Nadine Gordimer - Life Times - Stories 1952-2007

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A stunning selection of the best short fiction from the recipient of the Nobel Prize in Literature.
This collection of Nadine Gordimer’s short fiction demonstrates her rich use of language and her unsparing vision of politics, sexuality, and race. Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer’s career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as “Friday’s Footprint” and “Something Out There” to her shorter, more experimental stories, Gordimer’s work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.
This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer’s vision.

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It was seen again in the suburb of wooded gardens where Stanley Dobrow took the only photograph so far obtained. If you could call that image of clashed branches a likeness of anything.

Every household in the fine suburb had several black servants — trusted cooks who were allowed to invite their grandchildren to spend their holidays in the backyard, faithful gardeners from whom the family watchdog was inseparable, a shifting population of pretty young housemaids whose long red nails and pertness not only asserted the indignity of being undiscovered or out-of-work fashion models but kept hoisted a cocky guerrilla pride against servitude to whites: there are many forms of resistance not recognised in orthodox revolutionary strategy. One of these girls said the beast slipped out of her room one night, just as she was crossing the yard from the kitchen. She had dropped her dinner, carried in one enamel dish covered with another to keep it hot. The cook, twenty-one years with the white family, told the lady of the house more likely it was one of the girl’s boyfriends who had been to her room to ‘check out’ if there was another boyfriend there with her. Why hadn’t she screamed?

The girl left without notice, anyway, first blazing out at the cook and the old gardener that if they didn’t mind living ‘like chickens in a hok ’, stuck away in a shit yard where anyone could come in over the wall and steal your things, murder you, while the whites had a burglar siren that went off if you breathed on their windows — if they were happy to yesbaas and yesmissus, with that horrible thing loose, baboons could bite off your whole hand — she wasn’t. Couldn’t they see the whites always ran away and hid and left us to be hurt?

And she didn’t even have the respect not to bring up what had happened to the cook’s brother, although the cook was still wearing the mourning band on the sleeve of the pastel-coloured overalls she spent her life in. He had been a watchman at a block of flats, sitting all night in the underground garage to guard the tenants’ cars. He had an army surplus overcoat provided to keep him warm and a knobkerrie to defend himself with. But the thieves had a revolver and shot him in the stomach while the owners of the cars went on sleeping, stacked twelve storeys high over his dead body.

Other servants round about reported signs of something out there. It was common talk where they gathered, to hear from the Chinese runner what symbol had come up in their daily gamble on the numbers game, in a lane between two of ‘their’ houses — after ten or twenty years, living just across the yard from the big house, there develops such a thing as a deferred sense of property, just as there can be deferred pain felt in a part of the human body other than that of its source. Since no one actually saw whoever or whatever was watching them — timid or threatening? — rumour began to go round that it was what (to reduce any power of malediction it might possess) they called — not in their own language with its rich vocabulary recognising the supernatural, but adopting the childish Afrikaans word — a spook.

An urban haunter, a factory or kitchen ghost. Powerless like themselves, long migrated from the remotest possibility of being a spirit of the ancestors just as they themselves, that kind of inner attention broken by the batter and scream of commuter trains, the jumping of mine drills and the harangue of pop music, were far from the possibility of any oracle making itself heard to them. A heavy drinker reminded how, two Christmases ago, on the koppie behind ‘your’ house (he indicated the Dobrow cook, Sophie) a man must have lost his footing coming over the rocks from the shebeen there, and was found dead on Boxing Day. They said that one came from Transkei. Someone like that had woken up now, without his body, and was trying to find his way back to the hostel where his worker’s contract, thumbprint affixed, had long ago run out. That was all.

Eddie wanted Charles to hire a TV set.

‘But Charlie, he just laughs, man, he doesn’t do anything about it.’ Eddie complained to him through remarks addressed to the others. And they laughed, too.

It was the time when what there was to be done was wait. Charles brought the Sunday papers. He had finished reading a leader that tried to find a moral lesson for both victim and perpetrator in one of the small massacres of an undeclared and unending war. His whole face, beard — like the head of a disgruntled lion resting on its paws — was slumped between two fists. ‘You want to watch cabinet ministers preaching lies? Homeland chiefs getting twenty-one-gun salutes? Better go and weed your mealies if you’re bored, man.’ A small patch of these, evidently planted by the man who had looked after the Kleynhans place while it was unoccupied, had begun to grow silky in the sun, since the rain, and Eddie monitored their progress as though he and Vusi, Charles and Joy would be harvesting the cobs months ahead.

The girl sat on the floor under the ox-wagon wheel chandelier with its pink shades like carnival hats askew, sucking a strand of her hair as she read. Vusi had the single armchair and Eddie and Charles the sofa, whose snot-green plaid Joy could not tolerate, even here, and kept covered with a length of African cotton patterned with indigo cowrie shells: every time she entered this room, a reminder that one really had one’s sense of being (but could not, absolutely not, now) among beautiful, loved objects of familiar use. The four exchanged sheets of newspaper restlessly, searching for the world around them with which they had no connection. The Prime Minister had made another of his speeches of reconciliation; each except Charles read in silence the threats of which it was composed. Charles spoke through lips distorted by the pressure of his fists under his fleshy face, one of those grotesque mouths of ancient Mediterranean cultures from which sibylline utterances are supposed to well.

This government will not stand by and see the peace of mind of its peoples destroyed. It will not see the security of your homes, of your children asleep in their beds, threatened by those who lurk, outside law and order, ready to strike in the dark. It will not see the food snatched from your children’s mouths by those who seek the economic destruction of our country through boycotts in the so-called United Nations and violence at home. I say to countries on our borders to whom we have been and shall continue to be good neighbours: we shall not hesitate to strike with all our might at those who harbour terrorists. .

When they heard this rhetoric on the radio, they were accustomed to smile as people will when they must realise that those being referred to as monsters are the human beings drinking a glass of water, cutting a hangnail, writing a letter, in the same room; are themselves. Sometimes they would restore their sense of reality by derision (all of them) or one of them (Vusi or Charles) would reply to thin air with the other rhetoric, of rebellion; but the closer time drew them to act, the less need there was for platform language.

‘Scared. Afraid.’

Vusi dropped single words, as if to see what rings of meaning others would feel ripple from them.

The girl looked up, not knowing if this was a question and if anyone was expected to answer it.

Eddie sniffed with a twist of the nose and cocked his head indifferently, parrying the words towards the public office, occupied by interchangeable faces, that had made the speech.

The moment passed, and with it perhaps some passing test Vusi had put them to — and himself. He had opened a hand on the extreme danger hidden in this boring, fly-buzzing Sunday ‘living room’; in that instant they had all looked at it; and their silence said, calm: I know.

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