Robert Coover - The Brunist Day of Wrath

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West Condon, small-town USA, five years later: the Brunists are back, loonies and "cretins" aplenty in tow, wanting it all — sainthood and salvation, vanity and vacuity, God’s fury and a good laugh — for the end is at hand.
The Brunist Day of Wrath, the long-awaited sequel to the award-winning The Origin of the Brunists, is both a scathing indictment of fundamentalism and a careful examination of a world where religion competes with money, common sense, despair, and reason.
Robert Coover has published fourteen novels, three books of short fiction, and a collection of plays since The Origin of the Brunists received the William Faulkner Foundation First Novel Award in 1966. His short fiction has appeared in The New Yorker, Harper’s, and Playboy, amongst many other publications. A long-time professor at Brown University, he makes his home Providence, Rhode Island.

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“Well, that’s great, Auntie Debra. I mean, I guess it is. You’re sure looking good. But Mom says your husband has turned kind of weird.”

“I was slow to wake up, Sally. He was always kind of weird. And he knows nothing at all about true religion. He’s a showoff without substance or faith or beauty. Like a strutting jay among meadowlarks.” Do jays strut? She knows nothing at all about birds. “But,” Aunt Debra adds, glancing skeptically at the tee and trenchcoat, into which she has hastily buried the notebook, “these people are very serious about their beliefs. You must be careful not to offend them.”

“I am. But I have to be me. I saw that orphan boy before, Colin, is he…?”

“I’m taking care of him. I’m establishing that halfway house for troubled young people out here I once told you about, and he’s like my first case. He’s hanging onto life by his fingernails, Sally. He’s been through a lot, more than you and I can even imagine, and I’m sort of keeping a grip on him, not letting him let go.”

She wants to ask more about that, but Billy Don joins them, slouching up, hands in pockets. There’s a red patch on the side of his face where he’s been catnapping on it. “Are you staying?” he asks cheerfully.

“I think she needs more time, Billy Don,” Debra says. “She was just leaving.”

Well, she’s ready to go. The cramps have subsided, but she desperately requires a cigarette, and she has had about all of this holy mania she can take in one go.

“Colin seems very frightened about something, Sister Debra. Darren’s talking to him, but he probably needs you.”

“Oh dear.” She turns and gives Sally a brief but affectionate hug. “I love you, Sally. Come see me any time,” she says, and hurries away, holding up the hem of her tunic, slapping along in her sandals.

“I better go help,” Billy Don says. “Do you want me to walk you down first…?”

“No, downhill’s easy, Billy Don. Like sin. Who’s that mopey fat girl over there? I think I know her.”

“That’s Reverend Baxter’s daughter.”

“Right. Baxter. Frances Baxter. I was in school with her.”

“Listen, if you change your mind…” He takes her hand in both of his and gives her a deep gaze through his sunglasses, at least with one of his eyes.

“Thanks, Billy Don. You never know. I may come out to the camp to see Auntie Debra and we can talk more about it.”

“That’d be great.” He squeezes her hand tenderly and leaves, pausing at the tent opening to toss her a wave.

Franny Baxter remains slumped in her chair when she passes, gazing up at her sullenly when she introduces herself. She’s already looking like an old lady, bloated at the belly, round-cheeked, bespectacled. “Hi, Franny. I’m Sally Elliott. I used to see you at WCHS. I was a year or two ahead of you, but I think we had a history class together.”

“What are you doing out here?” Her voice is flat, like it’s been ironed.

“Oh, I’m just trying to figure things out. What do you think is going to happen?”

“I dunno. Nothing probably.”

“You look pretty sad, Franny.”

“What’s it to you?”

“Oh, nothing, I guess. Sorry. But, hey, if you want to talk things out sometime, let me know.” She tears a blank page out of her notebook, writes her name and telephone number on it, and gives it to her, Franny accepting it with a dismissive shrug.

At the tent portal, she pauses to add a note. Life’s a story, she writes, and you either write it or get written. Accept somebody else’s story and you’re the written, not the writer. She smiles at that. That’s me, she thinks.

