Chris Abani - Song for Night

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Song for Night: краткое содержание, описание и аннотация

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"Not since Jerzy Kosinski’s
or Agota Kristof’s Notebook Trilogy has there been such a harrowing novel about what it’s like to be a young person in a war. That Chris Abani is able to find humanity, mercy, and even, yes, forgiveness, amid such devastation is something of a miracle.”—Rebecca Brown, author of "The moment you enter these pages, you step into a beautiful and terrifying dream. You are in the hands of a master, a literary shaman. Abani casts his spell so completely — so devastatingly — you emerge cleansed, redeemed, and utterly haunted." — Brad Kessler, author of Part
, part
, and part Sunjiata epic,
is the story of a West African boy soldier’s lyrical, terrifying, yet beautiful journey through the nightmare landscape of a brutal war in search of his lost platoon. The reader is led by the voiceless protagonist who, as part of a land mine-clearing platoon, had his vocal chords cut, a move to keep these children from screaming when blown up, and thereby distracting the other minesweepers. The book is written in a ghostly voice, with each chapter headed by a line of the unique sign language these children invented. This book is unlike anything else ever written about an African war.
Chris Abani is a Nigerian poet and novelist and the author of
(a
Editor’s Choice), and
(a selection of the
Book Club and winner of the 2005 PEN/Hemingway Prize and the Hurston/Wright Legacy Award). His other prizes include a PEN Freedom to Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California.

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As I watch, I see phantom soldiers walking with bent heads, rifles across their backs. One soldier, perhaps sixteen, is shot in the stomach, a deep gash that spills his guts like sausages strung up in a butcher’s window. He falls and I run to him, but a hail of bullets pushes me back. As I turn away, I see the boy stagger up and collect his intestines in an untidy heap, cradled like a baby in his arms. He then takes off, running. Desperate zigzag steps that send him crashing into the ground repeatedly, but he gets up every time. The shooting stops and I realize that it is phantom fire, and it isn’t aimed at me. The ghosts are firing at each other — the rebels on one side and the federal troops on the other. But then everybody stops shooting and watches the boy; even the enemy. Twenty feet on, he just stops and sags, hitting the ground in a gentle droop. The backs of his legs are stained by his fear, but he still cradles his guts in his arms. He dies, mouth open. There is nothing heroic about it. This confuses me; can a ghost die? My jaw drops as another soldier looks up at me, eyes misty, transparent, mouth open in a smoke trail of speech. I shut my eyes tightly and shake my head. When I open them, the phantom soldier has gone. I scan the horizon; nothing. Then like mist, he coalesces again.

Suddenly a sword of lightning slices through the plumpness of the hot sky. Rain. I stand for a while but the hot rain is like molten lead and I flee for the line of trees behind the stadium, taking cover under one. I shiver in the new cold, debating whether the apparitions I have seen are real. In this place everything is possible. Here we believe that when a person dies in a sudden and hard way, their spirit wanders confused looking for its body. Confused because they don’t realize they are dead. I know this. Traditionally a shaman would ease such a spirit across to the other world. Now, well, the land is crowded with confused spirits and all the shamans are soldiers.

