Nadine Gordimer - Life Times - Stories 1952-2007

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A stunning selection of the best short fiction from the recipient of the Nobel Prize in Literature.
This collection of Nadine Gordimer’s short fiction demonstrates her rich use of language and her unsparing vision of politics, sexuality, and race. Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer’s career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as “Friday’s Footprint” and “Something Out There” to her shorter, more experimental stories, Gordimer’s work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.
This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer’s vision.

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A Meeting in Space

Every morning he was sent to the baker and the French children slid out of dark walls like the village cats and walked in his footsteps. He couldn’t understand what they said to each other, but he thought he understood their laughter: he was a stranger. He looked forward to the half-fearful, disdainful feeling their presence at his back gave him, and as he left the house expected at each alley, hole and doorway the start of dread with which he would see them. They didn’t follow him into the baker’s shop. Perhaps the baker wouldn’t have them — they looked poor, and the boy knew, from the piccanins at home, that poor kids steal. He had never been into a bakery at home in South Africa; the baker-boy, a black man who rode a tricycle with a rattling bin on the front, came through the yard holding the loaves out of the way of the barking dogs, and put two white and one brown on the kitchen table. It was the same with fruit and vegetables; at home the old Indian, Vallabhbhai, stopped his greengrocer’s lorry at the back gate, and his piccanin carried into the kitchen whatever you bought.

But here, the family said, part of the fun was doing your own shopping in the little shops that were hidden away by the switchback of narrow streets. They made him repeat over and over again the words for asking for bread, in French, but once in the baker’s shop he never said them, only pointed at the loaf he wanted and held out his hand with money in it. He felt that he was someone else, a dumb man perhaps. After a few days, if he were given change he would point again, this time at a bun with a glazing of jam. He had established himself as a customer. The woman who served chattered at him, smiled with her head on one side while she picked the money out of his palm; but he gave no sign of response.

There was another child who sometimes turned up with the usual group. He would hail them loudly, from across a street, in their own language, and stalk along with them for a bit, talking away, but he looked different. The boy thought it was just because this one was richer. Although he wore the usual canvas shoes and cotton shorts, he was hung about with all sorts of equipment — a camera and two other leather cases. He began to appear in the bakery each morning. He stood right near, as if the dumb person were also invisible, and peering up experiencedly under a thick, shiny fringe of brown hair, looked along the cakes on top of the counter while apparently discussing them in a joking, familiar way with the woman. He also appeared unexpectedly in other places, without the group. Once he was leaning against the damp archway to the tunnel that smelled like a school lavatory — it was the quick way from the upper level of streets to the lower. Another time he came out of the door of the streaky-pink-painted house with the Ali Baba pots, as if he must have been watching at the window. Then he was balancing along the top of the wall that overlooked the pitch where in the afternoons the baker and other men played a bowling game with a heavy ball. Suddenly, he was outside the gate of the villa that the family were living in; he squatted on the doorstep of the house opposite, doing something to the inside of his camera. He spoke: ‘You English?’

‘Yes — not really — no. I mean, I speak English, but I come from South Africa.’

‘Africa? You come from Africa ? That’s a heck of a way!’

‘Fifteen hours or so. We came in a jet. We actually took a little longer because, you see, something went wrong with the one engine and we had to wait three hours in the middle of the night in Kano. Boy, was it hot, and there was a live camel wandering around.’ The anecdote cut itself off abruptly; the family often said long-winded stories were a bore.

‘I’ve had some pretty interesting experiences myself. My parents are travelling round the world and I’m going with them. Most of the time. I’ll go back home to school for a while in the Fall. Africa. Fantastic. We may get out there sometime. D’you know anything about these darned Polaroids? It’s stuck. I’ve got a couple of pictures of you I must show you. I take candid shots. All over the place. I’ve got another camera, a Minox, but I mostly use this one here because it develops the prints right in the box and you can give them to people right off. It’s good for a laugh. I’ve got some pretty interesting pictures, too.’

‘Where was I — in the street?’

‘Oh I’m taking shots all the time. All over the place.’

‘What’s the other case?’

‘Tape recorder. I’ll get you on tape, too. I tape people at Zizi’s Bar and in the Place , they don’t know I’m doing it, I’ve got this minute little mike, you see. It’s fantastic.’

‘And what’s in here?’

The aerial was pulled out like a silver wand. ‘My transistor, of course, my beloved transistor. D’you know what I just heard? — “Help!” Are the Beatles popular down in Africa?’

‘We saw them in London — live. My brother and sister and me. She bought the record of “Help!” but we haven’t got anything to play it on, here.’

‘Good God, some guys get all the breaks! You saw them. You notice how I’ve grown my hair? Say, look, I can bring down my portable player and your sister can hear her record.’

‘What time can you come?’

‘Any time you say. I’m easy. I’ve got to go for this darned French lesson now, and I have to be in at noon so that old Madame Blanche can give me my lunch before she quits, but I’ll be around indefinitely after that.’

‘Straight after lunch. About two. I’ll wait for you here. Could you bring the pictures, as well — of me?’

Clive came racing through the tiny courtyard and charged the flyscreen door, letting it bang behind him. ‘Hey! There’s a boy who can speak English! He just talked to me! He’s a real Amur-r-rican — just wait till you hear him. And you should see what he’s got, a Polaroid camera — he’s taken some pictures of me and I didn’t even know him — and he’s got a tiny little tape recorder, you can get people on it when they don’t know — and the smallest transistor I’ve ever seen.’

His mother said, ‘So you’ve found a pal. Thank goodness.’ She was cutting up green peppers for salad, and she offered him a slice on the point of her knife, but he didn’t see it.

‘He’s going round the world, but he goes back to America to school sometimes.’

‘Oh, where? Does he come from New York?’

‘I don’t know, he said something about Fall, I think that’s where the school is. The Fall, he said.’

‘That’s not a place, silly — it’s what they call autumn.’

The shower was in a kind of cupboard in the kitchen-dining room, and its sliding door was shaken in the frame, from inside. The impatient occupant got it to jerk open: she was his sister. ‘You’ve found what?’ The enormous expectancy with which she had invested this holiday, for herself, opened her shining face under its plastic mob-cap.

‘We can hear the record, Jen, he’s bringing his player. He’s from America.’

‘How old?’

‘Same as me. About.’

She pulled off the cap and her straight hair fell down, covering her head to the shoulders and her face to her eyelashes. ‘Fine,’ she said soberly.

His father sat reading Nice-Matin on one of the dining-table chairs, which was dressed, like a person, in a yellow skirt and a cover that fitted over its hard back. He had — unsuccessfully — put out a friendly foot to trip up the boy as he burst in, and now felt he ought to make another gesture of interest. As if to claim that he had been listening to every word, he said, ‘What’s your friend’s name?’

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