Keith Ridgway - Hawthorn & Child

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Hawthorn & Child: краткое содержание, описание и аннотация

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The two protagonists of the title are mid-ranking policemen operating amongst London's criminal classes, but each is plagued by dreams of elsewhere and, in the case of Hawthorn, a nightlife of visceral intensity that sits at odds with his carefully-composed placid family mask but has the habit of spilling over into his working life as a policeman. Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals. But this is no humdrum crime novel. Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them. It's a high-wire act for a novelist but one that commands attention and provokes the dropping of jaws.

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They took me at Finsbury Park tube station. Very smart. Very quick. No one will have noticed, I’m certain. No one. Slight scuffle near the newspaper seller. As soon as you turned to look there was nothing. Just the door of an unmarked van sliding shut. Must have imagined it.

Can you breathe OK in there? Clive? Can you hear me?

— Yes, I said.

Something solid, hard and fast hit me in the stomach.

What about now?

Motion and imperfect blindness and I had the sense of always turning corners and my fear was suffocation and there were hands on me and a hood of some sort and my clothes were gone and my last thought before I blacked out was for myself not others and it was the thought that death might take a long time.

If you know nothing, you will make something up. If they tell you nothing, you will create something. If they leave you alone in the silence, you will give them names and faces and they will tower over you in the dark like mountains. Guilt is always available. It just needs the stimulus of punishment to make itself known.

I was in a cell. Windowless, with a bunk that came down from the wall, a toilet that came out from the wall, a door set into the wall. It was all wall. Whitewash. The lights were set into the ceiling. There was a plastic bottle of water. The clothes were a pair of outsized boxer shorts, tracksuit bottoms, a much washed tee shirt, a sweatshirt. They all smelled of disinfectant. No labels, no marks. A pair of sandals. I looked at the lights. They were protected by a layer of Perspex or something cloudy. All the surfaces were hard but smooth. There were no edges. There was a peephole in the door. There was no handle. No hinges. The bunk had a plastic mattress, about an inch thick, and a grey blanket. No pillow.

These things do not matter.

My chief hope at first was not for my release or for an explanation, but that they were the police and not something else.

I wondered who would miss me. If anyone would miss me.

Stanley, obviously. Stanley would miss me. He would call. He would know something was wrong. He would try to track me down. He would poke around. He would visit the flat. Call Rosemary. Get in touch with Mr Malik. Eventually he would contact the police and report me missing. Stanley would know what to do.

They waited until I was asleep. Then the door clattered open and there were three men surrounding me — all talking, it seemed to me, at once. I woke too quickly, and I could not take in what they were saying. I am told that this was the point at which I signed a form stating that I knew and understood that I had been arrested, that my rights had been explained and that I had indicated that I understood them, that the police officers who arrested me had identified themselves as such, that I had suffered no ill treatment, that I was content with the conditions of my detention, and that I was willing and ready to cooperate fully. I remember none of that. All I remember is that two of the men were wearing police shirts, Met ties, pressed trousers, shiny black shoes. My relief was physical. My breathing changed. I may have wept.

I assumed it was the middle of the night. But it was not. In the interview room, narrow windows at ceiling height let in the day. It was warm. They got me some coffee. After a while they got me some sandwiches as well. There was a camera in the corner. There was a recording machine on the desk. There were two desks. Three men. They looked at me. They asked me things. They wrote in notebooks. I don’t know what they wrote.

— Are you Clive Henry Alan Drayton?

— Do you live at Flat 3, 14 Surrey Gardens, Archway, London N8 6UP?

— How long have you lived there?

— Why did you split up with your wife?

— Do you know why you have been arrested?

— What self storage units have you rented?

— Have you rented self storage units?

— Have you ever rented self storage units?

— How did you meet Omar Malik?

— How much do you pay in rent?

— Have you converted to Islam Clive?

— Who is Fariq? In Cairo. Fariq. Who is he?

— Have you ever been to Cologne Clive?

— Why the fuck are you smiling?

— Who do you know in Yale, Clive?

— When did you last speak to Robert Grant in New Haven?

— Who is Fariq?

— Who were you trying to call in Damascus?

— What is this number?

— When was Namjeev Malik in your flat?

— How did you meet Mr Malik?

— Why do you need to know about depleted uranium?

— Who is Christoph Mann?

— What fucking novel?

— Have you heard the term extraordinary rendition Clive?

— I don’t believe you Clive.

— You’re fucking pathetic Clive.

I told the truth. They didn’t like the truth. It annoyed them. I was tired. They shouted at me a little. Then they let me go back to my cell. In my sleep I kept answering questions. When they woke me I felt that no time had passed. I was taken back to the interview room. The windows were dark. This time the third man, who had not spoken during the first session, was talking as I walked into the room. He stopped. He looked at me. He had an American accent. He didn’t talk again. I asked for a lawyer. They didn’t like that. I don’t know why. It didn’t make any difference.

— Why are you interested in radioactive material?

— Have you visited these websites?

— Why are you interested in black cabs?

— I don’t believe you.

— What do you have against The Olympics?

— Why have you called Islamabad three times recently?

— Are you a Muslim now Clive?

— Why did you get a new Oyster card Clive?

— Why have you stopped using your credit card?

— Why haven’t you told Stanley Whitmarsh about this novel?

— No you haven’t.

— Is there anyone you’ve told about this novel?

— Did you write this email?

— What is the novel you describe in this email? Is that a different novel?

— Why did you lie in the email?

— Who is M. K. Wharton?

— Simon Wise?

— D. L. Wentworth?

— Michael Wellington?

— Grant Wise? Lillian Porterhouse? Kent Michaels? Walter Wise?

— All pseudonyms? For who?

— Why a pseudonym Clive?

— Why?

— Do you know how much trouble you’re in?

— Why did you request these books Clive?

— Why are you interested in security?

— Why did you get this book about a 7/7 conspiracy Clive?

— Do you believe that MI5 was behind 7/7 Clive?

— Who is Fariq?

— When did you last see Namjeev?

— Why did you travel to Stratford on these dates?

— Why did you travel to Hackney Wick on Tuesday 21st of last month?

— Is this you Clive? In this CCTV image?

— What were you doing?

— Is this you? In this photograph?

— Why did you stand there for nearly twenty minutes Clive?

— Why did you take photographs here Clive?

— How many bank accounts do you have?

— Tell us about working at the university Clive.

— How stupid do you think we are Clive?

— How stupid are you Clive?

All my actions have been collated. All my little steps. All my middle names.

— Are you a terrorist Clive?

— No.

— Are you involved in a conspiracy to attack the London Olympics?

— Sort of.

The first lawyer was Patricia. The second was Hanif. The third was Simon Forrester. He is my lawyer now. I don’t know who pays who anymore. There is some sort of defence fund. Most of what I feel from other people is pity.

They held me for fifteen days. They asked me the same questions. Again and again. And then again. It was all over the newspapers, the television. For a while it was reported as a major plot. Another major plot. Disrupted. They held Stanley for half a day. They questioned Rosemary for four hours. They held Will McArdle for eighteen hours. They interviewed Lloyd Page at his agent’s office. They covered the front of Mr Malik’s building with scaffolding, and covered that in plastic sheeting, and they spent seven days dismantling my flat. They held Mr Malik for twenty two days. They are still holding Namjeev Malik, pending his deportation.

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