Robert Coover - The Brunist Day of Wrath

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West Condon, small-town USA, five years later: the Brunists are back, loonies and "cretins" aplenty in tow, wanting it all — sainthood and salvation, vanity and vacuity, God’s fury and a good laugh — for the end is at hand.
The Brunist Day of Wrath, the long-awaited sequel to the award-winning The Origin of the Brunists, is both a scathing indictment of fundamentalism and a careful examination of a world where religion competes with money, common sense, despair, and reason.
Robert Coover has published fourteen novels, three books of short fiction, and a collection of plays since The Origin of the Brunists received the William Faulkner Foundation First Novel Award in 1966. His short fiction has appeared in The New Yorker, Harper’s, and Playboy, amongst many other publications. A long-time professor at Brown University, he makes his home Providence, Rhode Island.

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The fat unseasonal snow is still falling in thick clots as Georgie, hunched over the steering wheel, pulls out of the motel parking lot. After the warm day, it is mostly melting as it falls, though it is a nuisance without windshield wipers and the roads are greasing up. Ruby is making a farting noise; that cheap gas he bought was probably watered down. Ought to forget it. Way he’s feeling, he may not be able to raise a boner anyway. But it’s his last chance while he still has wheels. Lem will be pissed off enough about him keeping the car overnight, especially since he won’t be buying it, so no chance for seconds — it’s tonight or who knows. Another thing he should have picked up on his rounds, he considers, was a pack of Redi-Wets. Old Doc Foley used to give all the boys free rubbers and showed them with a broom handle how to use them. Could use some now, but he’s not a boy any longer. Learned that tonight if he didn’t know it before. And anyway, it’s too late, he’s already a VD donor.

“Goddamn it, Ruby,” Georgie asks, “what’s all this for? If life is such shit, why do we go on living it?” He answers himself: Because you’re scared not to, asshole. And because there’s always hope for one more piece of tail. He pats the dashboard (he’s glad he didn’t turn her in, he’d be all alone without her), his nose at the windshield, trying to see through it, thinking about dying. Or rather, trying not to, but unable to keep it out. Where was Marcella Bruno killed? On this road? No, out by the mine. “What’s it like, Ruby? What happens when you die?” The Waterton road is empty, almost spookily so. Nobody else fool enough to be out. No risk of hitting anybody, but it is easy to lose the road altogether. Can’t see through the window but when he sticks his head out he gets snow in his face. Maybe he should never let Ruby go, he’s thinking. Just drive through Waterton and keep on rolling. Go somewhere warm, make some money, fix her up. Whitewall tires. Radio. Leopard-skin seat covers, soft to stroke. Then he sees it, a small dark thing scurrying across the snowy road out in front of him with glowing ruby dots where its eyes are. It startles him with its sudden challenging presence. Raccoon maybe. Cat. Squirrel. Whatever. It’s dead meat. Georgie floors the accelerator. No pickup at all. If anything the old girl slows down. He knows if he can hit this thing, everything will be all right. “Come on, sweetheart, throw your hips into it! You can do it!” His fingers are snapping at the wheel as if working pinball flippers, his whole body twisting and pushing. The animal has frozen. He’s got it! And then, just as he’s about to score, Ruby starts to fishtail, he whips the wheel back and forth trying to straighten her out, everything is suddenly spinning around him, trees that weren’t there wheeling about in front of his face, and he braces for the impact.

The whumping crumple of metal is not as loud as he’d expected, though in the silence that follows it echoes loudly in his mind. He has been thrown around, whacked his head on the window, but he’s okay. He switches off the motor, leaves the lights on, crawls out. He has wrapped Ruby around a light pole on the passenger side, the old girl nearly cloven in half at the waist, her rear end at an angle to the rest of her. “Oh, baby. I’m sorry.” He is. It is the saddest thing that has happened in a long sad day. He’s even crying a little. For her. For himself. He walks around her in the falling snow, whispering his apologies. His farewells. He crawls back in on the driver’s side to rescue the centerfold, looking a bit the worse for wear. He kisses the steering wheel, getting out. He has a long walk back to face. But first he clambers up on Ruby’s hood and, kneeling there in pious homage, lowers his pants, and using the centerfold’s taunting raised ass to arouse himself, jerks off on Ruby’s cracked windshield, fantasizing a loving blowjob (“Marcella! I love you!” he whispers as he comes). His final blessing. He wipes himself with the centerfold, no doubt inking his dick colorfully, and, a mile or so down the snowy road toward town, tosses it in the ditch.

