Norman Manea - The Lair

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The Lair: краткое содержание, описание и аннотация

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Norman Manea, Romania's most famous contemporary author, twice has survived the grip of totalitarian regimes. No stranger to exile, he mines its complexities and disorientations in this extraordinarily compelling novel,
. Exile in the motherland and away from it is the shared plight of his protagonists. Nowhere at home, they move through their lives in a continuous, ever-elusive quest for national and individual identity. Manea's characters seek a place and a voice in America, only to discover that the shackles of their native totalitarian and nationalist ideologies are impossible to break.
Manea's themes and narrative approach are intricate: his style fluctuates in correspondence with the instability of his characters' lives, his story is encased within an elaborate network of allusions and paradoxes. Yet in the midst of the novel's overriding disorientation, the author establishes intersections and uncovers the universal. Through the predicaments of his perpetual outsiders, he offers a poignant assessment of the conflicts of the individual in the age of globalization. He writes with unmatched intensity and a unique sensitivity to the human tragicomedy.

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I’d heard of Dima’s intention to negotiate a compromise for a celebratory visit in his, that is, our country, and Gora’s opposition was proof of his integrity. None of this was news.

“Have you heard of the former Polish dictator of Free Europe? Great assets in the anti-Communist crusade. Have you heard about the latest discovery?”

I was all eyes and ears.

“A very cultivated man, of a great presence. The author of a very appreciated monograph about Joseph Conrad. The best, some say. The Polish Communist government, exasperated by the programs on Radio Free Europe, condemns the anti-Communist director to death. Condemned to death, in contumacy! But what do the archives of the Polish Secret Service show today, however? That the distinguished intellectual and anti-Communist had been an informant! Nicely worked over, don’t you think? How was it that they didn’t assassinate him? Some they killed because they refused, and others after they did their work.”

Palade was mixing up the chronology, in fact: the suspect had first been an informant for the Polish Secret Service, then refused to continue, then escaped and worked for the enemy.

“You were right to steer clear of the attic of suspects. Who was and who wasn’t an informant? Me, Gora? You? Weren’t you questioned? Weren’t you visited by agents? Who knows what they wrote or modified in their reports. Even now they modify them, I’m sure … Those who might have forced us to become informants are in their mansions. The scribes who praised the Party and the genial Comrade Number One, who beat their breasts, in pubs or in safer places, with one, two, five Secret Service generals… they don’t have files saying they were informants. Or they had them but they’ve disappeared. Eh, what do you say? A good, Byzantine tradition found an alliance with a good, Communist tradition. Or a policing tradition. Or both.”

He was smiling, Mr. Palade, satisfied with the discourse. He’d come to divert my doubts, not to sweep them away. I had to ask the question that I kept postponing.

“But what about Lu? What do you think about her?”

He was increasingly hurried, he responded immediately.

“She was in the attic, as well.”

“Well, they weren’t all informants…”

“Not at all! It would have become a theatrical cast. No, no. I wanted to say only that we saw each other there. That was where Gora met her, and he hasn’t left her even to this day. It isn’t just some sort of bookish delirium, as one would think, nor the claustrophobia or agoraphobia of those lost in books. That would be understandable, we’re not far from that disease ourselves. But with him it’s something else. Lu isn’t a woman, but rather many women. Not a negligible opportunity! I know her from the evenings in the attic, but also from the nights of dancing in the more fashionable circles. A beauty. She would appear in groups and dance to rock music and do the twist and the shake and the hula-hoop. Serene, happy, pleasant. With certain abrupt reactions, as if from a shock. I recall one evening in particular. After midnight, after hours of dancing and flirting, the atmosphere had become propitious for the act that might follow. Some couples retreated to rooms, many of them, children of state officials. Sometimes there were even homes of former noble families that had somehow succeeded in holding on to their properties, through God knew what arrangements. Dance and love. Couples would swing partners, some orgies would commence. Lu took notice of the movement. She became instantly pale. She grabbed her purse and bolted. I called her the following morning, worried. She told me that she walked by herself for an hour, in the middle of the night, from the neighborhood by the lakes all the way to the Arc de Triomphe. It was only then that a taxi appeared. She had no money on her, so she offered the driver her bracelet. That was how she got home, finally, around dawn.”

