Kader Abdolah - The House of the Mosque

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A sweeping, compelling story which brings to life the Iranian Revolution, from an author who experienced it first-hand.
In the house of the mosque, the family of Aqa Jaan has lived for eight centuries. Now it is occupied by three cousins: Aqa Jaan, a merchant and head of the city's bazaar; Alsaberi, the imam of the mosque; and Aqa Shoja, the mosque's muezzin. The house itself teems with life, as each of their families grows up with their own triumphs and tragedies.
Sadiq is waiting for a suitor to knock at the door to ask for her hand, while her two grandmothers sweep the floors each morning dreaming of travelling to Mecca. Meanwhile, Shahbal longs only to get hold of a television to watch the first moon landing. All these daily dramas are played out under the watchful eyes of the storks that nest on the minarets above.
But this family will experience upheaval unknown to previous generations. For in Iran, political unrest is brewing. The shah is losing his hold on power; the ayatollah incites rebellion from his exile in France; and one day the ayatollah returns. The consequences will be felt in every corner of Aqa Jaan's family.

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She pressed her finger on the ink pad and then again on the line in the ledger to which Hajji was pointing with his pen.

‘What’s your address?’ he asked.

‘The house of the mosque,’ Golbanu said.

‘Do both of you live there?’

‘Yes,’ they said.

When he was finished writing, he stamped the two entries with a rubber stamp, then stood up. ‘Follow me,’ he said.

The grandmothers followed him down a hallway, through a narrow room, into a larger office and down a dim corridor, until at last Hajji stopped in front of a closed door. He took out a key, opened the door and turned to the grandmothers. ‘Please take off your shoes before entering.’

Golbanu and Golebeh found themselves standing on the threshold of an extraordinary room. Banners inscribed with sacred texts lined the walls. Rows of wooden racks were filled with battered leather suitcases. The familiar smell of books and leather gave the place an aura of holiness. An antique rug stretched from one end of the room to the other. Off to one side was a small alcove with a big stack of ledgers. The ones on the top were covered with a thick layer of dust.

The hands of the grandmothers shook beneath their chadors. They removed their shoes and went inside.

‘Sit down,’ said Hajji, pointing to some chairs grouped around an antique table. Suspended above it was an exquisite silver chandelier with seven candles. The grandmothers’ hearts soared.

‘Everything that has happened so far, everything we’ve said to each other and everything you’ve seen up till now are to be kept secret,’ Hajji said. ‘If you breathe a word of this to anyone, your trip will be cancelled.’

‘We won’t tell a soul,’ Golbanu said.

He disappeared behind a curtain and came back with two brand-new suitcases, on which a picture of the Kaaba had been embossed. He set the tan suitcases beside the grandmothers with such an official flourish that they nearly fainted from excitement.

Hajji sat down across from them. ‘Everyone at home is probably going to ask you a lot of questions,’ he said calmly. ‘But don’t answer them. I repeat, don’t answer them.’

‘We understand,’ Golbanu said.

‘On the anniversary of Fatima’s birth, the two of you are to wait with your suitcases at the entrance to the bazaar,’ Hajji said.

‘We will,’ Golbanu promised.

‘If you have any questions, now is the time to ask,’ he said, ‘because you won’t get another chance.’

The grandmothers looked at each other uncertainly. Did they have any questions? No, they didn’t.

‘Oh, wait,’ Golbanu said hesitantly. ‘I do have one. What time are we supposed to be at the bazaar?’

‘Early in the morning, just before dawn,’ Hajji replied.

Golebeh had a question as well, but she didn’t dare ask it, so she whispered it in Golbanu’s ear.

‘Excuse me,’ Golbanu said, ‘but you haven’t given us any proof. It might be good to have some kind of document with our names on it.’

‘The suitcases are your proof!’ Hajji said. ‘They already have your names on them.’

They looked at the suitcases and, to their surprise, saw their names written in big letters on a piece of paper encased in a transparent plastic holder.

