Junot Diaz - This Is How You Lose Her

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On a beach in the Dominican Republic, a doomed relationship flounders. In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness-and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

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This can work, you say. We just have to let it.

THAT LAST SUMMER you wanted to go somewhere so I took us out to Spruce Run; we’d both been there as children. You could remember the years, even the months of your visits, but the closest I came was Back When I Was Young.

Look at the Queen Anne’s lace, you said. You were leaning out the window into the night air and I had my hand on your back just in case.

We were both drunk and you had nothing but garters and stockings on under your skirt and you put my hand between your legs.

What did your family do here? you asked.

I looked at the night water. We had barbecues. Dominican barbecues. My pops didn’t know how to but he insisted. He would cook up this red sauce that he’d splatter on chuletas and then he’d invite complete strangers over to eat. It was terrible.

I wore an eye patch when I was kid, you said. Maybe we met out here and fell in love over bad barbecue.

I doubt it, I said.

I’m just saying, Yunior.

Maybe five thousand years ago we were together.

Five thousand years ago I was in Denmark.

That’s true. And half of me was in Africa.

Doing what?

Farming, I guess. That’s what everybody does everywhere.

Maybe we were together some other time.

I can’t think when, I said.

You tried not to look at me. Maybe five million years ago.

People weren’t even people back then.

That night you lay in bed, awake, and listened to the ambulances tear down our street. The heat of your face could have kept my room warm for days. I didn’t know how you stood the heat of yourself, of your breasts, of your face. I almost couldn’t touch you. Out of nowhere you said, I love you. For whatever it’s worth.

THAT WAS THE SUMMER I couldn’t sleep, the summer I used to run through the streets of New Brunswick at four in the morning. These were the only times I broke five miles, when there was no traffic and the halogens turned everything the color of foil, firing up every bit of moisture that was on the cars. I remember running around the Memorial Homes, along Joyce Kilmer, past Throop, where the Camelot, that crazy old bar, stands boarded and burned.

I stayed up entire nights and when the Old Man came home from UPS I was writing down the times that the trains arrived from Princeton Junction — you could hear them braking from our living room, a gnash just south of my heart. I figured this staying up meant something. Maybe it was loss or love or some other word that we say when it’s too fucking late but the boys weren’t into melodrama. They heard that shit and said no. Especially the Old Man. Divorced at twenty, with two kids down in D.C., neither of which he sees anymore. He heard me and said, Listen. There are forty-four ways to get over this. He showed me his bitten-up hands.

WE WENT BACK to Spruce Run once more. Do you remember? When the fights seemed to go on and on and always ended with us in bed, tearing at each other like maybe that could change everything. In a couple of months you’d be seeing somebody else and I would too; she was no darker than you but she washed her panties in the shower and had hair like a sea of little puños and the first time you saw us you turned around and boarded a bus I knew you didn’t have to take. When my girl said, Who was that? I said, Just some girl.

That second trip I stood on the beach and watched you wade out, watched you rub the lake on your skinny arms and neck. Both of us were hungover and I didn’t want any of me wet. There’s a cure in the waters, you explained. The priest announced it at service. You were saving some in a bottle. For your cousin with leukemia and your aunt with the bad heart. You had on a bikini bottom and a T-shirt and there was a mist sifting down over the hills and lacing the trees. You went out to your waist and stopped. I was staring at you and you were staring at me and right then it was sort of like love, wasn’t it?

That night you came into my bed, too thin to be believed, and when I tried to kiss your nipples you put a hand across my chest. Wait, you said.

Downstairs, the boys were watching TV, screaming.

You let the water dribble out of your mouth and it was cold. You reached my knee before you had to refill from the bottle. I listened to your breathing, how slight it was, listened to the sound the water made in the bottle. And then you covered my face and my crotch and my back.

You whispered my full name and we fell asleep in each other’s arms and I remember how the next morning you were gone, completely gone, and nothing in my bed or the house could have proven otherwise.

The Pura Principle

THOSE LAST MONTHS. NO WAY of wrapping it pretty or pretending otherwise: Rafa was dying. By then it was only me and Mami taking care of him and we didn’t know what the fuck to do, what the fuck to say. So we just said nothing. My mom wasn’t the effusive type anyway, had one of those event-horizon personalities — shit just fell into her and you never really knew how she felt about it. She just seemed to take it, never gave anything off, not light, not heat. Me, I wouldn’t have wanted to talk about it even if she had been game. The few times my boys at school tried to bring it up, I told them to mind their own fucking business. To get out of my face.

I was seventeen and a half, smoking so much bud that if I remembered an hour from any one of those days it would have been a lot.

My mother was checked out in her own way. She wore herself down — between my brother and the factory and taking care of the household I’m not sure she slept. (I didn’t lift a fucking finger in our apartment, male privilege, baby.) Lady still managed to scrounge a couple hours here and there to hang with her new main man, Jehovah. I had my yerba, she had hers. She’d never been big on church before, but as soon as we landed on cancer planet she went so over-the-top Jesucristo that I think she would have nailed herself to a cross if she’d had one handy. That last year she was especially Ave Maria. Had her prayer group over to our apartment two, three times a day. The Four Horsefaces of the Apocalypse, I called them. The youngest and the most horsefaced was Gladys — diagnosed with breast cancer the year before, and right in the middle of her treatment her evil husband had run off to Colombia and married one of her cousins. Hallelujah! Another lady, whose name I could never remember, was only forty-five but looked ninety, a complete ghettowreck: overweight, with a bad back, bad kidneys, bad knees, diabetes, and maybe sciatica. Hallelujah! The chief rocker, though, was Doña Rosie, our upstairs neighbor, this real nice boricua lady, happiest person you’ve ever seen even though she was blind. Hallelujah! You had to be careful with her because she had a habit of sitting down without even checking if there was anything remotely chairlike underneath her, and twice already she’d missed the couch and busted her ass — the last time hollering, Dios mío, qué me has hecho? — and I had to drag myself out of the basement to help her to her feet. These viejas were my mother’s only friends — even our relatives had gotten scarce after year two — and when they were over was the only time Mami seemed somewhat like her old self. Loved to tell her stupid campo jokes. Wouldn’t serve them coffee until she was sure each tacita contained the exact same amount. And when one of the Four was fooling herself she let her know it with a simple extended Bueeeeennnnoooo . The rest of the time, she was beyond inscrutable, in perpetual motion: cleaning, organizing, cooking meals, going to the store to return this, pick up that. The few occasions I saw her pause she would put a hand over her eyes and that was when I knew she was exhausted.

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