Nadine Gordimer - Life Times - Stories 1952-2007

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A stunning selection of the best short fiction from the recipient of the Nobel Prize in Literature.
This collection of Nadine Gordimer’s short fiction demonstrates her rich use of language and her unsparing vision of politics, sexuality, and race. Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer’s career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as “Friday’s Footprint” and “Something Out There” to her shorter, more experimental stories, Gordimer’s work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.
This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer’s vision.

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The four drove through Central Park, rather threadbare after the snow and before the blossom. Then they went down to the East River, where the bridges hung like rainbows, glittering, soaring, rejoicing the heart in the sky above the water, where men have always expected to find their visions. They stopped the car at the United Nations building, and first walked along on the opposite side of the street, alongside the shabby, seedy shops, the better to see the great molten-looking façade of glass, like a river flowing upwards, on the administrative block. The glass calmly reflected the skyline, as a river reflects, murky green and metallic, the reeds. Then they crossed the street and wandered about a bit along the line of flagstaffs, with the building hanging above them. The Brands resolved to come back again another day and see the interior.

‘So far, there’s nothing to beat your bridges,’ said Eileen. ‘Nothing.’

They drove now uptown to an elegant, half-empty restaurant which had about it the air of recovering from Saturday night. There they sat drinking whisky while they waited.

‘I don’t know what we can do with the husband,’ said Waldeck, shrugging and giggling.

‘That’s all right,’ said Stefan. ‘Alice will talk to him. Alice can get along with anybody.’ His wife laughed good-naturedly.

‘You know, he’s worthy . .’ said Waldeck.

‘I know,’ said Stefan, comforting.

‘Same old Carlitta, though,’ said Waldeck, smiling reminiscently. ‘You’ll see.’

His wife Eileen looked at him. ‘Oh, she’s not,’ she said, distressed. ‘She’s not. Oh, how can you say that to Stefan?’ The girl from South Africa looked at the two men and the woman who sat with her, and around the panelled and flower-decorated room, and suddenly she felt a very long way from home.

Just at that moment, Carlitta and Mr Edgar Hicks came across the room towards them. Stefan got up and went forward with palms upturned to meet them; Waldeck rose from his seat; a confusion of greetings and introductions followed. Stefan kissed Carlitta on both cheeks gently. Edgar Hicks pumped his hand. In Edgar Hicks’s other hand was the Palm Beach panama with the paisley band which he had removed from his head as he entered. The hovering attendant took it from him and took Carlitta’s brown coat.

Carlitta wore the niggly-patterned silk dress that had shown its collar under the coat the night at the theatre, the same shoes, the same cracked beige kid gloves. But above the bun and level with the faded hairline, she had on what was obviously a brand new hat, a hat bought from one of the thousands of ‘spring’ hats displayed that week before Easter, a perky, mass-produced American hat of the kind which makes an American middle-class woman recognisable anywhere in the world. Its newness, its frivolous sense of its own emphemerality (it was so much in fashion that it would be old-fashioned once Easter was over) positively jeered at everything else Carlitta wore. Whether it was because she fancied the sun still painted her face the extraordinary rich glow that showed against the snow in the picture of herself laughing in Austria years ago, or whether there was some other reason, her face was again without make-up except for a rub of lipstick. Under the mixture of artificial light and daylight, faint darkening blotches, not freckles but something more akin to those liver marks elderly people get on the backs of their hands, showed on her temples and her jawline. But her eyes, of course, her eyes were large, dark, quick.

She and her husband consulted together over what they should eat, he suggesting slowly, she deciding quickly, and from then on she never stopped talking. She talked chiefly to her two friends Waldeck and Stefan, who sat on either side of her. Edgar Hicks, after a few trying minutes with Eileen, who found it difficult to respond to any of his conversational gambits, discovered that Alice Raines rode horses and, like a swamp sucking in fast all around its victim, involved her in a long, one-sided argument about the merits of two different types of saddle. Edgar preferred the one type and simply assumed that Alice must be equally adamant about the superiority of the other. Although his voice was slow, it was unceasing and steady, almost impossible to interrupt.