‘So they are!’ Golbanu said, and she scowled at Golebeh for asking such a silly question.

‘You will receive your travel documents on the day of the trip,’ said Hajji. ‘Any other questions?’

The grandmothers exchanged glances. No, they had no more questions.

Beaming with joy and hiding their smiles behind their chadors, the grandmothers picked up their suitcases, left the travel agency and made their way through the busy bazaar.

At home they hid the suitcases in one of the trunks in the cellar and pretended nothing had happened. But the secret weighed heavily on their hearts. They couldn’t sleep; they tossed and turned for hours. The days seemed longer and the nights went on for ever. Was it really going to happen? Would they be able to pack their bags one day and set off on their journey? Were they strong enough to undertake such a long trip?

They were afraid they weren’t going to live to see the day, that they would have an accident or break a leg or die. But they had been patient for forty years, so a few more months would hardly matter.

The Treasure Room

Oh, you cloaked in your mantle!

Stand up and deliver your warning!

Magnify your Lord.

Purify your garments.

Shun abomination.

Be patient!

A group of seven men emerged from the alley. Four of the men bore a large basket, suspended from two poles, on their shoulders, while the other three walked on ahead. They were villagers from Jirya, transporting Kazem Khan to the house of the mosque.

One of them knocked. It took a while for Golebeh to open the door. ‘Yes, gentlemen?’ she said, surprised to see a makeshift litter.

‘We have Kazem Khan with us,’ one of them said, pointing to the basket.

‘Golbanu!’ Golebeh shouted, upset. ‘It’s Kazem Khan!’ As soon as she saw the litter, Golbanu knew what needed to be done. She showed the men to the Opium Room, and they carefully transferred Kazem Khan from the litter to the bed. His eyes were closed, his face was pale and he was emaciated. The men went into the courtyard and gathered round the hauz to smoke their pipes. Golebeh wept softly, while Golbanu did what was necessary. She covered Kazem Khan with a blanket, placed a Koran and a hand mirror on the shelf above his head and went into the kitchen to make breakfast. After setting the table with bread, cheese, jam, a bowl of fruit and a teapot, she called to the villagers. ‘Gentlemen, time to eat!’

Meanwhile, Aqa Jaan had come home and gone straight to the Opium Room. He took one look at Kazem Khan and knew there was no point in taking him to hospital. Instead he went into the kitchen to greet the villagers.

They stood up to show their respect, and one of them told the story: ‘We hadn’t seen Kazem Khan in the teahouse for several days, but we thought he was away on a trip. Then last night we heard his horse neighing and assumed he was back, but the horse didn’t stop neighing. So we went to his house and found him lying in bed, almost dead. This morning we put him in the litter and brought him here by bus.’

‘Thank you. I’m grateful for all you’ve done for my uncle,’ Aqa Jaan replied.

That evening he placed a chair by Kazem Khan’s bed and sat next to him for hours, quietly reading the Al-Fatiha surah to him.

Kazem Khan was the heart and soul of the house, despite the fact that he had never formed an attachment to either the house or the mosque. He was the kind of person Aqa Jaan would never be. Aqa Jaan was the head of the household, the mosque and the bazaar, and had numerous other obligations; Kazem Khan, on the other hand, was as free as a bird, and now he was dying like a bird, for old birds suddenly plummet out of the sky, close their eyes and never wake up again. Kazem Khan was a poet who had always thrown convention to the winds. He had done all kinds of things, things Aqa Jaan didn’t dare think about.

Aqa Jaan reached into Kazem Khan’s pocket and took out his poetry book. He leafed through it until he came to the last poem, which he softly read aloud:

If those sweet lips, that goblet of wine,

Yes, everything, ends in non-existence,

Then remember, for as long as you exist,

That you are only what you will be one day:

Nothing. It’s impossible to be less than that.

For the past seventy years someone had always prepared the opium kit for Kazem Khan the moment he stepped through the door. Now that long-standing custom had come to an end.

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