Robert Coover - Noir

There’s a brief hesitation. The old panhandler lifts his head up off his chest for a moment in what might be a nod, and as Pug reaches down with a lit cigarette, you grab the.22, wrest it away, and bust him in the chops with it, turn it on the panhandler. Who is there and not there, drifting in and out of the ribboned light. Pug is snarling at your feet. You point the gun between his eyes. His snarl turns to a high-pitched whimper. You tell him to beat it. On the double. He’s out of there on all fours. Tough guy. You throw the bolt on the door. You’re alone with Mister Big.

From somewhere, but not necessarily where the panhandler is, or isn’t, a voice says: There are at least a hundred men in the building, Noir. You’ll never get away.

Maybe getting away isn’t the big deal it used to be, pal. We got something to sort out between us. There was this sweet country kid with a rocky past. Abusive father, garbage head for a mother. Came into the city, looking for a fresh start in life, got involved with you and her hubby, got a fresh death instead.

Hard to get a bead on the drifting panhandler. Sonuvabitch never stays in the same place. In some part of your coshed brain, you understand this. And you remember what is wrong. The last time you saw the panhandler, he was dead.

She came to me, you say, picking up the lit soldier on the floor not to waste it and tucking it into the corner of your mouth, because she figured you had brought an end to your business relations with her husband the way a butcher ends his relationship with a pig, and she was afraid it might be her turn to get suicided next. When I took up her case, you turned your stooge Blue on me and had him trump up a lot of phony charges and you even conned her vulnerable kid brother into trying to get rid of me, then bumped him off when he blew it.

The panhandler has paused over near the fireplace where he’s poking about in it as if it were a trashbin. You fire a shot, shattering what turns out to be a mirror, and the fireplace disappears, revealing a billiard table behind it, the panhandler shuffling toward it. The fireplace is now seen to be opposite from where you thought it was. Maybe. Your reflection across from you looks confused. You straighten it up, switch on the hard guy again, take a drag, the butt dangling in your lips, smoke curling through your sinuses like a house burglar.

But when you iced my client, you say, something went wrong, and you had to hide the body. You stole it out of the morgue before I could get there. Now, I want that body.

Well, says the voice. The panhandler, over at the billiard table, is putting the balls into a plastic shopping bag in exchange for some rotten oranges and melon rinds. If you insist.

A shot rings out, the.22 flies from your hand, and blood appears there on the trigger finger. It’s the widow. She fires again and your hat flies off. There is a lady in the room, Mr. Noir, she says.

Yeah, well, I never was one for the niceties, you gasp, clutching your wounded hand, trying not to cry. I’ve been chasing a body around. Thought it was you.

It was. I wasn’t dead, is all.

So that’s how you disappeared from the morgue.

That’s right. I walked out. The morgue attendant tried to tell you that in his vulgar way, sealing his own fate, I’m sorry to say.

You remember this, the odd thing he said. So, you’ve known all along. Just weren’t conscious of your knowing. As she moves around through the harsh rhomboids of glare and shadow (the panhandler has vanished), she multiplies herself in the mirrors. You’re surrounded by black-veiled widows, scissored by striped light. Some of them are pointing the gun at you, some are aimed in other directions, which tells you something about which one’s the real one, but you’re tired now and don’t really want to think about it. Who knows, maybe they’re all real. Had you pegged from the start, sweetheart, you say, wrapping your bloodied finger in your lapel pocket handkerchief. A gold-digger working the street who struck on a john who wanted to knock off his rich wife. In collusion with your emasculated hometown pimp and your sinister old man, you supplied the murder weapon out of the family drug store in exchange for a marriage contract and a share of the loot. The old story.

But how did you—?

Elementary, lady. Even my office assistant figured that much out.

Your office assistant?

Yeah, Blanche. She’s a good kid but no pro at the sleuthing game. Bit of a dummy really but she makes good coffee. The mirrored widows rotate and different ones are pointing at you now. You discovered your husband had taken out a big insurance policy on you, suggesting he did not have in mind an old age together, so you moved first, drugged him and shot him. Like most dames, though, you can’t tell right from left and botched it, and there had to be a cover-up. You needed this bigtime racketeer here with his cop and city connections, so you partnered up with him, which also solved the problem of your ex pitting the two of you against each other with his pernicious will. The idea was to hitch up so you could inherit the estate intact, that’s where that big rock comes from, not from your deceased dearly beloved, but since neither of you were the type to make do with only half, it was unlikely you’d both live out the honeymoon. Mourning suddenly dead spouses is a weekend sport in your crowd. So you both started making moves. Meanwhile — it’s all coming to you now, you feel a certain exhilaration, you’re really good at this — your brother butted in, tried to get a piece of the action, you had your psycho pimp and old man take him out. Ugly back-alley stuff. Your dopey hotpants stepdaughter knew too much and had a loose mouth, so you silenced her, too. So far, except for the sex kitten, I haven’t mentioned anybody who wasn’t also one of your lovers, and who knows, maybe you’d got your talons in her, too. You’re a hot ticket and have a lot of poor suckers on the string.

And what about you, Mr. Noir? Are you on my string?

You got classy gams, baby, but I’m on nobody’s string. Besides, your lovers all end up in cold storage. Your current stud and business partner hiding behind these mirrors is next whether he knows it or not. It was why you hired me. To try to get a fix on him so you could send in your assassins. You knew the kind of ruthless sonuvabitch you’d signed up with and figured you wouldn’t be walking away from your next trip to the morgue, unless you nailed him first and went there for a goodbye kiss. My guess is, you press on, only one of you will walk out of here alive today.

You don’t know how much Mister Big is on to all this, but it never hurts to sow a little distrust. She turns as a page might turn and seems to disappear and for a moment you’re alone with your reflection. But then she reappears in the mirrored image behind you, the gun pointed at your head. You’ve got the right kind of trenchcoat, Mr. Noir, but other than that you’re a rotten detective. A blind Eye. You deserve to die. You hear the click of the safety and figure you’re a goner, but it’s your mirrored image across the way that shatters. You’re flat on your ass again, pratfelled by fear. Though of course you are fearless. You do what you can, from your somewhat awkward position, to show this. You can hear her breathing serenely above you. That and the blood pounding in your ears is all you can hear. You can smell something though. That familiar aroma. The one that drifted up your nose each time you got kayoed when tailing the panhandler. A fragrance you have smelled almost every day and should have paid more attention to.

Blanche!

That was not a nice thing you said about me, Mr. Noir.

Yeah, well, ah, I was only trying to get your dander up, Blanche. I knew all along it was you but I wanted you to give yourself away.