Francisco Jose - The Samsons - Two Novels

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With these two passionate, vividly realistic novels, The Pretenders and Mass, F. Sionil José concludes his epochal Rosales Saga. The five volumes span much of the turbulent modern history of the Philippines, a beautiful and embattled nation once occupied by the Spanish, overrun by the Japanese, and dominated by the United States. The portraits painted in The Samsons, and in the previously published Modern Library paperback editions of Dusk and Don Vicente (containing Tree and My Brother, My Executioner), are vivid renderings of one family from the village of Rosales who contend with the forces of oppression and human nature.
Antonio Samson of The Pretenders is ambitious, educated, and torn by conflicting ideas of revolution. He marries well, which leads to his eventual downfall. In Mass, Pepe Samson, the bastard son of Antonio, is also ambitious, but in different ways. He comes to Manila mainly to satisfy his appetites, and after adventures erotic and economic, finds his life taking a surprising turn. Together, these novels form a portrait of a village and a nation, and conclude one of the masterpieces of Southeast Asian literature.

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Tony had not expected him to come, and in Don Manuel’s presence his composure left him. “Thank you, sir,” he stammered. “I knew you wouldn’t approve of what we had done.” He tried to sound sincere. “But Carmen and I … we thought there was no other way.”

“You should have seen the rumpus at the breakfast table this morning when I broke the news,” Carmen said gaily. “You should have seen Mother cry. She was just putting on an act, of course. Mother was glad, too, that I’m already married. Now she won’t have to worry about me being seduced.”

“I had other plans, of course. I thought we would get to know more of each other,” Don Manuel said evenly.

Carmen sidled to her father. “Thanks, Papa,” she said. “But I’m sure you’ll like Tony just the same.”

“Now, Tony,” Don Manuel turned to him. “When you get back you proceed directly to the house. No ‘buts’ about it. It’s so wide and empty, what with all the children already married and living on their own.….”

Tony looked at Carmen. He had hoped that when they returned, Carmen would stay with her folks until he found a small place to rent. But now that Don Manuel had spoken, his predicament seemed solved. He could not think of bringing Carmen to Antipolo — no, that was farthest from his mind. He turned to Carmen, and by the look in her eyes he knew that this, too, was what she desired.

“I thank you for your offer, sir,” he said humbly, “but—”

Don Manuel leaned back on the couch: “I know what you are thinking — of Mama and her displeasure. You don’t know her well enough. I’ll take care of her, you’ll see.”

Don Manuel stood up, and because they were the only people in the waiting room, he spoke freely: “I believe that you should live independently, but that should be when you really have settled a few important details — after you have found a place. Give us a chance. We won’t keep you forever.”

Don Manuel’s driver entered the room with their tickets.

“I wired the Pines Hotel this morning and have already arranged the bridal suite for you,” Don Manuel said at the door. “It’s a wedding present to my favorite daughter and to you.”

But for the scenery the trip was uneventful. The city’s fringes marched by — the same ugly houses huddled along the tracks, the muddied water and filth was a moat between him and the houses and their squalid yards. Then the train broke out into the open country, into sodden fields that were now starting to be tinged with green. The houses were no different in their smallness from those on the edges of the city. Why had the country not changed at all? Why were people like Don Manuel hoarding their money in Manila and cutting themselves off from the land that was the beginning and the repository of all wealth?

The sun poured down in a steady stream, saturating the landscape and burnishing the fields and the mountains with dusty blue and streaks of gold. The thatched houses bobbed out of the brown earth and the singing grass. But in this air-conditioned coach Tony could not drink in the air, could not listen to the wind, could only be aware of the nearness of his wife and her domestic talk, her reminiscences of New England and Washington, of the changing colors of autumn, and the reds and golds of the maples and the sycamores.

“Have you ever tried swimming naked in a muddy brook?” he asked as the train sang over a creek, rich brown with mud. “In that dirt?” she exclaimed, a little aghast, and he explained to her that there was a world of difference between the mud in the fields and the mud in the esteros *in Manila. There is, he told her impatiently and with conviction, such a thing as clean mud. “Yes, yes, darling,” she said, “there is clean mud.” And she nudged him in that insinuating manner with which he had become familiar. She was referring to him as clean, wholesome mud, and for a moment anger crossed his mind — but only for a moment, for he had looked out the window then, into the flood of late afternoon, and rising on the horizon was this hump of a mountain streaked with veins of gold, and beyond this familiar blue was Rosales and home. He could not imagine himself being born in another place or growing up in another town, and nostalgia lashed at him, whipped away the anger that had started and stirred that old and nameless longing to see the town again, its crooked and dusty streets, and the neighborhood — the cogon shanties, the bamboo trees creaking in the wind, the carabao dung on the narrow trail that led to the river, and the papayas blooming in the morning. But he was not going home now, just passing through, just winging and dreaming through — and there would be no way by which he could find how it was with Rosales, if it had changed, and Emy, too, if she was all right and healthy and not completely blighted by a past that had made her fair game to the devil. He himself could feel his voice sandpapery and hoarse: “Beyond that mountain is home.…”

She glanced out of the window and smiled that quick, meaningless smile which meant that she understood but was not particularly interested, then went back to the picture magazine she had bought at Tutuban. He sat back beside her, wondering at the way his life had changed, wondering how he ever got here, in this air-conditioned coach beside this fair-skinned and lovely woman. The great distances he had traveled, the bitter winters of New England, the summer in Spain, and the searching among the archives in Barcelona and Seville — all these now seemed shriveled into this hollow moment, this certitude of Carmen and the honeymoon. He sought her hand silently and held it, pressed it, his mind lazily meandering back to remembered images — not to those great distances he had crossed but to those places where he had seen the seed become a plant, to the house he had left, the home with its leaking roof, with plows and harrows rusting below the bamboo stairs, and the chicken roosting under the kitchen, the fence that had fallen apart. The house no longer stood, of course, for it had been dismantled long ago when his father went to jail and the family left Rosales for the uncertain beneficence of Manila. There was no Samson left in Rosales; there was nothing left for him to go back to or to claim but Emy, who lived on the other side of the broken-down fence. And if he did see her again, how would she take him? Would she loathe him for having left her or would she look up to him in wonder and say, Tony, you’ve gone so far, you’ve changed. And deep within his heart, he could feel that overwhelming sense of helplessness, that awful incapacity to hold back what had already happened. If he had stayed behind, if he had not gone to America, perhaps things would have been different for Emy, and that ignominy that had overcome her might not have touched her at all. The coolness of this coach, the softness of the girl beside him, and the racing of this train toward its destination were the realities he could not now ignore. They were the solid shackles around his ankles and his wrists, reminding him of what could no longer be changed.

It was when they had already arrived in Baguio that he recalled that they had not acted like newly weds at all, that they had gone through the trip as if they were an old married couple.

They arrived at the hotel at dusk and were immediately taken to their room. Now that they were alone an awkwardness commingled with relief came over Tony. It was a strange feeling, both pleasant and unreal, for it was something new. Not that he had never been alone with Carmen before this union was sanctified, but now the pleasure of being together was no longer the delirious thrill that he had expected it to be, for all that he expected of it was the possession and not the discovery of that possession. For a while he lingered by the door, holding her hand, and he would have asked her what she was thinking had not the bellhop come at that moment with their luggage and switched on the fluorescent lamp in the ceiling.

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