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Steven Millhauser: We Others: New and Selected Stories

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Steven Millhauser We Others: New and Selected Stories

We Others: New and Selected Stories: краткое содержание, описание и аннотация

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“Every reader knows of writers who are like secrets one wants to keep, and whose books one wants to tell the world about. Millhauser is mine.” — David Rollow, From the Pulitzer Prize — winning author: the essential stories across three decades that showcase his indomitable imagination. Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story — in which a man who is dead, but not quite gone, reaches out to two lonely women — Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

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INEVITABLE. We now lived in anticipation of the next attack, which felt inevitable. Parents drove their children to school and walked with them from the street or parking lot into the building; when the school bell rang at the end of the last class, parents were waiting grimly outside the front door. Members of neighborhood watch groups walked up and down sidewalks, displaying the yellow-and-black armbands that had become the sign of our vigilance. Police cars roamed the streets, stopping from time to time to ask us if we had noticed anything unusual, anything at all. People were urged to keep their doors and windows locked, to stay home after dark, to travel in groups whenever possible, to keep outdoor and indoor lights on throughout the night, to be watchful at all times, to report any suspicious behavior immediately. Whether our measures were effective, or whether the man was simply biding his time, we had no way of knowing, but the days passed without incident. We tried to anticipate his next step, which we imagined as a deeper violation: perhaps the invasion of a bedroom, late at night, where he would slap us in our sleep. We would wake up and see him staring down at us with his angry eyes. Or maybe, now that he’d struck a high school girl and a woman who lived alone, he would seek out a child. He would find a little girl playing alone in her yard. He would raise his hand high in the air, he would hit her so hard in the face that she’d be hurled to the ground. We ate breakfast tensely, in town we walked briskly, we turned our heads at the slightest sound.

POCKETS. It was understood that to wear a trench coat, in the present atmosphere, was foolish and even dangerous. Anyone seen in such a coat was bound to arouse suspicion. And so they hung there, the abandoned trench coats of our town, on coat racks standing by the front door, or on hangers suspended from horizontal poles in hall closets: lacquered wooden hangers with polished-steel swivel hooks, thin metal hangers, hangers of heavy-duty chrome. They hung between fleece jackets, nylon windbreakers, quilted coats with faux-fur collars, wool sweaters, leather bomber jackets, peacoats, hooded parkas, corduroy blazers. There they hung, almost but not quite forgotten. Sometimes when we thought of the abandoned trench coats, we were inspired to strange fantasies. We imagined that the trench coats had the power to leave our closets and to roam our streets at night. We saw them drifting through town like restless and unhappy ghosts. In certain moods, we imagined them swept up by a great wind. They rise swirling into the air, the abandoned trench coats of our town, and as they turn round and round, their arms wave, their tails flap, and their pockets spill, releasing, high over the night roofs, high over the dark beach with its forsaken lifeguard stands, high over the stoplights of Main Street, a great shower of quarters and dimes, half-opened rolls of cough drops, lunch receipts, house keys on flashlight chains, sticks of chewing gum, folded train schedules, small bags of cashews, halves of cider doughnuts in waxed paper, subway cards, sunglass cases, energy bars, telephone numbers on pieces of scrap paper.

