical, textured fabric louvres that cover every window in the Company’s offices and which are linked together with what look like lengths of cheap key-chain. I was waiting, because all too often the facsimile machine misfeeds and two sheets run through together. So, when I send a facsimile I always send the sheets through one by one. It’s time-consuming, but it leads to fewer mistakes. I have become so adept at this task that I can now perform it by sound rather than sight. When the sheets are feeding through correctly, the machine makes a whirring, chirruping noise, like a large insect feeding. When I push in the leading edge of a new sheet, there is a momentary hesitation, a predatory burr, then I feel the mandibles of nylon-brush clutch and nibble at it. When the entire document has been passed through the body of the facsimile machine, it clicks, then gives off a high-pitched peep.

This afternoon, just as the machine peeped, I sensed a presence behind me. I turned. I had noticed him a couple of times before. I don’t know his name, but I have an idea he works in personnel. I noticed him because there is something wrong with his clothing — or the way he wears it, the way it hangs on his body. His suits cling to him, his flies look like an appendicectomy scar, puckered and irregular. We grunted acknowledgements to each other. I tamped the sheets of paper into a neat stack. I moved past him, across the floor, and through the swing doors into the corridor that leads back to the Department.

The Department must always be capitalised when it is referred to by its members, in order to differentiate it from other departments. Of course, other departments must also be capitalised by their members. This makes the paperwork for inter-departmental meetings — for which I often have responsibility — complex to arrange. A different word-processed document is needed for each departmental representative.

The formats and protocols for all the Company’s communications were modified by the Head of Department, who’s my boss, when he took over about six months ago.

The document that set out these modifications was ring-bound and about seventy pages long. Nevertheless, he asked me to pull apart the plastic knuckles that gripped one of the copies, and attach the sheets in a long row to the bulletin board that runs the entire length of the Department’s main corridor. He said that this was so everyone in the Department would be certain to pay attention to them.

It must be as a result of initiatives such as these that my boss has enjoyed such a phenomenally quick rise through the hierarchy of the Company.

I had to walk right along this corridor to get back to my office, which is situated, opposite my boss’s, up a dog-leg of stairs at the far end. I can’t understand why we don’t have a facsimile machine in the Department. Every other department has at least one, and more often than not several. We have a networked computer system, modem links, numerous photocopiers, document-sorters and high-speed laserprinters, but no facsimile machine. I have never asked my boss why this is the case, because it was like this before he became Head of Department, and perhaps he, like me, has come to accept it as an aspect of the status quo.

I turned out of the long corridor that leads to the inter-departmental facsimile machine, and into the corridor that runs the length of the Department. This corridor is wide and low, with a line of strip lights along the ceiling. I usually keep my eyes fixed on these when I’m walking along the corridor, in order to avoid contact with my colleagues. It’s not that I don’t want to talk to them, it’s just that there’s always plenty of work to do and I like to keep a rhythm up throughout the day. I have a dread of getting behind.

In my office there is a desk, three filing cabinets, a stationery cupboard, a swivel chair, and a workstation that holds my computer and laserprinter. All of this furniture is a grey-beige colour, very neutral, very gentle on the eye. It helps to offset the rather aggressive carpet tiling, which is chequered in two distinct, but equally electric, shades of blue.

It’s a kind of carpet tiling that was advertised a few years ago on television in a gimmicky way. A stretch of tiling was laid down in a kind of test zone, a mocked-up section of an office corridor. Then a live rhinoceros was released from a cage and encouraged to tear up and down the fake corporate environment, snorting and ramping.

It was a startling image: the very embodiment of the rhinoceros, its astonishing combination of bulk and fluidity, imposing itself on the bland anonymity of the set. Then, at the very end of the sequence, the camera angle moved round from the side of the corridor to its end and the rhino charged towards the viewer. The image was so sharp that if you had frozen the frame you could have counted the individual bristles that made up its congealed horn, the wrinkled veins in its vinyl hide.

At the last moment before it came plunging through the screen into your living room, the beast turned tail and dumped a steaming heap of excrement right in the eye of the camera, which tracked down so as to catch it plummeting on to the carpet tiling. The voiceover intoned: ‘Rhinotile, tough enough for all the animals in your office!’

I can’t get this advert out of my head. The punchline comes to me unbidden whenever I look at, or even think about, the carpet tiling.

I haven’t done all that much to personalise my office — the walls are mostly taken up with a noticeboard, a calendar and an organisational chart.

The organisational chart has been done on one of those magnetic whiteboards, to which metallic strips can be affixed, to express lines of command, the skeleton of the hierarchy; and coloured dots or squares, to indicate individuals and their functions.

It’s my job to change the shape of the organisational chart as the Department metamorphoses from month to month. The Department doesn’t have an exceptionally high turnover of staff, but enough people come and go to make rearranging some strips and dots necessary every few weeks.

I have never asked the Head of Department why it is that, despite my pivotal role in representing the structure of the Department, I have yet to be included in the organisational chart myself.

I stapled the papers I had just faxed and deposited them in a tray for filing. I walked round behind my desk — which faces the door — and sat down. My office is organised so that the working surface is directly in front of me and if I swivel to the right I am sitting at the computer keyboard. This I did.

I had to work on the presentation document for this week’s inter-departmental meeting. My boss had made handwritten corrections to the first draft, and these I now set on the document holder that sprouts from a Velcro pad, attached to the side of my monitor.

The corrections were extensive and involved the re-keying of a number of paragraphs. I worked steadily and by five it was done and neatly formated. I hit the keystrokes necessary to activate the laserprinter and then tidied my desk.

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