“Pardon me, my child. Could you please hand me my cane?” It’s the old lady sitting stiffly just outside the opening. Mrs. Mc-some-thing. On the Florida bus with those cute Jesus children. Sally shook her frail blue-veined hand on coming in here. “It seems to have fallen.”

“Sure. Are you all right?”

“All right? Well, for my age, I suppose I am.” There’s a mischievous knowing look on the old lady’s face. “That boy’s sweet on you, I do believe.”

“Maybe. But I think it’s only my soul he’s after.”

“You’ve been writing. Are you a writer?”

“Well, not yet. I want to be.”

“What sort of writer? Love stories? Whodunnits?”

“Sort of both, I guess. I mean, I want whatever I write to be about finding out about things, you know, the way a detective solves a case. And love, well, everything’s about love, isn’t it?”

The old lady smiles at this, showing a pretty good set of teeth, assuming they’re her own. Her skin is mottled, loose on her bones, her jaws are sinking inward, hands trembling slightly, but she’s still clear-eyed and sitting up primly, straight as an arrow. “Yes, it is. Even when ‘love’ means zero.”

Sally smiles back, imagining a tall trim debutante with bobbed auburn hair in white tennis clothes. A classic beauty. “I bet you were really something in your time,” she says. “You’re really something now.”

“I was a bit wild.”

“I’m a bit wild.”

“But then, after a while, it all became something else. I started playing bridge.”

“I don’t want to do that. I want to stay wild.”

“I think you probably will,” says the old lady, and blesses her with a sly wink. And then she sort of blanks out, her expression goes flat, her eyes dull. “Ma’am?” There’s a little windy sound. Oh my god. Time to go.

I.11 Sunday 19 April

The discovery of dear pious Harriet McCardle, sitting bolt upright in her folding chair just outside the food tent, staring down as if in judgment upon the multitudes gathered below her on the sunswept Mount of Redemption with eyes blinded by life’s cessation, augments the probability in the minds of many that there will indeed be no tomorrow. As Brunist First Follower Eleanor Norton, presently a professional Spiritual Therapist on the West Coast (she now refers to herself as Dr. E. Norton) and the author of Communing with Your Inner Voice and The Sayings of Domiron: Wisdom from the Seventh Aspect , once famously announced on what in Brunist church history is known as “The Night of the Sign”: “Death as a sign can mean only one thing: the end of the world!” A pronouncement absorbed by First Follower Mabel Hall (she was there in the Bruno house that night and heard it herself, saw the dead man in the living room) into her own systems of divination, which accounts for her solemn nods now to her friends on the hill who nod back.

Although Dr. Norton, seeking transcendence from all earthbound forms, is no longer an active Brunist or even a Christian and so is not present today on the Mount of Redemption, her influence on the early days of the movement was profound and has shaped the thinking of many here, not least her young acolyte and fellow First Follower, Colin Meredith, who, upon the discovery of the body, shrieked, “I saw her! I saw her! The Antichrist!” and, tearing wildly at his tunic, set off running at full gallop, pursued by his mother, all over the hillside. Since the Antichrist is generally presumed to be male, the boy was probably mistaken; perhaps he meant the Whore of Babylon, for the person he was referring to was the snarly haired young woman in the tattered trenchcoat (the Judas who betrayed them wore just such a garment!) who was the last person seen with Harriet McCardle when she was still alive and who then vanished as though she never was. A matter of concern to the church scribes, Darren Rector and Billy Don Tebbett, who were responsible for inviting her up and who now face intense questioning from their fellow believers. Was she wearing an inverted cross? Was that a picture of a writhing serpent on her T-shirt? Was it a T-shirt, or her very flesh? What was she writing? Did they notice any peculiar body odors? A burnt smell? Her figure was not particularly feminine — was she even really a “she?” They answer truthfully, describing her as, by outward appearance at least, a sensible Christian girl with a healthy curiosity, while at the same time acknowledging, while poor Colin goes clattering by, that, yes, the devil is a crafty dissembler, one cannot be too cautious, for they are serious open-minded students of redemptive history and are willing to consider all opinions and eventualities. Billy Don, for example, had watched her descend the hill until she reached the bottom, so she didn’t really “vanish,” not in his eyes, though he has to admit that what he witnessed may have been a diabolical phantasm since no one else shared in his witnessing.

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