I.5 Wednesday 1 April — Friday 3 April

Her true love is wedged deep inside her as if trying to take root there. Oh, would that he might! She squeezes as hard as she can, gripping his muscular bottom tightly, her ankles locked around his thighs, wishing this moment could last forever. She feels like she is in Heaven, floating on silvery clouds (she will say so later in her diary), waves of ecstasy throbbing through her like a sweet angelic storm. Five years of a terrible emptiness, this is what he is filling. Her dark ages. Oh, oh! Her whole being is flooded with rapturous delight. Soft white snow is falling all about them like the feathers of a dove, curtaining them where they lie on her bed of dreams in the back of Tommy’s mother’s station wagon. “Oh, I love you, Tommy!” she whispers. “With all my heart! I do!” Tommy moves slowly in her as though he too wishes to prolong this awesome moment for as long as possible, and as he does so she can feel her whole body begin to vibrate with liquid desire. He raises himself up to gaze adoringly down upon her and she knows herself to be a glowing image of fire, passion, and love.

The day opened up warm and sweet, heralding a new awakening. Angela arose feeling blissfully happy, fully alive. No heroine she has ever read about ever felt more so. On her way to the bank, she saw a white dove perched on a telephone wire like a kind of miracle, and she crossed herself and prayed to it, and now what she prayed for has come true. Oh, thank you, God! Thank you, Santa Maria, madre di Dio, piena di grazie! “White Dove” is their song, a strange song for lovers, yet prophetic too, for their love is tinged with the sorrow of dead and dying mothers. It was playing on the car radio that night, when, as the only gift she had to give, she gave him her virginity out here at the ice plant. Where she insisted on coming tonight. A sacred place (now doubly so), a sacred day. His white dove, Tommy called her that night so long ago, kissing her breasts worshipfully. They were much smaller then, she was still just a child, immature in body and mind. She dried his beautiful organ with her own panties (there was precious blood), her head leaning against his chest, listening to his pounding heart. And this day (she is an April fool for love!) is now another for her secret calendar.

He picked her up at the bank, not in his father’s car but in the family station wagon, which was now his own car up at college, his mother being too ill to drive. Angela had hoped to see the big Lincoln come rolling up front to receive her as it had in times past (she had told her friend Stacy to watch), but now she is grateful for the extra room. It had been her suggestion that he come to the bank so they could go for a ride first, for she really didn’t want him to come to her house where her sour old grump of a father would be sitting in his front porch rocker in his dirty clothes like he always is, drinking beer and bellyaching, coming out with who knows what awful remarks. They drove out to the lakes and nearly got right to it — a breast was out and his hand was between her legs almost before she knew it, and she knew she was soaking wet down there and feared for a moment she had lost the power to resist — but she jumped out of the car, gasping for breath, and they went for a walk holding hands and other things (well, his hands were all over, he could not restrain himself), and even as she walked along, she was suffering little orgasms almost like hiccups.

It clouded over and a cold wind came up (her panties were off, she can’t even remember how that happened), so they went to the Blue Moon Motel for supper. She had a chicken salad sandwich, but she could only eat half of it, she was too excited, and she kept having to use the bathroom. It turned out there was a country singer in the lounge named Duke L’Heureux, so they went in, and since they were almost alone they danced for a while. Duke L’Heureux was pretty awful and they whispered jokes to each other about him (“What do you expect, with a name like that!”), but they asked him to sing “White Dove” for them and he did, several times, and Tommy bought him some drinks, so it was really a nice time, though Tommy’s hardness rubbing against her and his hands squeezing her breasts and pinching her nipples and stroking her bottom and crawling down between were driving her crazy. If he had asked her to take her clothes off and lie down on the dance floor, she would have done it. She wanted to get a room immediately in spite of all her romantic plans and she knew he was thinking the same thing, but then one of her father’s stupid friends turned up and started ogling her and she pulled Tommy out of there. It was beginning to snow when they returned to the car. It was very beautiful, and she reached into Tommy’s pants and took hold of him and kissed him hard on the mouth and asked him to drive to the ice plant, her head in his lap, kissing him all the way, and he had to stop for a moment to avoid having an accident.

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