MATTHEW DENNIS. Matthew Dennis, twenty-five years old, a reporter for the Daily Observer who had been assigned to cover the attacks after Charles Kraus had phoned the police, swung out of his seat as the train pulled into the station. He had spent the afternoon in Manhattan and was returning at the height of rush hour. It was all his boss’s idea: ride the train into the city with the morning crowd, listen to the talk, get a feeling for the mood. Ride the train back, keep your ears open, give us the word on the train, the word out in the lot. Circulation was way up, everyone was following the story. Matthew had been against the whole scheme. Better to make the rounds of the neighborhoods, interview upper-management types on Sascatuck Hill, talk to the guys in the gas station next to Sal’s Pizza, but who was he to turn down a free trip to the city, and besides, he’d had some good conversations down and back and had typed up most of them on his laptop. Everybody had a theory: the man would next strike at midnight, the man was an ex-cop, the man was seeking attention for a reality show. In Matthew’s view the attacker was following a pattern, but one that was difficult to pin down. He’d begun with four men, then turned to women; he’d begun in the station parking lot, then changed to a parking lot in town, to a residential street, to a living room at night. It appeared that what he liked to do was raise an expectation and suddenly swerve away — he liked taking the town by surprise. Matthew walked along the platform, exchanging a few words with Charlie Kraus. Then he stood by the steps for a while, looking down at the lot: the lights were on, though the sky was still dusk-blue. People walked in careful groups, looking around, making sure. A man came up to him and asked for a light. Matthew had stopped smoking a year ago. The man was in his mid-thirties, sharp-featured, a solid build; except for the zippered jacket, he could have been the stranger. A woman laughed: a high, nervous laugh, like a laugh rehearsed for a play. “My husband picks me up,” he heard someone say. “I don’t park here anymore.” Matthew walked down the steps. In the morning he’d first parked near the station, then changed his mind and chosen a spot farther away. He needed to walk with the crowd, listen to what people were saying, study their faces. His job on the paper was strictly temporary, until something better came along, or until he could get going on a book, but he liked it well enough, it might lead to something, you never could tell. He turned quickly when he heard what sounded like a half-stifled cry. It was only a girl who had stumbled in her heels and was clinging to her boyfriend’s arm. Everyone was thinking about the stranger, looking around. Matthew had his own theory, which he sometimes believed: that everyone had a secret, a shameful thing they had done, and the reason they feared the stranger was that he made them remember that thing. He himself, for example, had done some things in college he’d rather forget. He stepped up to his car, bent over to glance through the window — one of his ideas was that the stranger concealed himself in parked cars, which he knew how to open — and placed his key in the door. He heard a step, a single crunch of gravel, and turned with a feeling of excitement and intense curiosity. The man in the trench coat had already raised a hand, and as the palm cracked against his cheek with a force that brought tears to his eyes, Matthew was aware of the look of stern anger in the stranger’s eyes, as if he were delivering a judgment.

HIGHLY INTELLIGENT. We read about that judgment in next morning’s Daily Observer , where Matthew Dennis recounted in detail his simulated commute, the overheard conversations, his thoughts on the station platform, his observations of crowd behavior, his walk to the car, the details of the attack. He did more than report the incident: he said that the stranger’s return to the station parking lot was evidence of a highly intelligent plan. The attacker had led us to believe that he was intent on entering our homes, on striking our most defenseless citizens, on violating our deepest privacies. As we prepared for the next attack, as our police force and our watch committees gave their full attention to our streets and houses, he returned boldly to the original scene, which he had seemed to abandon. Not only, by this maneuver, had he eluded detection; he had also made us rethink the meaning of the attacks. Far from spreading random terror, the Slapper was making a point: his target was not particular people, but the town itself. In the attacker’s mind, our town was represented largely, but not entirely, by commuters; hence four out of seven incidents had taken place in the station parking lot. Had he wished to initiate a reign of random terror, he would have spread his attacks far more widely. Moreover, the seven victims were less different than one might suppose at first glance. Although it was impossible to condone the attacks on Sharon Hands and Valerie Kozlowski, it was important to remember that Sharon Hands, the daughter of a corporate lawyer, attended a well-funded and highly regarded public high school, a symbol of membership in the community, while Valerie Kozlowski wasn’t a minimum-wage worker with no health insurance and no benefits but the co-owner of a small business. He himself, Matthew Dennis, was a reporter for the local paper, which meant that he was part of the way the town presented itself to itself. The victim who seemed to fit in least was Ray Sorensen, but that was precisely the point: Sorensen was all the others who lived in our flourishing town, all those who occupied the lower ranks of the social scale and sometimes had to work a second job in order to buy groceries and pay the bills. It was the purpose of the attacks, Matthew Dennis said, to punish all those who were guilty, not just those at the top of the heap, and what the victims were guilty of was living in our town . The long article ended with the hope that we would think less about our safety and more about the reasons why we might be guilty for living in a town such as ours. He himself harbored no resentment and vowed to become a better person.

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