Steven Millhauser - We Others - New and Selected Stories

I woke in the early dawn with a pleasant sense of lightness, as if the weight had lifted not only from my chest but from my entire body. At the same time there was an odd kind of airiness in my mind that I had never experienced before. It wasn’t a dizziness but a bizarre sort of clarity, as if I were able to perceive objects with unusual distinctness, while at the same time I felt sharply separate from them. I saw the lamp on the night table, the digital clock, myself in the bed. It struck me as strange that I should be able to see myself in the bed, and I wondered whether I was suffering from a disorder of the visual system. I was in the bed and I was outside the bed, watching myself in the bed. The figure in the bed did not move. I bent over and saw that I was no longer breathing. I remember seeing the tendon of my neck protruding, my hand rigid on the spread. On the night table my eyeglasses lay folded on a mystery novel with a cover showing a black gun and a blood-red rose. I thought: Now there is no one to return my book to the library. At that moment an understanding began to grow in me, like a ripple of terror, though even then I couldn’t have said what it was that had happened in that room.

Let me linger over that moment. A sensation is growing within me — a sensation that I’m about to understand something. I pose a hypothesis: I, Paul Steinbach, am suffering from a form of mental derangement that causes me to experience myself as two beings. My very ability to form this hypothesis makes me doubt its validity. I feel that it is extremely important for me to trust my senses, even though they may be misleading me. My senses inform me that I am observing my lifeless body on the bed. But who is this observer? I consult my memory. I see the oval table in Brooklyn, with its scattering of puzzle pieces. I see the screened back porch in Connecticut, the sunlight streaming through the venetian blinds in my boyhood room that looked down on the crab-apple trees. There can be no doubt at all that I am Paul Steinbach. Yet there he lies, Paul Steinbach, in his bed. I can see the familiar hand lying on the bedspread. The nail of the fourth finger needs to be cut. He is not breathing. I try to observe what I can of my other self, the one who’s standing beside the bed, and I see a vagueness, a sort of ripple or waver. At this instant my understanding takes a leap forward, and without exactly knowing what it is I’m doing, I burst into a laugh.

That is what we do, we others: we burst into a laugh. It is the brash, uneasy laugh of one who is about to understand. There is another laugh that we reserve for the moment of understanding itself.

I fled. There was no reason to remain. I was about to understand, but I didn’t want to understand. I wanted only to be elsewhere. How familiar I was to become with that desire! — the desire to be elsewhere. It is our nature. That, and the desire to hover, to remain.

I fled downstairs and out into the backyard. All my senses, such as they were, warned me to keep out of sight. The sky was a darkish luminous gray, the exact color of a smoky quartz crystal. A band of pallor showed in the east. At any moment the sun would leap up with a shout. I made my way through the tall hedge and entered the Delvecchio backyard, with its flagstone patio shaded by a canvas top. On the black-green grass a soccer ball sat beside a yellow sprinkler, silent in the dark dawn-light. Through hedges and fences I passed from yard to yard, under cover of a day not yet begun. Now and then I would hear a voice from a radio, the clatter of a dish. A length of downspout lay in the grass by a cellar window. I crossed Myrtle Street, disappeared between two sleeping houses, hurried from yard to yard as if I were being pursued. Once a cat on a porch arched its back and hissed at me as I passed. I fled across other streets, made my way into little-known neighborhoods. Here and there I saw a sudden figure standing in a kitchen window. In the east, the whitish band was turning pale blue. I soon found myself in an older part of town. Mailboxes with red reflectors that looked like gigantic lollipops sat at the ends of driveways. Here the houses were set deep among pines and oaks. I crept along the side of a garage, crossed a back lawn, slipped through a stand of spruce, and entered a backyard where a wooden swing hung down from the branch of an old sugar maple.

It was dark under the leaves. A coil of hose hung from a hook beside a porch with a sloping roof. A shovel leaned up against the railing. Night reigned in the dark yard, though day was breaking out above.

I climbed onto the porch and entered through the screen door, the wooden door. In the kitchen a single cup and a single dish sat in the dish rack. The living room and dining room were empty. The stairs were covered with a faded carpet. In the upstairs hall I found what I was looking for: a door that opened onto a flight of wooden steps. At the top of that stairway I stopped. I looked at the dark rafters, at the old bookcases filled with glassware and toys, at the dressmaker’s dummy beside the sewing machine, and in the dark and permanent dusk I felt, for the first time that day, that I might be able to rest awhile.

For three days I remained in that attic, as if I’d been flung into prison. At some point during the second day I burst into another laugh: the short, bitter laugh of one who knows. Otherwise I was silent as a fog. When light streamed through the small window, I sought the dark corners; at night I prowled restlessly. An attic is the most seductive portion of any house, combining as it does the aura of the department store, the museum, and the ruined city, and I began to make myself familiar with its collection of objects. Here and there rose chest-high piles of brown packing boxes, each with its neat label printed in black marker: SWEATERS, BLOUSES, PLACE MATS, MITTENS AND GLOVES, GIRL SCOUT UNIFORM: 5TH GRADE. On a tilted wooden coatrack hung a broad-brimmed straw hat with pink plastic flowers, a knitted red scarf with white reindeer, and an extension cord. Beside an old carpet sweeper stood a twelve-room dollhouse with curtains on all the windows; four little dolls were seated at a table, leaning sideways in their chairs, as if they’d been shot. I saw bears, giraffes, elephants, an old black typewriter in a sewing basket, a tall porcelain vase that held a shiny metal tube from an old vacuum cleaner. At some point on the first day I heard a car pull up to the garage in back, a key turn in a downstairs lock. Footsteps struck the floor — a single pair of footsteps, as the one cup and saucer had led me to hope. Later that day I heard her voice on the telephone. It was a low voice, without much inflection. I could not make out the words. I became familiar with her sounds: the rush of water from the kitchen faucet, the whistle of a teapot, the knock of a spoon against a cup. She left by the back door in the early morning and returned in the afternoon, before other cars returned. From the attic window at the rear of the house I could see her car, a small silver hatchback, backing out of the garage in the morning and driving up in the afternoon.

I came downstairs on the fourth night. For when all is said and done, we are curious, we others, we simply cannot help ourselves. At the bottom of the carpeted stairway I saw her sitting on the couch in the darkened living room. She was watching television. A light in the kitchen had been left on; through the half-open door a glow came partway into the dark room. She was a stout mid-fortyish woman, with big pink eyeglasses and a small girlish mouth. Her hair lay in straight bangs across her broad forehead and fell to her shoulders. She was wearing some sort of flowered housedress with short sleeves. When she moved, a barrette gleamed above her ear. She looked like a little girl who had become a big matronly woman without ceasing to be a little girl. I stood watching her until she turned her head with a slight frown, as if she’d become aware of something in the room.