Nadine Gordimer - My Son's Story
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- Название:My Son's Story
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- Издательство:Bloomsbury Publishing PLC
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- Год:2005
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
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— No. It's as if it never happened.—
All Hannah said was: —That can't be.—
The room was not an everywhere because it could not contain the commonplaces of being together, the boring humdrum pleasures, the very state of daily deadened life their relationship escaped and was superior to, the state — of marriage?
From the surety of having everything, they had changed to wanting everything. Even that. They began to make more little excursions outside her bed and the cottage. She had a friend who was an absentee farmer. They went to picnic on the farm.
At the beginning of the drive the freeway took them past the Reef town in whose area for his kind he had grown up, taught school, shopped trailing his children on Saturday mornings… as he turned his head to watch glint past the lake made of pumped water from the mines, the buff yellow slopes of abandoned dumps, he had the tingling feeling of the unaccountable familiarity of a foreign country. She promised him fields of sunflowers because he liked so much the Van Gogh reproduction that was stuck up in her tiny kitchen among the drawings made by black children. But she had mistaken the season. The sunflower fields were a vast company of the dead, with black faces bowed. She swung against him in contrition as they walked through the veld; they laughed and kissed. He got splinters of fibre in his hands as he picked a dead flower for her, a souvenir.
He had such good alibis. Like all lovers, they longed to sleep together for a whole night, nights. Sonny could be absent from home without explanation, and the old restrictions of colour were abolished in most hotels and resorts. So they were free; once they spent two days of this kind of freedom somewhere in the Eastern Transvaal, and even stood among white Sunday families with grannies and squealing children, watching the young hatch on a crocodile farm. After intervals imposed by Sonny's political obligations — and neither he nor she ever neglected their work — and when another kind of absence from home could be justified by these demands, they went away together, even if sometimes only for a night. He had promised her a whole weekend again, and he managed it, not without some embarrassing lying to be done, to his comrades — a pretence, to them as well, that he would be incommunicado because of some contacts to be made about which he couldn't talk. When he left his home on Saturday morning he had, for the first time, instead of euphoria inside him, a surly unease; there was a moment, as his son stood back as he passed him in the passage, when he almost turned and put down that briefcase (briefcase!) and didn't leave. But the moment was forgotten as soon as he left the house. In a rondavel resort among orange blossom near Rustenburg Sonny and Hannah were unspeakably happy. People say one could die for such happiness, but one also could kill for it, kill all other claims on oneself by people who have failed to bring it about. The scent of orange blossom was air itself, night and day, every drawn breath like the manifest emanation of private happiness, the wafting secretion of their one body, joined in love-making.
When Sonny came back on Sunday night he found his daughter had cut her wrists.
That didn't put an end to it. What Baby did that time.
We were sitting in the kitchen, my mother and I — as if we were back in the old place at Benoni — when we heard him come home. We heard the briefcase put down and the creak of his soles, we were so quiet because Baby was asleep down the passage with her bandaged wrists laid outside the sheet. My mother stood up and went to stop him coming into the kitchen where I was. I heard her soft voice telling him — and then suddenly, high — Don't! — as his tread broke out hard and fast along the passage.
He came back slowly, and into the kitchen. He had seen my sister but not wakened her. My mother was sitting there again. I was with her, I had been with her ever since it happened, he had to face me. And I to face him. He wandered to the fridge and poured himself his glass of water. I wanted to laugh and knock it out of his hand. He stood there drinking and his head moved, he was not exactly shaking it, it moved vaguely like the involuntary movement of an old man. But it's no good putting on a performance for me, he was not a poor distraught old father, he was only too strong and healthy, a fucker. What could my father say? If Baby had died on Saturday he wouldn't have been there. Couldn't be reached. He made sure of that. Nobody knew where he was. My mother was the one who saw the blood. And I.
— Will there be scars.—
That was all he could dare to say.
And it didn't stop him, it didn't stop them. It only made me cruel. That Sunday night. I wanted to go to my room and take out from behind my old soccer boots and roller skates — kid's things you never throw away — the dead head of a sunflower, and fling it at him.
He never tried to explain anything. He no longer cared enough for us to feel the need — to try and make us understand what had happened to him. Oh he was shattered that night and there was no-one to help him. The three of us were in the kitchen together, and he was alone. I had thought — had I? — he would break down and confess, we would weep, it would be all over, he would take my mother in his arms, she would take him in her arms. 'Will there be scars': that's all. Our presence, my mother's and mine, drove him away alone to the sitting-room, that he and my mother had been so proud of, a decent place for her, at last. He sat there alone in the dark. She put milk on the stove to heat and I watched her make cocoa and take it in there, to him. I don't know if he said anything to her. She seemed to know he wouldn't eat. Still so considerate of him, my mother; still so respectful of this husband and father who had gone to prison for the future of our kind.
Baby was his favourite child — I always knew that — his daughter was his darling, his beauty, even though he quoted Shakespeare to me and wanted me to bring him glory by growing up to be a writer just to please him. But although the child he used to be so in love with had now wanted, even if only for a mad moment, to die, and no-one dared get her to say why, he couldn't come back to her. He couldn't stay in the house with us. When my sister was 'better'—what she had done to herself became an illness or accident that had happened to her, that was the only way we could deal with it in our house — she and my mother and father discussed what she wanted to do. All was resolved as a matter of the right occupation. And he was the one to know all about guidance, career guidance, he was once a schoolteacher. Her whole future before her etc.; the usual parents' stuff, as if they were the usual parents. My sister fell in with the spirit of the performance. I heard her say it, Oh she was sick of studying. She wanted to take a job. For a while; she'd study again later. (This thrown in, I know, for darling daddy and his old ambitions for his children to be useful, therefore educated, citizens.) She knew my mother wouldn't believe her, my mother knew she would find some other life, unplanned for her. He knew, surely, that something had driven her out; he didn't stay to find out why. He fled the house again with that briefcase — did my father keep a toothbrush in it or was he so thick with that woman that he used hers?
And what I couldn't get over was how my sister made it easy for him. Perhaps she did it for my mother's sake, too, but the fact is it had the effect of letting him off the misery he was sentenced to those first few days; she made it possible for that to be shed with her bandages. She appeared with brightly-painted wooden bracelets on each wrist — African artifacts. He didn't have to see the scars. She has beautiful straight shiny hair, like my mother's, and she had it frizzed; in her 'convalescence' she went about the house, one of my old shirts tied under her naked breasts, midriff showing, her Walkman hooked to a wide belt and plugged into her ears, moving her hips and head to a beat no-one else could hear. It was tacitly accepted that these were signs of a natural girlish independence; she wanted to earn her own living, she had offered.
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