So, I elevated my search for the ideal cubicle — warm, discrete, well lit — to an exact science. Unnoticed by me, this search was beginning to usurp the primary quest. It is ironic, therefore, that unknowingly, unintentionally, I began to find evidence of the great psychologist where I myself sought refuge.
I could avoid the actual congress of homosexuals quite easily. However, without abandoning my private study altogether I could not hope to avoid the evidence of their activities: crude but believable advertisements, scrawled in Biro or neatly lettered; seemingly hacked with an axe, or delicately carved with a penknife; they drew the reader’s attention inexorably to penile size:
I’m 45 and my wife gives me no satisfaction coz shes too slack. If you have a 9″ cock, or better, meet me here after 6 any wensday. I will take on any number of lusty boys.
and:
Boys under 21 with 6″ or more meet me here. You do it to me I’ll do it to you.
And the direct, if disturbing:
Give me big dix.
There was one of these water-closet communicants who was more readily recognisable and more prolific than the rest — I began to see his entreaties in a lot of my favourite haunts, and to come across them occasionally when I broached new territory. This person was distinguishable by his rounded, laboured writing in red Biro, which reminded me of the hand of an adolescent schoolgirl — especially the characteristic of drawing small circles in place of the point over the ‘i’. Furthermore, his graffiti were always written neatly on the wall directly above or below the point where the toilet paper dispenser was mounted. They were also very carefully executed. With some of the best examples I could actually see where the artist had used a ruler to get his script to line up just so. As for content, alas that was wearisomely predictable:
Meet me here on Friday or Saturday evening if you are better than 7″. I have a 9″ cock which I like to have kissed and sucked till I come in someone’s mouth. I like young boys of around 16, but also more experienced men.
This I noted down in my leather-bound journal from the wall of an unpretentious, unfrequented, spotlessly clean, underground municipal convenience in Pimlico. I had no idea why I had taken to recording such things. I had been in London only a fortnight or so; I had no fixed view about the status of my quest for Alkan. On the whole I was inclined to view it as spectacularly important. I had, after all, given up my forthcoming exam in order to find him. My analysis with him was incomplete, I had no family or friends to support me. On the other hand I could just as easily feel dismissive and indifferent about the quest for Alkan. Who needed the daft old coot anyway? Nonetheless I did immediately notice the connection between the advertisement above and this:
I like to suck young boys cocks and to have mine sucked as well. I’ve only 5″, but it’s hard all the time. If you’re 16 or under meet me here on Tuesday at 9.00.
neatly scripted beneath the Smallbone of Devizes ceramic, interleaved sheet-holder clamped to the distempered wall of the warm and capacious gents at the Wallace Collection. And this:
Fun time every evening here or at the xxxx [illegible] club. All experienced men better than 8″ meet me for sucking frolics. I am 27 and I have 9 good inches which you can nip and lick.
incongruously proclaimed from a bare space of rendering, framed with grout, left available, as if on purpose, by the absence of a tile in the checkerboard that skirted the commode in the denizens of the Reform Club.
If I idly noted down this smut cycle it was not for any reason but boredom. It wasn’t until later, days later, that, glancing on passing, in the canted, cracked, oval mirror that capitulated on top of the dead bureau in my L-shaped wind-tunnel at the Majestic, I saw the hidden significance of these three bites. I saw it as a sequence solely of numbers, integers, detached from the penises-in-themselves, thus:
7, 9, 16, 5, 16, 9, 8, 27, 9
This in itself obviously represented an intentional sequence. The very fact of the way relation between primes and roots was organised, implied a capricious mind intent on toying with a willing enquirer. I immediately felt the presence of Alkan in that simple sequence. I knew that I was in no real position to analyse the sequence as it stood — and that infuriated me … I knew that if the sequence was to prove meaningful it must have a progression.
My cottaging became more intense. I spent virtually all my days in toilets. The one day I had to abandon my quest and attend the National Assistance Board, I managed to contrive to wait for some hours in the toilet. When I emerged my number was called, an example, I feel, of perfect timing.
Eventually I began to find little outpourings, here and there, which were unmistakably more elements of Alkan’s coded message. Each set of figures was couched in the same form, written in the same hand and situated within the toilet cubicle in the same place. After a fortnight I had an impressive set of integers of the form:
16, 3, 19, 19, 5, 17, 27, 9, 8, 13, 33, 11, 4, 9, 9, 14, 16, 27, 7, 9, 16, 5, 16, 9, 8, 27, 9 …
but running to some four handwritten sides. I submitted this sequence to rigorous analysis. On the face of it there seemed no reason to think that the sequence had been devised in the order in which I discovered it. So I cut it up into individual strips which I arranged and rearranged and rearranged, for hour after hour after hour, until a lattice work of discarded strips of exercise paper overlaid the bilious pastel lozenges which snicker-snacked across the wind-tunnel at the Majestic.
I found that I could extract quite elegant sets of equations from the sequence whichever way I arranged it, some of which were quite tantalisingly pregnant. But although I could satisfactorily resolve them they remained mere abstractions devoid of real values, real content. From the shape of some of these equations I could deduce that Alkan was working on some kind of methodology for statistical inference, but just as clearly other sets seemed to indicate that his thoughts were running towards decision trees which reflected the organic structure of long-term clinical trials. But statistical studies of what? Clinical trials of what?
I lapsed into torpor. There seemed no solution. I felt more than ever abandoned, washed up, beyond the pale of society. With no way of retreat from the tidal line of mental wrack, back down the beach and into the sea.
Late one evening, a fellow Majestic resident, Mr Rabindirath, came in to challenge me to a game of Cluedo. We played in a desultory fashion for half an hour or so. Rabindirath was an infuriating opponent because he kept incorporating members of his own family into the game as if they were fictional suspects.
Next to his cheaply suited thigh, on the Terylene counterpane of my bed, lay a well-thumbed A — Z . Open at pages 61a & b, the West End. I idly translated the coordinates into numerical values … Covent Garden, the coordinates were I, 16. Translating the I into a numerical value according to its position in the alphabet gave 9. 9, 16 — it was a fragment of the sequence! My head began to spin. Rabindirath barked angrily as I swept the Cluedo board off the cork-topped bathroom stool and began to labour feverishly over the A — Z .
By morning I had worked it all out. All the sequence was a set of coordinates which mapped a journey across central London. A journey which at every juncture prefigured my own. Clearly Alkan was tailing me from the front; damnably clever. He had started by tailing my simple and monotonous circuit and once I had become obsessed by following him he had led me on. Now I looked at the route laid out on the map it was quite clear that I had been mapping out a basic geometric configuration. I had simply to extrapolate the next set of coordinates in order to confront the errant psychologist.
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