I understood that I wasn’t to expect clearer responses from the inhabitant of parallel worlds.

Palade wasn’t assassinated in his Homeland, from where he returned more troubled than when he’d left. He informed me that he had a few hours free at Kennedy Airport, where he was changing planes on his way toward Middle America.

A murky day, torrential downpours and storms before the unexpected arrival of Mynheer Peter Ga картинка 216par and his cousin in America.

The flights had long delays, some were canceled entirely. I waited many hours at the airport.

“It was a good trip. That is to say, bad, but beneficial. It woke me up, as if there were further need for that. That revolution, if we can call it that, was postmodern. That is, it is postmodern. It continuously produces its own parody. The impostures, the codifications, the relativities, the uncertainties. A postmodern revolution in a superrealist country, what do you say?”

I wasn’t saying anything. A superrealist country in a postmodern revolution described by a researcher of the esoteric and the paranormal deserves attention.

“They’re proud of the revolution, they invoke thousands of martyrs, but they’ve told me of massive infiltrations of terrorists, KGB conspiracies, as well as the involvement of the Occident and the Orient, the South and the North. They’re talking about a transition, but more toward the year 1938 as opposed to toward the year 2000, modeled after Dima’s thinking. We’ve passed through the moments of daze and fury.. They were looking at Ayesha, my dear Indian, as if she’d just walked out of a cave.”

I was trying to guess what, nevertheless, had been the benefit of the visit. Palade didn’t wait for the question.

“It made me happy to see certain friends. I returned to my youth, the places we both loved. And the attic of the great polemic debates. Their dreams and ambiguities.”

The word ambiguities was promising, I was hoping some confession was to follow. It didn’t.

“And then, I received signs. Signals. Calls. I didn’t decipher all of them. My brother. . you know, my twin brother. Twins with the same cosmic premise. Well, he began to dream odd things, while I was there.”

I was afraid, I had been afraid in the previous meeting, as well, of such immersions in the world of magic and the phantasmagoric.

“Fiction is a part of reality, as you well know, as you yourself manipulate reality. An unreliable narrator, as they say here. Gora does the same thing, but he pretends it isn’t fiction. Fiction is created by and received from the real, from people, but also from the imaginary. Dream and imagination and presentiment, these things are human. Even science can’t advance in any other way. To discover something, you must be able first to imagine a new possibility.”

I raised the cup of coffee to my lips, I sipped, without looking at Palade. The sickly pallor of his face had struck me when he first came out of the gate, and would preoccupy me long afterward. He understood that I wasn’t interested in complicated theories, but in the experience of his journey.

“You believe, then, in these signs…”

“I know, I look for adventure, even in or through objects. Ads lure me, their lies, their successful bankruptcy. Their cipher! If I go out to buy an ice cream, I return with a load of other useless things. Just because I saw them along the way. Or, at least, with eight ice creams of different flavors and colors. Just as if I were forcing an encounter with the unforeseen, the unseen. I disturb the sleep of things. Just now, when I was home, my mother asked me one day to look for some knitting needles in the city. Thick gauge needles, for a woolen vest she was knitting. I was lured by the encounter with the knitting needles. It had been two hundred years since I’d made such a banal and fantastic trip, to buy knitting needles for my old mother. On my way back, on the corner of the street, a gypsy. Young, enticing. She was begging for money. She stopped me, I looked at her, I gave her money, more than she’d dreamed, she looked at me with flames in her eyes. ‘Want me to read your palm?’ I stretched out my palm, I looked at her again and again, at length, disbelieving, she hesitated to speak, she seemed horrified. You’re born in the same month as me, she mumbled. Not the year, just the day and the month. And she told me the day and the month.”

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