Eileen did not mind the fact that she was not engaged in conversation. She was free to listen to and to watch Carlitta with Stefan and Waldeck. And now and then Carlitta, forking up her coleslaw expertly as any born American, looked over to Eileen with a remark or query — ‘That’s what I say, anyway,’ or ‘Wouldn’t you think so?’ Carlitta first told briefly about her stay in London when she left Germany, then about her coming to the United States, and her short time in New York. ‘In the beginning, we stayed in that hotel near Grand Central. We behaved like tourists, not like people who have come to stay. We used to go to Coney Island and rowing on the lake in Central Park, and walking up and down Fifth Avenue

— just as if we were going to go back to Germany in a few weeks.’

‘Who’s we?’ asked Stefan. ‘Your sister?’

‘No, my sister was living in a small apartment near the river. Klaus,’ she said, shrugging her worn shoulders with the careless, culpable gesture of an adolescent. Stefan nodded his head in confirmation towards Waldeck; of course, he remembered, Klaus had followed her or come with her to America. Poor Klaus.

‘What happened to him?’ asked Stefan.

‘I don’t know,’ she said. ‘He went to Mexico.’

Her audience of three could guess very well how it had been. When she had tired of Coney Island and the outside of Fifth Avenue shops and the rowing in Central Park, Klaus had found out once again that in the new world, as in the old, he had nothing more than amusement value for her.

‘After three months—’ Carlitta had not paused in her narrative

– ‘I went to stay with my sister and brother-in-law — she had been here some years already. But he got a job with a real-estate scheme, and they went to live on one of the firm’s housing projects — you know, a little house, another little house next door, a swing for the kids, the same swing next door. I came back to New York on my own and I found a place in Greenwich Village.’

Ah, now, there was a setting in which one could imagine the Carlitta of the photographs, the beautiful, Oriental-looking German girl from Heidelberg, with the bold, promising eyes. And at the moment at which Eileen thought this, her ear caught the drawl of Edgar Hicks. ‘. . now, our boy’s the real independent type. Now, only the other day. .’ Edgar Hicks! Where had Edgar Hicks come in? She looked at him, carefully separating the flesh from the fine fringe of bone in his boiled trout, the knife held deliberately in his freckled hand.

‘Did you live in Greenwich Village?’ Eileen said to him suddenly.

He interrupted his description of his boy’s seat in the saddle to turn and say, surprised, ‘No, ma’am, I certainly didn’t. I’ve never spent more than two consecutive weeks in New York in my life.’ He thought Eileen’s question merely a piece of tourist curiosity, and returned to Alice Raines, his boy and the saddle.

Carlitta had digressed into some reminiscence about Heidelberg days, but when she paused, laughing from Stefan to Waldeck with a faltering coquettishness that rose in her like a half-forgotten mannerism, Eileen said, ‘Where did you and your husband meet?’

‘In a train,’ Carlitta said loudly and smiled, directed at her husband.

He took it up across the table. ‘Baltimore and Ohio line,’ he said, well rehearsed. There was the feeling that all the few things he had to say had been slowly thought out and slowly spoken many times before. ‘I was sittin’ in the diner havin’ a beer with my dinner, and in comes this little person looking mighty proud and cute as you can make ’em. .’ So it went on, the usual story, and Edgar Hicks spared them no detail of the romantic convention. ‘Took Carlitta down to see my folks the following month and we were married two weeks after that,’ he concluded at last. He had expected to marry one of the local girls he’d been to school with; it was clear that Carlitta was the one and the ever-present adventure of his life. Now they had a boy who rode as naturally as an Indian and didn’t watch television; he liked to raise his own chickens and have independent pocket money from the sale of eggs.

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