I try to imagine what the imam would have thought about all this if he had lived. I realize that nothing I know of the world came from my Catholic mother or my Muslim father. All I know comes from the stories Grandfather told me. I feel a sudden rush of rage for father. What was it about Islam and the prophet and that way of life that made him give up so much for it? He moved north, into the heart of the place that destroyed us. What became of all those days and nights he spent in fasting and prayer, rocking back and forth in the dark and silent mosque that no one in the Sabon Gari stepped foot in? What became of all those lessons he taught me about the Koran and Islam? The five tenents? All Muslims must embrace no God but Allah and no prophet above Mohammed, blessings be upon his name; all Muslims must at least once in their lives perform the pilgrimage, the Holy Hajj, to Mecca; all Muslims must pray five times a day, facing Mecca; all Muslims must give alms to the poor; finally, all Muslims must observe the Holy Fast of Ramadan . Why didn’t it say, All Muslims must never take another life, particularly one of their own, particularly an imam — just because his wife is a Catholic and his son, undecided? That’s what the Igbo press said, that was the word on the streets in the Sabon Gari: Local imam murdered by other Muslims because he married a Catholic . Opus Dei, thousands of members strong, took to the streets, singing in Latin, the Gregorian chant rising and falling like a raven with clipped wings, a wonder to behold but unable to fly. But the provocation didn’t work; the streets weren’t filled with rioting Maitasine fundamentalists. A few hours of marching depressively in the sun, and Opus Dei disbanded. Of course, when the real pogroms started they didn’t regroup to fight, they fled. These were the people who murdered my father, people from Sabon Gari. People he’d probably lent money to. People who hated him as much as I do because in the end, I know now, we always hate the saintly, the kind. Not because they are kind, no, God knows we need that, but because their kindness makes us recognize the shits that we are. I fumble to light a cigarette. Beyond the shelter of the tree, the sky is an endless ocean and I feel like I am going to drown.

The old man I see approaching is like a lifeboat, pulling me back from that endless despair of sky. In his late sixties, small and wizened with the smile of a cherub, he is wearing a strange necklace of small bones with intricate markings. As he walks toward me, I see he is holding a sheaf of smoldering green herbs. The smoke from the bundle, thick and choking, wraps itself around the phantom soldiers, and as the smoke clears, the ghosts begin to disappear. He stops in front of me, head inclined. He is careful to keep the smoke away from me. He looks me over and introduces himself as Peter, the catechist of the church in the next town.

“But you look like a native priest,” I say, though I must have thought it because we have no signs for these words.

He smiles: “The conflict is never in the truth, only in how we receive it.”

“You are helping these souls.”

He nods. “These spirits here are lucky. At least they are close to their bodies. Sometimes an explosion blows the spirit miles away from its body. Imagine how confusing that is.”

The rain has eased to a hazy drizzle that wraps everything in a misty stole. Peter is standing about six feet away. I step toward him, the cigarette I hold out in offering between us. He steps back. His expression doesn’t change but something about him tenses. I stop. Does he think I am a federal soldier? Don’t I look Igbo?

“I am not the enemy, you know,” I say, but my hands don’t move. We do have a sign for this kind of communication, mind to mind — telepathy is no stranger to us. A hand held like a pistol, forefinger as barrel and thumb as hammer, barrel swinging away from the forehead and swinging back.

He nods and squats. “We’ll see about that,” he says, drawing a sign in the dirt. “If you are a ghost, if you are dead, you cannot step over this sign.” It is an invitation, a command almost. I smile and think this is just mumbo jumbo, but as hard as I try, I can’t move. I don’t know what to make of it. Just the power of suggestion, I say to myself, that’s what all faith is, right? I realize that in my head I am talking to the imam.

Peter steps back and draws another sign, erasing the first with his foot.

“If you are a demon or mean me harm, you cannot cross this one,” he says.

I step across it easily. He smiles and takes the cigarette from me. He says come and I follow, and although I feel his warmth like arms around me, he doesn’t touch me.

River Is a Flat Snake

I stumble noisily after Peter who is moving with the grace and agility of a man half his age. I see the river rip out in front of me like a sudden sigh. I stop short. Peter comes back and pulls me along to the bank.

“I cannot go any further, I just need to close my eyes for a minute,” I say, collapsing on the grass. “I am trying to find my comrades, my platoon. I am not a deserter, not a coward.”

“I know,” he replies. “Your friends are not far.”

“You saw them?”

“They passed before you came onto the battlefield,” he says, but there is something in his tone that makes me suspicious.

“Why is this river called the Cross?” I ask, since I can’t put my finger on what is bothering me.

“Because we all have to cross it someday,” he replies.

I shake my head. Why can’t old people ever answer a question without using a riddle? I lie back on the bank. It feels like I have just closed my eyes when he is talking to me again.

“Wake up, young one,” he says. “You can’t stay here.”

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