Nadine Gordimer - My Son's Story

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From South Africa's most pre-eminent writer comes a tense and intimate family drama about how we come to love.

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What I'd like to know is does prison give my father the freedom to do what he's doing. Is it all right so long as she doesn't know. That is what he was getting me to agree to when he made me look at him across the table that night after the cinema. But it works both ways. I can play hooky whenever I like; he can't ask where I'm going, where I've been. Because I know where he's going, where he's been. He can't order me, during the holidays, to finish reading the set-works for next term. He sees me with Sportsday, under his nose, instead of King Lear that he can quote reams of. An ungrateful child is sharper than a serpent's tooth. I don't want to be in the know with him. I don't want to ask him for anything. in case he can't refuse. I'll bet I could bring up the question of a motorbike again now, and maybe I'd get it.

It's easy to refuse to ask for things. But he knows I can't speak — to my mother; I can't refuse to be in the know, with him.

I'm not a child. If people come out oí prison, if they've been lopped off, lost; there's love. Isn't there? It's a way to make up for anything, so people say, from the time you're a kid. Adults. In church, in school; in sex magazines. How to love, all kinds, all love. She comes out of the bathroom and smiles goodnight at me, I'm too old to be kissed unless it's a birthday or some other occasion, and she goes into their bedroom with her hair in her shiny plait down the back of her dressing-gown. They sleep in the same bed, but does he love her, after he's come from the other one? I never used to think about them — him, my mother — that way. I don't want to think about it now. I don't want to think he pretends she's pink and thick and soft; as I pretend, in dreams, that I'm doing things to them, the blondes in full-page spreads I tear out.

Sonny was not prepared for a visit granted to someone monitoring for a human rights organization. Friends and even relatives who had applied to see him had been denied permission; political comrades dared not show themselves for fear they'd be locked up, as well. For three months he saw no-one from outside. Then he saw only Aila, and once or twice the children were allowed to accompany her. That was as he had expected. He knew he was on his way to prison from the days back in the coloured location of his home-town on the Reef when he had led his pupils across the veld to the black location — as he still called those places, then. Or if he didn't know it, he should have; he realized this as, instinctively taking up one form of political action after another, he understood that the mystery of the meaning of life he and Aila had vaguely known to be contained in living useful lives was no mystery. For them, their kind, black like the others, there was only one meaning: the political struggle. (As he loved the magnificent choices of Shakespearean language, the crudely reductive terms of political concepts were an embarrassment to him, but he had to use them, like everybody else.)

Family matters. It was the rule in prison that only family matters could be discussed during visits. Well, these were what always had been discussed between Aila and him. He asked if Will was managing to keep up, in maths. If Baby was being helpful or spending too much time at parties. Aila reassured him; everything was all right. The very look of her conveyed that to him; at home, indeed, everything was the same; her black hair smoothly coiled, a necklace chosen to pick out a colour in the elegant tweed jacket she had sewn for herself. Her beautiful lips carefully drawn. The same; that sameness seemed to recede from him the more they talked about it, about family matters. And he had expected to yearn for home. The silences between Aila and him that were so comfortable, natural in their closeness, at home, were now a real silence without communication of any kind. He had been taught, in the tactics of the struggle, that it was possible to use a private, oblique language to receive information from intimates, but Aila didn't seem to catch on. She was calm but he noticed she held her arms close to her sides as if to draw away from the presence of the warders who flanked him. What private language? They had had love-names, tender and jokey euphemisms for what was hard to express, key words that recalled events in their life together or the antics of one or other of their children — who could expect Aila to put love-talk to the use of a prison code?

The stranger from the human rights organization had no family matters, with him, to confine herself to. He didn't know how she managed to get permission for such visits, but it was clear she had somehow obtained it and already seen several of his comrades. She conveyed this ingeniously in an abstract vocabulary that the two warders, blinking dully and even yawning, could not follow and clearly soon ceased to listen to. He didn't know what she had been told she would be allowed to talk about; presumably only to ask him if he was receiving adequate food, exercise periods and medical care. Talking about food she was actually letting him know that in another prison some of the comrades were on a hunger strike, and apparently innocently relating the weather report she was able to indicate— remarking which cities were receiving heavy rainfall — where many other comrades were held. When she began saying how very stuffy it was, by contrast, in Pretoria, she quickly noticed he was bewildered, straining to follow, and gazing at him in a pause, a silence of greatest aliveness reaching out to him, drew him to realize she was telling him she had been to the Supreme Court where others who were detained when he was were now charged. — And in crowded places it's going to get hotter. — She had narrow blue eyes, the kind that do not have much depth or variety of expression, like the glass-bright eyes fixed so realistically in furry stuffed toys yet which hold attention by their surface colour. He eagerly understood she was passing a message that he might expect to be charged soon.

A stranger has no love-talk, but she was the one who unknowingly found the way to connect him with home, with the possibility of home. It was a casual remark following on a question about how he was passing the time, which he could not answer because a warder woke and intervened, saying talk of prison matters was not allowed.

— Well, I suppose you find sermons in stones. — A bit breathless at having managed at least to hand on some of the information she had been given by others, she jerked her head shyly at the confines of the walls.

He grinned to receive this, another kind of message, she was almost certainly not aware of; elated to be able to recognize it. — And good in your kindness in coming to see me.—

The young woman was not graceful or well dressed — not in the way he liked, in a woman, that gave a woman like his wife class and breeding, even in the ghetto. But what does that matter. Sonny had had to change his mind about so many things, as his life changed, as the very meaning of his ridiculous name changed — first a hangover from sentimental parents, then a nickname to reassure the crowds at rallies that he was one of them, then an addendum to his full names in a prison dossier: 'also known as "Sonny" '. A common criminal with aliases.

Hannah. She introduced herself like that at once; a prison visiting room is no place for formalities. It was only later, when he met her outside prison, that he saw how she had been the first time she came to visit. Head and shoulders, the portrait was, that he kept with him everywhere, in his mind, as a photograph is carried between identity documents in a breast pocket. It must have been a cold June day outside — but prison always gave the impression of cold, anyway, swept clean, bare, with only hairy floating filaments in a cone of light, alive; from the breasts up, as she appeared behind glass above the wooden barrier, she had prepared herself with layers of garments, loose-sleeved knitted things over some sort of canvas waistcoat and several T-shirts whose clashing colours overlapped at the neckline. She had eased a striped scarf and freed her broad, matt-white neck in a gush of warmth (a retouch of the picture that came from subsequent experience of her presence without the separation of glass and wood). Her lips were quilted by the dry cold and paler than a soft pink face whose colour changed with a kind of patchy radiance as she steered double-talk past the warders. A big face whose bone structure was not evident. Two small cold-reddened pads of earlobes appearing and disappearing under rough-cut curly hair. Blonde. Of course, with that skin colouring. Very blonde. But not consciously so (as so many women with that attribute tend to be); her attention on more important things. He could not reconstruct how she had looked full-length, walking away from him after a warder. The lightly freckled calves that remained sturdy right down to the ankle, bringing her towards him, were not any fixed image, but recurring through the pattern of their meetings, moving; always now, not then.

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