Keith Ridgway - Hawthorn & Child

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Hawthorn & Child: краткое содержание, описание и аннотация

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The two protagonists of the title are mid-ranking policemen operating amongst London's criminal classes, but each is plagued by dreams of elsewhere and, in the case of Hawthorn, a nightlife of visceral intensity that sits at odds with his carefully-composed placid family mask but has the habit of spilling over into his working life as a policeman. Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals. But this is no humdrum crime novel. Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them. It's a high-wire act for a novelist but one that commands attention and provokes the dropping of jaws.

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He stepped back into the house and closed the door.

Jesus took a knife from his sandal. From the straps down there somehow. Where he had a sheath, a little leather knife holder. So. He took the knife from its place at his ankle, and he rose to his full height with the knife in a chisel grip. In his mind Jesus saw mouths talking, eating, sharing food. He saw an embrace, a handshake, a delicate murmured negotiation, an understanding, all the rooms opened up and the life of this man made brighter, wider, more interesting. And yet. There was so much time. Jesus brought his knife down the man’s torso, splitting his cloth and his skin and his muscles and notching his ribs like a stick run down a wicker basket. And the blood clung to Jesus.

He imagined Jesus at this age. Early twenties. Rough as a branch, tall as a tree. His naked body in the river, laughing, watched and content to be watched. He imagined his voice raised to his mother. His fist raised to his father. His disappearances, for days. He imagined him fucking the strongest of women, hinting at kingdoms, showing them visions and miracles, attending to wants they did not know they carried. What is a blank time for, after all? What is the point of lost years if not to fill them with losses? He imagined Jesus standing over the flayed, shock-shouting man, and deciding in his amplitude of time to urinate on the wound and to laugh at the sadness he provoked in the strangest room of all.

Because this is human.

Jesus was a bastard. In the dark pit of his fear he carried the hope that for a while, Jesus was a bastard. An intolerant fucker, good with a knife.

He closed curtains, pulled down blinds, closed windows. He dragged a sofa from the living room and pulled it halfway up the stairs and jammed it there and something in his shoulder ripped. He went into the boy’s room and switched off the light. A computer game was still running. He pulled out the plug. He went to the bathroom and pissed and flushed and washed his hands. The gloom was dense. He could hear sirens. All distant, none close. He could hear cars. The curtains in the large bedroom at the front were already closed. He crawled across the floor and kneeled and peeked through. There was a jumble of cars. Lights. There were people being ushered out of houses either side of him. They were getting organized.

He sat slouched with his back to the wall. Parents’ bedroom. Cluttered. He could be tired if he wanted. It was all there. He could climb on to that bed and be asleep in five minutes. He would dream of the desert and the water and of walking and running. He could disappear into what he knew, what he’d thought of. No one would follow him.

There was a noise.

He tensed and stopped breathing.

Like a clopping sort of gurgle. Tiny. He looked at the door. Nothing. He would have heard. He looked at the ceiling. He’d only been in the house five minutes. Ten. No.

It came again.

There was a … thing, at the end of the bed. Like a box sitting on a table.

The boy had stopped and turned because he had remembered.

He stood up, then ducked. He crouched his way across the carpet and looked in the crib. It was not what he wanted. The baby was months old. It stared at him and didn’t seem to mind. There was a smell. It needed changing.

— Hello?

He threw himself to the floor. It came from downstairs.

— Anyone home? Moss? Moss? I’m not armed, Moss! I’m on my own. There’s a baby upstairs. Front bedroom. I just want to get her out, OK? Nothing else. So don’t fucking shoot me.

He was in the living room. He’d come through the back garden. The way Moss had come. How did he know his name? He couldn’t watch the front and back at the same time. He hadn’t watched anything. He couldn’t do this and that. He couldn’t. Jesus. Babies, and men who knew his name.

— Moss? You hear me? You still here?

— Who are you?

— Child. My name is Child. You know me.

No he didn’t.

— No I don’t. Child?

— Yeah you do. I arrested you last year at your flat. Remember? You had that fight with your neighbour.

He remembered a van full of cops. His wife screaming in the stairwell. He didn’t want to remember it. He stood up. Moved away from the baby. She was awake and she didn’t seem to mind anything.

— I don’t remember you.

— Yeah you do. We had a talk about the noise yeah? About your neighbour. About going to the council. Doing it right. You got it sorted, yeah? All that.

Glasses. Raincoat. And his partner, a skinny white man with a grin.

— Oh yeah.

— OK.

He was in the hallway.

— You find the baby, Moss?

— She need … she need a change.

— Just hand her down to me, will you, Moss? Then I’ll be out of your way.

Saying his name all the time.

— No, man. Can’t do that.

Why not?

— Oh come on, Moss. Seriously. They did like a morning of hostage negotiation training and I was fucking hung-over man, you know?

— How did you get here?

— I drove.

— Where did you fucking come from? I’ve been here like ten minutes.

— We saw you running. We were coming out of the Transport Police. Finsbury Park bus station. You went past like Usain fucking Bolt, Moss. P.C. after you.

He was calm. Relaxed. His voice. He was even cheerful. Moss wiped his forehead and looked at the crib.

— Then you were all over the radio. So we came up this way. Someone saw you getting through the fence. Neighbour. Road will be sealed off by now. Major incident shit. Congratulations.

— Why did you come in here?

— To get the baby.

— Just like that? I could have shot you.

He moved towards the bedroom door. Stuck his head out and pulled it back. He couldn’t see down the stairs. He edged out.

— Well, yeah. There’s a hysterical kid out there who left without his sister. It was either me come in or him, and the way he’s carrying on I wouldn’t really blame you if you shot him.

— He forgot her.

— It happens.

— He OK?

There was a pause.

— Yeah. So, now. You going to help me? I talked to you before. I know you’re reasonable, Moss. You let me walk out of here with a baby in my arms I’m the fucking hero, you know? I’ll get a medal out of it. He could see just shapes in the darkness. Shadows and other shadows.

— If there’s reward money I’ll split it with you.

He could see the glow of light from the street. He could see maybe the top of his head. The sofa was blocking the view.

— Move back a bit so I can see you. Stand by the front door.

He did it. He was tall.

— Turn on a light.

— Yeah?

— Yeah. I want to see you.

They would wait. They would wait until this guy walked out with the baby or without the baby. He wouldn’t walk out without the baby.

— I have a gun on you.

— Yeah.

A shadow changed shape as he reached out. He was groping along the wall.

— Can’t find it. Oh.

Click. He squinted, Child did. They both did. One arm out to the light switch, the other raised as well, palm forward. He wore a stab vest over a T-shirt. One of the fasteners, under his left arm, was loose. He wore jeans. His glasses were halfway down his nose. He was tall and looked strong.

— You remember me?

Moss kept his body hidden. He was behind the sofa, behind banisters, at an angle, out of the light.

— I remember you.

— Not armed, see? Pockets are empty.

He turned slowly in a circle.

— I just want the baby, and I’m out of here.

— I need to keep her.

Child looked at him with a sort of grimace.

— Why? Why would you want to do that?

— You send the boy back in and I’ll let you have the baby.

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