Richard Powers - Plowing the Dark

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Plowing the Dark: краткое содержание, описание и аннотация

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In a digital laboratory on the shores of Puget Sound, a band of virtual reality researchers race to complete the Cavern, an empty white room that can become a jungle, a painting, or a vast Byzantine cathedral. In a war-torn Mediterranean city, an American is held hostage, chained to a radiator in another empty white room. What can possibly join two such remote places? Only the shared imagination, a room that these people unwittingly build in common, where they are all about to meet, where the dual frames of this inventive novel to coalesce.
Adie Klarpol, a skilled but disillusioned artist, comes back to life, revived by the thrill of working with the Cavern's cutting-edge technology. Against the collapse of Cold War empires and the fall of the Berlin Wall, she retreats dangerously into the cyber-realities she has been hired to create. As her ex-husband lies dying and the outbreak of computerized war fills her with a sense of guilty complicity, Adie is thrown deeper into building a place of beauty and unknown power, were she might fend off the incursions of the real world gone wrong.
On the other side of the globe, Taimur Martin, an English teacher retreating from a failed love affair, is picked up off the streets in Beirut by Islamic fundamentalists and held in solitary captivity. Without distraction or hope of release, he must keep himself whole by the force of his memory alone. Each infinite, empty day moves him closer to insanity, and only the surprising arrival of sanctuary sustains him for the shattering conclusion.
is fiction that explores the imagination's power to both destroy and save.

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You hear the man crumble in silence. The surf of faith crashes against the rocks of duty. You curse yourself. But you are ready to do worse.

"Mr. Taimur, I cannot know. I ask Chef. Tomorrow. Inshallah."

As if you've asked for another haircut. He comes through two days later, to let you off the chain for your run. He says nothing. You wait until your half hour of exertion ends, and he replaces the iron ring on your ankle.

"Sayid, did you ask the Chief about… stealing?" You hold out your hands, the ones whose severing Allah specifies as punishment.

"Chef say not to talk to you. You think like a snake."

A snake and worse. A squid. A dung beetle. A human. A creature that would live at all costs.

"Sayid. Walter-jan. How much do your people pay you?"

He does not answer. However much he grasps the words, he does not understand you. You sense him fling his palms out, helpless.

"How much do you make? Twenty-five dollars a month? Thirty? You come work for me. I give you forty."

You cannot rouse him, even to anger. Getting him to kill you, for the moment, is past hope.

Deliverance almost comes, on the day you stop wishing for it. It begins one evening, during your thirty minutes of exertion off the chain. Gaunt legs work their oval until you find yourself logging a few hundred meters more than usual. You soak up a dozen bonus laps, exulting in this sudden increase in strength that leaves you able to shatter all previous speed records. But soon the laps so completely decimate your old personal best that something must be wrong.

You slow to a fast walk and take stock. Furtive reconnoitering near the door discloses nothing, no exceptional noises in the corridor beyond. The best explanation of this miracle is the most prosaic. Whoever was supposed to put you back on the leash tonight has forgotten his place in the rotation. The tick of the thirty-minute clock is finally silenced. Infinite freedom descends on you by accident, and leaves you no choice but to seize it.

You walk all night, a forced march through the checkpoints of crippling fatigue. You cannot squander this supreme windfall, not so long as life lays any claim to you. The epic trek leads off in the dark to parts foreign and unreachable. All those tucked-away peaks and archipelagos that you've never had the leisure to explore now stand naked. Liberty— a whole night in which to rub up against every degree of variegated plaster in the full three-sixty — unfolds with such grace that all bitterness at it having to end gives in to a larger awe.

All night long, wonder refuses to vanish. Unrestricted mobility. Crouching, cantering, contrapposto, tiptoe: all postures enter the available repertoire. North and South return, and East and West with them, dragging along every skew axis. Amazement, here in the pitch-black passages, is a tactile thing, feeling its way along the smooth-bore corridors into open defiles of feeling that you haven't allowed yourself since the earliest days of captivity.

