Nadine Gordimer - Life Times - Stories 1952-2007

The chief’s mother and his youngest wife were not among them. But the baby boy lived, and will grow up in the care of the older wives. No one can say what it was the white soldier said over the telephone to his commanding officer, and if the commanding officer had told him what was going to be done, or whether the white soldier knew, as a matter of procedure laid down in his military training for this kind of war, what would be done. The chief hanged himself in the mopane. The police or the army (much the same these days, people confuse them) found the bicycle beneath his dangling shoes. So the family hanger-on still rides it; it would have been lost if it had been safe in the kitchen when the raid came. No one knows where the chief found a rope, in the ruins of his village.

The people are beginning to go back. The dead are properly buried in ancestral places in the mopane forest. The women are to be seen carrying tins and grain panniers of mud up from the river. In talkative bands they squat and smear, raising the huts again. They bring sheaves of reeds exceeding their own height, balanced like the cross-stroke of a majuscular T on their heads. The men’s voices sound through the mopane as they choose and fell trees for the roof supports.

A white flag on a mopane pole hangs outside the house whose white walls, built like a white man’s, stand from before this time.

Open up!

What hammered on the door of sleep?

Who’s that?

Anyone who lives within a mile of the zoo hears lions on summer nights. A tourist could be fooled. Africa already; at last; even though he went to bed in yet another metropole.

Just before light, when it’s supposed to be darkest, the body’s at its lowest ebb and in the hospital on the hill old people die — the night opens, a black hole between stars, and from it comes a deep panting. Very distant and at once very close, right in the ear, for the sound of breath is always intimate. It grows and grows, deeper, faster, more rasping, until a great groan, a rising groan lifts out of the curved bars of the cage and hangs above the whole city—

And then drops back, sinks away, becomes panting again.

Wait for it; it will fall so quiet, hardly more than a faint roughness snagging the air in the ear’s chambers. Just when it seems to have sunk between strophe and antistrophe, a breath is taken and it gasps once; pauses, sustaining the night as a singer holds a note. And begins once more. The panting reaches up up up down down down to that awe-ful groan—

Open up!

Open up!

Open your legs.

In the geriatric wards where lights are burning they take the tubes out of noses and the saline-drip needles out of arms and draw the sheets to cover faces. I pull the sheet over my head. I can smell my own breath caught there. It’s very late; it’s much too early to be awake. Sometimes the rubber tyres of the milk truck rolled over our sleep. You turned. .

Roar is not the word. Children learn not to hear for themselves, doing exercises in the selection of verbs at primary school: ‘Complete these sentences: The cat. . s The dog. . s The lion. . s.’ Whoever decided that had never listened to the real thing. The verb is onomatopoeically incorrect just as the heraldic beasts drawn by thirteenth- and fourteenth-century engravers at second hand from the observations of early explorers are anatomically wrong. Roar is not the word for the sound of great chaps sucking in and out the small hours.

The zoo lions do not utter during the day. They yawn; wait for their ready-slaughtered kill to be tossed at them; keep their unused claws sheathed in huge harmless pads on which top-heavy, untidy heads rest (the visualised lion is always a maned male), gazing through lid-slats with what zoo visitors think of in sentimental prurience as yearning.

Or once we were near the Baltic and the leviathan hooted from the night fog at sea. But would I dare to open my mouth now? Could I trust my breath to be sweet, these stale nights?

It’s only on warm summer nights that the lions are restless. What they’re seeing when they gaze during the day is nothing, their eyes are open but they don’t see us — you can tell that when the lens of the pupil suddenly shutters at the close swoop of one of the popcorn-begging pigeons through the bars of the cage. Otherwise the eye remains blank, registering nothing. The lions were born in the zoo (for a few brief weeks the cubs are on show to the public, children may hold them in their arms). They know nothing but the zoo; they are not expressing our yearnings. It’s only on certain nights that their muscles flex and they begin to pant, their flanks heave as if they had been running through the dark night while other creatures shrank from their path, their jaws hang tense and wet as saliva flows as if in response to a scent of prey, at last they heave up their too-big heads, heavy, heavy heads, and out it comes. Out over the suburbs. A dreadful straining of the bowels to deliver itself: a groan that hangs above the houses in a low-lying cloud of smog and anguish.

O Jack, O Jack, O Jack, oh — I heard it once through a hotel wall. Was alone and listened. Covers drawn over my head and knees drawn up to my fists. Eyes strained wide open. Sleep again! — my command. Sleep again .

It must be because of the new freeway that they are not heard so often lately. It passes its five-lane lasso close by, drawing in the valley between the zoo and the houses on the ridge. There is traffic there very late, too early. Trucks. Tankers, getting a start before daylight. The rising spray of rubber spinning friction on tarmac is part of the quality of city silence; after a time you don’t hear much beyond it. But sometimes — perhaps it’s because of a breeze. Even on a still summer night there must be some sort of breeze opening up towards morning. Not enough to stir the curtains, a current of air has brought, small, clear and distant, right into the ear, the sound of panting.

Or perhaps the neat whisky after dinner. The rule is don’t drink after dinner. A metabolic switch trips in the brain: open up.

Who’s that?

A truck of potatoes going through traffic lights quaked us sixteen flights up.

Slack with sleep, I was impaled in the early hours. You grew like a tree and lifted the pavements; everything rose, cracked and split free.

Who’s that?

Or something read in the paper. . Yes. Last night — this night — in the City Late, front page, there were the black strikers in the streets, dockers with sticks and knobkerries. A thick prancing black centipede with thousands of waving legs advancing. The panting grows louder, it could be in the garden or under the window; there comes that pause, that slump of breath. Wait for it: waiting for it. Prance, advance, over the carefully tended please keep off the grass. They went all through a city not far from this one, their steps are so rhythmical, waving sticks (no spears any more, no guns yet); they can cover any distance, in time. Shops and houses closed against them while they passed. And the cry that came from them as they approached — that groan straining, the rut of freedom bending the bars of the cage, he’s delivered himself of it, it’s as close as if he’s out on the freeway now, bewildered, finding his way, turning his splendid head at last to claim what he’s never seen, the country where he’s king.