Norman Manea - The Black Envelope

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The Black Envelope: краткое содержание, описание и аннотация

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A splendid, violent spring suddenly grips Bucharest in the 1980s after a brutal winter. Tolea, an eccentric middle-aged intellectual who has been dismissed from his job as a high school teacher on "moral grounds," is investigating his father's death forty years after the fact, and is drawn into a web of suspicion and black humor.
"Reading 'The Black Envelope,' one might think of the poisonous 'black milk' of Celan's 'Death Fugue' or the claustrophobic air of mounting terror in Mr. Appelfeld's 'Badenheim 1939'... Mr. Manea offers striking images and insights into the recent experience of Eastern Europe." —

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“Now is the hour. The great chance for the conspiracy. The act of treason. Time for the lower ranks to take the wheel. A perfect moment, believe me. But they won’t do it. That’s how they’ve been selected,” the old lawyer continued, rolling his r’s in the interwar manner with all the ease of youth. “From tomorrow there’ll be a new strategy — you’ll see. Visit to such-and-such a hospital, invaluable suggestions, big rallies, chats with people saved from under the rubble, parental care of the nation’s parents. Hold tight: from tomorrow the old jabberer will be at it again.” But they were now in front of the block they had been looking for. And it had not collapsed; in fact, it looked quite solid. They went up the dark staircase, stumbling over pieces of mortar and scrap iron. From time to time Tolea lit a match: voices could be heard from all the apartments, where people were still frightened and had not gone to bed. They eventually reached the top floor, the tenth, where the pianist had just clambered up. A small, elegant apartment. Some six or seven people were praying around a candle, with complete presence of mind, while the radio was broadcasting, in French, news about the Bucharest earthquake. No, the national radio had still made no announcement, but foreign stations were confirming that what they had all experienced a few hours ago really had happened. Seismic monitors had registered many degrees on the Richter scale. He remained in the doorway, declining the invitation of the porcelain figure Paulina, the pianist, to remain with them. “You know what they say: there will now be a number of smaller shocks. It’s best if we stay together.” Yes, he himself felt the shudder: a kind of strange induction of the danger was floating in the air; an obsessive headache had taken hold of the thoughts and the body in which that cosmic trepidation had burrowed so deeply, the traumatic cough of sick Earth shaking the Chinese walls of the illusory little refuges. He looked at the pensioners from the door; it was as if he had seen again his long-departed parents and uncles and aunts. He did not feel much like being alone, it was true; he was even trembling. The shaking of the walls and the ground had entered inside him. But no, he was not tempted to join these old people asking for God’s mercy, nor did he want to stay under any kind of roof. He would sooner be out roaming the city’s nocturnal wilderness. They were concentrating so hard, both on themselves and on the voice of the distant announcer, that they evidently did not notice when he quietly shut the door behind him.

He gripped the banister with his right hand. The thick heel of his shoe faltered on the first step below. An ordinary step, yes, as on the way up. He looked for the matches that he always carried with him; their ancestral fire had proved the only salvation during the energy crisis. The first stick did not light, of course. He tried another two until he succeeded. By the little phosphorus flame he looked at the abyss of the stairwell. Yes, it was normal enough, as on the way up. Without striking any more matches, he groped his way down, step by step. It was quiet: the voices had grown fainter — just a low indistinct sound from time to time. Ninth floor, eighth, seventh, fifth. At the fifth a door opened somewhere. The darkness was total, yet he did feel a door opening. He stopped. “Is there anyone on the stairs?” a woman asked. He hesitated before replying. “Yes, I’m just on my way down.” Pause. Tiny particles of magnetic obscurity carried her voice back, deep and slow. “You don’t have a match, by any chance?” The black, impenetrable texture of darkness, the imperceptible pulsation of darkness — perhaps also of the walls, of his knees. He clenched the cold rail with his fingers, trying to catch the hushed voice again. Deep, young, clear — a burning jet. “Yes, I do,” he replied. Still night, about to resume the quaking. “Yes, I’ve got some matches,” he repeated. Still, frozen lava about to explode. “The apartment on the right. The first by the stairs. To the right.” A deep voice filling the darkness with its perfumes. He took a step back. The match did not light. Another one. He turned, with the tiny flame in front of his eyes, toward the first door on the right. He was beginning to see: the clear white oval of her face, huge watery eyes, and especially her red hair, short wiry red, burning. A thick dressing down like a bathrobe, and a snow-white shoulder. The match went out, but he was already at the door. She touched his hand, her fingers linking together with his. He was pulled inside. “There’s a draft on the stairs. Matches keep going out.” Yes, there was a draft on the stairs. Impossible to keep a flame alight. A clear deep voice, thin strong bony fingers, short wiry red hair, burning. He made to light another match. “No, not here. I’ll get a candle first,” and she pulled him after her, through the narrow hall to the living room, and then unclenched her fingers. She went, probably, into another room to look for candles. “No, I can’t find any. Please light a match.” The match flared up, but then went out at once. He struck another, which did not light. Finally a mini-flame was cutting through a little zone of semi-darkness. They looked at each other — smiling, one might have said. Pale, excited. Yes, she was slim and tall. Her dressing gown fluttered briefly over her black-stockinged legs. He saw again the pale, stretched oval and the huge eyes and boyish haircut. The match went out, burning his fingers. He made to light another, but her cool smooth palm covered his hand. Again their fingers locked together, phalanxes tightly pressed, and then opened again in search of buttons and zipper. His scarf, coat, belt, pullover, shirt flew off. Her lips remained glues to his, not moving, not kissing. Smooth vibrant lips, young slow breathing, erect nipples. Cold smooth breasts and a long, powerful, impatient tongue. His coat, trousers, and pullover fell quickly, then the rest, quickly, quickly.

Her hands felt him feverishly. Her voice was calm, but her body was trembling, in panic, fingers hurriedly sliding over the stranger’s body — chest, hips, lower down. She was tall and young and naked, glued to the stranger’s foreign body. Thrilled, eager to find confirmation, union. A brief shudder passed through her throbbing body when she took and sheltered the frail, stunted babe in the palm of her hand. Only then did she kiss the man’s mouth, heavily, without passion, in a kind of pact of urgency. She held the python in her skilled, protective hands, as in a resuscitation tube. She held it very tight, and she, too, was tense. It existed, they still existed, after everything. “Tudor, Tudor,” the lamentation began. As if her youthful murmur were sucking in all the air from the room. Not a flicker could be heard anymore, not a movement, just the prisoner’s breathing. Her fingers became more and more silky, velvety, in the smooth ritual. “Tudor, Tudor,” the unknown woman repeated tenderly. “Tudor,” she urged on the creeping stalk. The snake, ever hotter, ever more erect in the palm of her fluid, magnetic hand. Enlivened, powerful, under the vestal’s spell. “Tudor, Tudor,” she spoke rhythmically, in a trance, with her palm rolled around the wonder. On her knees now, as if at prayer. “Tudor, Tudor,” she groaned, with her lips glued to the obsidian head. An expanding totem, with the name of the absent one it was to replace. A substitute, of course, that was all it could be in a world of substitutes, perfectly identified with the name and role and memory it had to mime, so that no identification or differentiation would be possible, as the underworld of masks and substitutes required. Tolea was already kneeling as well: their fingers interlocked once more and opened again. The hushed darkness, frozen solid — not a vibration, not a throb, as if they were in a burial vault. Their haste injected its dizzying alcohol, speeding up their breathing and movements. Coldness and burning heat at the same time. The woman lay down on her back, but gripped his arm tightly and guided his fingers through the prickly, heated bushes onto the flower in flames. The sepals opened to receive him.

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