William Vollmann - Last Stories and Other Stories

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Supernaturally tinged stories from William T. Vollmann, author of the National Book Award winner In this magnificent new work of fiction, his first in nine years, celebrated author William T. Vollmann offers a collection of ghost stories linked by themes of love, death, and the erotic.
A Bohemian farmer’s dead wife returns to him, and their love endures, but at a gruesome price. A geisha prolongs her life by turning into a cherry tree. A journalist, haunted by the half-forgotten killing of a Bosnian couple, watches their story, and his own wartime tragedy, slip away from him. A dying American romances the ghost of his high school sweetheart while a homeless salaryman in Tokyo animates paper cutouts of ancient heroes.
Are ghosts memories, fantasies, or monsters? Is there life in death? Vollmann has always operated in the shadowy borderland between categories, and these eerie tales, however far-flung their settings, all focus on the attempts of the living to avoid, control, or even seduce death. Vollmann’s stories will transport readers to a fantastical world where love and lust make anything possible.

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You can have them at the end, I promise.

Look. Do you want to interview Bald Man? Is that what you want?

Sure. I’ll interview him.

A shell hissed overhead, rather close, and suddenly Mirjana’s white top went dark at the armpits. Enko laughed at her.

The American journalist went to get stories from Dragica.

12

Dizzy with cigarette smoke, their hearts racing faster and faster, they flirted, did deals and listened for the shells. Sometimes one or two of them withdrew from the window, as if doing that could save them. More and more he admired Vesna, who gave them this place and comforted those who could not distract themselves. In her presence the glare often departed from Enko’s eyes, in much the same way that the offices at the television station slowly darkened whenever the electricity failed.

She touched the poet lightly on the shoulder; he smiled in hope.

13

The next day after interviewing blue-faced Gypsy women who lived alongside their excrement in a cellar insulated with garbage, they sped again down Sniper Alley and into the garage of the Holiday Inn to meet a statistician of deaths, then back nearly to the frontline, where nobody shot at them, probably because it was lunchtime. — I don’t want you hanging around here more than a minute! Enko shouted. This place makes me nervous. — Sweating, the American took in sunlight, weedy grass, three men talking on the sidewalk in front of a building of black-scorched punched-out windows ringed by concertina wire. One of the men agreed to be interviewed. No one in his family had yet been killed. He couldn’t understand the Chetniks, he said. And his former neighbors, them he couldn’t understand. — All right, said Enko, now let’s get the fuck out of here.

The American was in the back seat today, to take notes better. Enko was driving. He kept whipping his uncanny eyes left and right. Amir sat beside him, loosely gripping the leather strap of his sky-aimed M48, which appeared useless as far as the American could tell. As they rushed across a pedestrian bridge at a hundred and twenty kilometers per hour, a blue police car nearly slammed into them, screechingly stopped literally three inches away, and sped back the way it had come. Cursing, Enko reaccelerated, past a scorched building into a very dangerous open place where the street was spattered with blackish glass.

Now the American began to imagine that he would die today; a shell or a bullet would find him; in the mountains all around them, snipers were waiting for someone, which is to say anyone, so today he would serve. He felt certain of this but knew his certainty to be meaningless, so he kept it to himself. This lost journalist, hoping only to learn what was true — for as you know, he believed without being able to say why that if this truth, whatever it was, could be communicated by him with sufficient eloquence (and not cut too much by his editor and the advertising director), then he would have accomplished something against war or at least for people (however wanly shone this something) — felt very afraid at times, but not afraid of his fear; for when that went away it went away; he had not yet understood that it was hollowing him out almost like an amphetamine addiction; he was not addicted to war and never came to like it, but the procedure of maintaining his calm in regard, for example, to the shrapnel-shard which had entered the wall two inches above his head just before he was about to sit up from his sleeping-place on the floor of the radio-television station resembled swallowing a pill; he could do it today, tomorrow and for however many unknown days or weeks he might now remain in Sarajevo (on the day after his arrival, the Serbs had shot down the UN plane, so the airport was closed, and he did not know when or by which method he would leave); needless to say, if he lived he would remain in the city for a finite, even relatively minute number of days, while Vesna, Enko and the others would be pinned down here until the end; he could calm himself for each and all of those days — but all the time, unaware, he was getting hollowed out within his skin, and there was no calculating how thick his skin was; meanwhile he retained the capacity to witness for awhile longer, and even to act moderately brave while listening for the shells. And Enko was slowing down.

Far down the almost empty street, almost at the corner, a black-uniformed man named Wolf, member of the special unit, stood deep in the doorway of an apartment building. He was Enko’s comrade, of course. They all went up the dark stairs to the landing by whose wall someone had written FPS, the initials of a softball club. — Sometimes I walk here, said Wolf. I never run. — He’s a fighter for freedom, said Enko. You write that down. — They had weak ersatz tea in his flat, and the American had his interview, paying as agreed and a trifle more. Then Enko squealed the tires round a certain perilous corner, and after passing another red tram parked on the weedy tracks, a quarter of its windows shot out, they arrived at their appointment with the clean-faced, greyhaired, grey-bearded old rabbi, whose moustache was still mostly brown. He said: You see, that’s the place where the massacres were. That’s where it hit.

You see that hill over there? said Enko. That’s where the Bosnian Dragons got killed.

Crowds were walking in the shadow of apartment towers, fairly leisurely, the American thought. But the rare cars went screeching and skidding. They drove partway up a hill of red-roofed white houses to the apartment porch where the little girl had been killed yesterday; then for the frontline irregulars the American bought a pack of cigars for twenty Deutschemarks and Enko was pleased. Now Amir was driving. Across from the police station, a blonde sat on a railing while a brunette stood smoking beside a reddish-blond boy; as they drove by, the American took notes on that woman in the shawl who held a pail, on those people carrying water and the people crowding around the bullet-measled car; there must be a main there; they were filling up with water. At the next intersection a man with a shopping bag walked slowly; people were lounging and standing, even if inside a sheltered porch; but when Amir stopped to ask directions, Enko yelled: Shit, keep moving!

Everywhere they stopped, the American felt something in the center of the back of his skull, a sweaty nakedness and tenderness.

Between apartment buildings, two ladies, one in black, stood beside a car which wore a dusty shroud; a little child sat in another car; children were playing ball; a girl in a yellow dress crept to cast one look over the edge of the balcony, and there was a smell of greasy garbage. The American wrote about people with bloody faces, brown faces, dark faces; he described children in worn clothes. One child, dirty in his worn jacket, led them across the courtyard to his mother, who was scraping away excrement. The American opened his notebook. She said: Before the war we lived like other people.

How about that advance? said Enko.

14

Enko parked outside a leather store and went in to buy a new holster. The establishment was small, without much merchandise, but perhaps it had always been that way. — He works from old stockpiles, Enko explained, paying in dollars — today’s advance, it seemed.

He stopped at home. Amir sat smoking at the kitchen table. Enko’s mother was in a queue to buy bread.

Enko’s room was still untouched, a shockingly ordinary room, with two televisions that didn’t count for much now that the electricity was gone, bookshelves adorned with statuettes, trophies, the Opca Enciklopedia and other sets of books from his student days, stacks of cassettes which he lacked the batteries to listen to, snapshots of girlfriends, a clock stopped at 9:04 and one of his pistols, a heavy old French Bendaye BP, solid black steel, flat, with a scaly black grip.

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