Junot Diaz - This Is How You Lose Her

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On a beach in the Dominican Republic, a doomed relationship flounders. In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness-and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

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Don’t worry, Elvis says, I’m moving them out this month, if I can get the loot together.

The happy couple leaves you with the family and Elvis Jr. while they visit various negocios to settle accounts and to pick up some necessaries. Baby Mama also wants to show off Elvis, natch.

You sit on a plastic chair in front of the house with the kid in your lap. The neighbors admire you with cheerful avidity. A domino game breaks out and you team up with Baby Mama’s brooding brother. Takes him less than five seconds to talk you into ordering a couple of grandes and a bottle of Brugal from the nearby colmado. Also three boxes of cigarettes, a tube of salami, and some cough syrup for a neighbor lady with a congested daughter. Ta muy mal, she says. Of course everybody has a sister or a prima they want you to meet. Que tan mas buena que el Diablo, they guarantee. You all barely finish the first bottle of romo before some of the sisters and primas actually start coming around. They look rough but you got to give it to them for trying. You invite them all to sit down, order more beer and some bad pica pollo.

Just let me know which one you like, a neighbor whispers, and I’ll make it happen.

Elvis Jr. watches you with considerable gravitas. He is a piercingly cute carajito. He has all these mosquito bites on his legs and an old scab on his head no one can explain to you. You are suddenly overcome with the urge to cover him with your arms, with your whole body.

Later, Elvis Sr. fills you in on the Plan. I’ll bring him over to the States in a few years. I’ll tell the wife he was an accident, a one-time thing when I was drunk and I didn’t find out about it until now.

And that’s going to work?

It will work out, he says testily.

Bro, your wife ain’t going to buy that.

And what the fuck do you know? Elvis says. It ain’t like your shit ever works.

Can’t argue with that. By this point your arms are killing you so you pick up the boy in order to put circulation back in them. You look into his eyes. He looks into yours. He seems preternaturally sapient. MIT-bound, you say, while you nuzzle his peppercorn hair. He starts to bawl then and you put him down, watch him run around a while.

That’s more or less when you know.

The second story of the house is unfinished, rebar poking out of the cinderblock like horrible gnarled follicles, and you and Elvis stand up there and drink beers and stare out beyond the edge of the city, beyond the vast radio dish antennas in the distance, out toward the mountains of the Cibao, the Cordillera Central, where your father was born and where your ex’s whole family is from. It’s breathtaking.

He’s not yours, you tell Elvis.

What are you talking about?

The boy is not yours.

Don’t be a jerk. That kid looks just like me.

Elvis. You put your hand on his arm. You look straight into the center of his eyes. Cut the crap.

A long silence. But he looks like me.

Bro, he so doesn’t look like you.

The next day you two load up the boy and drive back into the city, back into Gazcue. You literally have to beat the family off to keep them from coming with you. Before you go one of the uncles pulls you aside. You really should bring these people a refrigerator. Then the brother pulls you aside. And a TV. And then the mother pulls you aside. A hot comb too.

Traffic back into the center is Gaza Strip crazy and there seems to be a crash every five hundred meters and Elvis keeps threatening to turn around. You ignore him. You stare at the slurry of broken concrete, the sellers with all the crap of the earth slung over their shoulders, the dust-covered palms. The boy holds on to you tightly. There is no significance in this, you tell yourself. It’s a Moro-type reflex, nothing more.

Don’t make me do this, Yunior, Elvis pleads.

You insist. You have to, E. You know you can’t live a lie. It won’t be good for the boy, it won’t be good for you. Don’t you think it’s better to know?

But I always wanted a boy, he says. My whole life that’s all I wanted. When I got in that shit in Iraq I kept thinking, Please God let me live just long enough to have a son, please, and then you can kill me dead right after. And look, He gave him to me, didn’t He? He gave him to me.

The clinic is in one of those houses they built in the International Style during the time of Trujillo. The two of you stand at the front desk. You are holding the boy’s hand. The boy is staring at you with lapidary intensity. The mud is waiting. The mosquito bites are waiting. The Nada is waiting.

Go on, you tell Elvis.

In all honesty you figure he won’t do it, that this is where it will end. He’ll take the boy and turn around and go back to the jípeta. But he carries the little guy into a room where they swab both their mouths and it’s done.

You ask: How long will it take for the results?

Four weeks, the technician tells you.

That long?

She shrugs. Welcome to Santo Domingo.

Year 5

You figure that’s the last you’ll hear about it, that no matter what, the results will change nothing. But four weeks after the trip, Elvis informs you that the test is negative. Fuck, he says bitterly, fuck fuck fuck. And then he cuts off all contact with the kid and the mother. Changes his cell phone number and e-mail account. I told the bitch not to call me again. There is some shit that can’t be forgiven.

Of course you feel terrible. You think about the way the boy looked at you. Let me have her number at least, you say. You figure you can throw her a little cash every month but he won’t have it. Fuck that lying bitch.

You reckon he must have known, somewhere inside, maybe even wanted you to blow it all up, but you let it be, don’t explore it. He’s going to yoga five times a week now, is in the best shape of his life, while you on the other hand have to buy bigger jeans again. When you walk into Elvis’s now, his daughter rushes you, calls you Tío Junji. It’s your Korean name, Elvis teases.

With him it’s like nothing happened. You wish you could be as phlegmatic.

Do you ever think about them?

He shakes his head. Never will either.

The numbness in the arms and legs increases. You return to your doctors and they ship you over to a neurologist who sends you out for an MRI. Looks like you have stenosis all down your spine, the doctor reports, impressed.

Is it bad?

It isn’t great. Did you used to do a lot of heavy manual labor?

Besides delivering pool tables, you mean?

That would do it. The doctor squints at the MRI. Let’s try some physical therapy. If that doesn’t work we’ll talk about other options.

Like?

He steeples his fingers contemplatively. Surgery.

From there what little life you got goes south. A student complains to the school that you curse too much. You have to have a sit-down with the dean, who more or less tells you to watch your shit. You get pulled over by the cops three weekends in a row. One time they sit you out on the curb and you watch as all the other whips sail past, passengers ogling you as they go. On the T you swear you peep her in the rush-hour mix and for a second your knees buckle but it turns out to be just another Latina mujerón in a tailored suit.

Of course you dream about her. You are in New Zealand or in Santo Domingo or improbably back in college, in the dorms. You want her to say your name, to touch you, but she doesn’t. She just shakes her head.

Ya .

YOU WANT TO MOVE ON, to exorcise shit, so you find a new apartment on the other side of the square that has a view of Harvard skyline. All those amazing steeples, including your favorite, the gray dagger of the Old Cambridge Baptist Church. In the first days of your tenancy an eagle lands in the dead tree right outside your fifth-story window. Looks you in the eye. This seems to you like a good sign.

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