Sergio De La Pava - A Naked Singularity

I said I had court but was glad I could help, that his concern was appreciated and his advice would be heeded although we knew it wouldn’t be because as long as they kept track of things like caseloads mine would always be the highest. Tom nodded and reiterated some things while I picked at the bike’s rear tire. Then I walked out and down the hall shaping the petition into a ball and calmly sinking an uncontested eight footer into the trash can just outside the video room.

NOW SHOWING:

On the screen is surprising quality — like decent public access; the angle is upper right-hand corner looking down. Looking down on the innards of a tiny bodega with two consumer aisles and one of those fridge/counters in front of the cash register located on the bottom right of the screen. There’s no life in there. Behind the counter sits, according to his tee shirt, Superdad, or a fiftyish Hispanic man with a close-cropped gray afro. The once-black shirt has faded to a dark grey that emerges intermittently from behind the yellow and red pentagon logo. The short sleeves barely contain the wearer’s carved arms and shoulders as he rocks back and forth on his wooden stool. He is alone and staring emptily.

Now the chimed door announces work and he slowly uncoils to attention, leaning forward against the counter. To the back they go, one in each aisle followed by purposeful loitering and Superdad’s eyes on them all the while. More loitering. Marvyn Rane and Disangel Cruz are the two and they can’t decide and Superdad is losing patience maybe starting to worry. Now Rane signals to Cruz with his chin and they rhyme towards the counter, the cash register, and the near-future decedent. Cruz has a bag of chips that he drops on the counter. Rane looks out the door then points to the cash register. Repeatedly. Point. Point. From behind the counter, a dismissal in response, signaling to the door with annoyed lips. Except Rane has a gun.

The gun does not come out and jut forward. The gun comes out and drives Rane backward, straightening his bony right arm with its electric current. It points at a stone face and Rane seems bigger now as Superdad shrinks. Cruz hops up and down like a fighter between rounds and Superdad moves to the cash register without looking away from Rane. It doesn’t open. Rane is a statue — hardening and unforgiving. More hopping. Won’t open. Gun moves closer to the counter with Rane following. Cruz wants out. He pulls at Rane’s left shoulder but the right one stays frozen. Still tapping, now pounding, the register. Refuses to open. Rane waves Cruz off. Open. (The tape should end here or shortly thereafter when the money enters Rane’s hand right?) Now Superdad has the bills so he’s armed too and he extends them to Rane, his mouth silently moving. But the money no longer exists to Rane. Cruz’s mouth moves. Rane’s doesn’t. His fist is full of the trite ending. He squeezes it. A white flash as if from a camera then the beginnings of a flame that’s quickly snuffed.

Superdad’s neck is black from all the red.

Hands wrapped tight around his neck to keep the red in. The universal sign for choking. Gargling and Thrashing. On the floor behind the counter, chin down and soaked shirt. Rane looking down, leaning over the counter and pointing again. Cruz part of the audience. Another squeeze and flash. Superdad’s middle looks like his neck. Now he’s on his side and crawling with Rane pointing again. But suddenly out the door they go — Cruz first.

On the ground Supe crawls to the white then red cordless phone. His wet hand can’t properly grasp it. It falls and he looks at it. The mouth moves but slower. Hands on and chin down but it can’t work. Can’t keep liquid life in when it wants out and the thrashing is a dull imitation of earlier vigor. The rejected money has scattered around him. His breathing is insanely heavy now. A paroxysm of desire. Then less and less. Pianissimo. Wrists down… palms up… eyes open. No more forevermore. Inexpensive Surreality Television. THE END.

Dane stared at me as if colorful chips were between us. “Something huh?” he said.

“Everything’s some thing.”

“Meaning it’s not often you’re confronted with your client’s irredeemable actions in such unassailable detail is it?” He looked back at the barren screen. “You’re an eyewitnesses in effect. It’s not just represent a guy who did this, which you’d probably say is never a problem, it’s squint your eyes and witness his interior darkness in all its glory. What are your options then? Do you embrace it, reject it, grudgingly accept it, and does it ultimately matter? Regardless, you’re in right?”

“I’m pretty busy right now like I said last night.”

“Perhaps there’s a slight failure of comprehension here,” he said. “You saw, did you not, the cash register finally open?”

“I did.”

“Saw the money offered to Rane?”

“Yes.”

“What you didn’t see, of course, was either genius take that money and leave.”

“No.”

“So naturally when I get a case like this what I want, and what I have thus far been denied by those annoying pro forma protestations of innocence, is a look inside the shell of this person. Understand? Unlike most, I don’t deny the attraction. What do you want?”

“In general?”

“From Rane.”

“Nothing from Rane. Besides, he says it’s not him and that could be true. I mean it could be,” almost laughing.

“This is his mug shot.”

“Okay, so much for that. So he’ll take a plea.”

“I suppose, but as I say that’s hardly the most relevant consideration here. Think of what I’m offering you.”

“Whatever, I guess.”

“Good, very good. Lunch later?”

“Why not? If I’m not back by one meet me in front of one-eleven.”

“Oh yeah, in the interest of full disclosure, Edwin Vega was the name of the bodega guy. I talked to the neighborhood. He was loved. He would give neighborhood kids jobs and he would coach in the peewee basketball league or whatever. He had kids too, ten-year-old girl and eight-year-old boy.”

“Yeah the shirt.”

“So you understand?”

“That he had kids? Yeah I understand. That makes him a father, I’m familiar with the concept.”

“Then you can come with me when I return to the neighborhood,” he chuckled. “What killed me last time was when this lady says to me I can’t believe this happened to him, he went to church every Sunday . Believe that? In this day and age? Lot of good it did him huh? I mean can’t you just picture it? Every Sunday this poor schlub packs his plump wife and two kids into their early-eighties Buick and off they go to the building with the pretty windows and the empty promises. Inside a guy in a colorful robe tells them everything is going to be all right because what happens here is essentially meaningless. Just bide your time you know? Then in walks this twerp who doesn’t shave yet and what good is all that shit? A little bullet to the neck and what good is it all? These funny distractions you people create for yourselves are powerless in the face of clinical truth. The Ranes of this world are that truth. There will always be Rane Casi.”

“Okay.”

“I mean have you thought about this guy, every day in his little bodega just trying—”

“Really don’t want to think about him.”

“So what do you say to what I’m saying?”

“I say I have to go to court.”

“And?”

“And I don’t care about Vega right now.”

“Have it your way then.”

“I will. Later.”

“One o’clock at one-eleven.”

And just like that, poof, he was gone.

In the elevator were two attorneys. I recognized one of them from the night before as one of the attorneys who’d come in for the lobster shift. He was a tall, square-jawed, game-show-host-looking guy. There was a Clarke and a Karl; he was one of them but I didn’t know which and he was talking to another attorney, Lee Graham, whose name I knew only because he had recently achieved mild notoriety by fainting in front of a judge.