With movement comes memory. A string of shuffle-ball-changes carries you back through a packed cocktail party of tongue-tied Japanese businessmen. Four hundred incredulous stutter-steps take you to the muddy crocus beds that your industrious girlfriend once caused to stud your lawn.

You lie down flat in the middle of this Grand Ballroom. You pry at the lip of your wall of sheet tin, searching for stretches that haven't been stapled down. You drop to the ground in front of the sliver under the door. Up close, through the slit of this science fair experiment, you can see the whole universe. The feet of your captors take turns on the watch, standing sentry over a suite of cells, cells that hold the lives of those taken along with you.

Hour by hour, the gift expands. You take possession of more room than you know what to do with. Free, at leisure, you pace back and forth across the gaping eight feet. You take up residence in the corner farthest from the radiator, pressing yourself against the far walls, sniffing their surface. Then disbelief shoves you on again, to more discovery. A strangeness spreads over you, one awful enough to seem the reason you were taken. Never again will you gainsay anything, or chafe against your allowed radius, or take a square inch for granted…

Daybreak's first covered strands are the cue to slip back to base camp. You lie waiting, acquiescent, on your bed of straw when breakfast arrives. They will see, in this harmless creature, how little need they have for the redundant lockdown.

But the sight of your freedom drives your guards insane. Bodies fly shouting through your room, enraged. Shadow puppets, through your blindfold, rush around in clumps, testing the lock, searching your clothes, slashing at your mattress with knives. How far do they think you could have gotten in your overnight excursion?

Voices lash at one another, spitting through their teeth like cornered rats. A feral, crazed face pulls yours up to it, its breath chamoising your cheeks. "How you do this? How you get out?"

"Please. I did nothing. The guard never came to lock me up again last night."

They haul you to your feet and slam you down again. A knee swings up, smashing your genitals against the back of your pelvis. One spongy testicle smears against this vise of bone. The wave of red shoots up through your spinal column and comes out through the seams of your skull.

Even unconsciousness cannot protect you. Each time you wake, the pain sucks you back under. You come to at last, your face in a pool of vomit, the half-digested dinner from your evening of liberation. The Qur'an can't tell you how long ago that was. Scores of verses pass before you can straighten up and stand.

By the book's count, they leave you on the chain for a full month. The day they take you off again, your atrophied flesh collapses after four slow drags around the oval. Two more weeks pass before you can lift your knees without puking.

Then, late one evening run, your laps closing in on their old target, it happens all over again. The half-hour trot widens into three-quarters. Once more, you feel the awful accident of freedom. The day's meals have all arrived. No one else is coming. Six mobile hours could easily build back half the muscle you've lost.

But there's something too casual this time, too obviously cat and mouse. A test of last term's lesson. A blatant taunt. A cheap trick to justify another beating. Anyone might barge in, at 2 a.m., to catch you in flagrante, flaunting your freedom. They are huddled, even now, over a hidden peephole in these walls, to catch you in the very instant of joy. Sick and beaten, worse than an animal, you return to the padlock and submit. You close the loop tight around your own ankle. The metal clicks; your eyes swell with humiliation. The hate you bear yourself exceeds any that you can feel for your captors. They have their cause; you have nothing. All self, all dignity, sold. All night long, the pathetic dose of freedom that you deny yourself snickers at you from the darkness. Debasement complete, you bare all your openings to the rape.

36

They flew back to a Sound rearranged in their absence. Adie forced Spiegel to come home with her the night they landed. To her island cottage, her safe haven. Once might have passed itself off as an accident. Twice had to mean something. But still, she wouldn't tell him what. And he wouldn't ask, afraid she might tell him. Willful ignorance could still pass itself off as anything.

With nothing but touch, she unlocked a loft inside him, boarded up since college. He made love to a long-dead invention, she to the only person who loved her ex-husband more than she did. Sleeping together became a dare, a mutual suicide pact to cast off the last drag of ballast and lose what was left to lose. To raise loss to the level of high art. To scatter projection to the winds and push the past down into pure aesthetics.

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