William Vollmann - The Royal Family

The cop said: I should have you take a sobriety test. I should have you walk the white line.

Go ahead, said Brady. I still got three legs.

The cop laughed. — Get out of here, he said. Don’t let me catch you driving like that again. Have a nice stay in San Francisco.

Thank you, officer, said Brady. Rolling up the window, he uttered a magnificent Bronx cheer.

The woman was very quiet beside him on that almost fogless afternoon, all the buildings in focus beneath the smoky yellow sky. There was an Asian wedding by the Exploratorium; the bride appeared chilly in her fluttering gown.

They came to Land’s End and parked. Trees were groping and reaching, shaking like a handful of darkdyed peacock plumes tied together and whirled in a crazy boy’s hand. Brady got out and led the unresisting woman into the bushes. They gazed down at the sea for a while. Then he put his arm around her and whispered into her ear: Hey, baby, I don’t believe you’re the Queen.

The woman stiffened. — Why, you motherfucker! That’s the second time you’ve insulted me. You called me a liar, didn’t you? You think I’m lying?

Brady kissed her neck. — Yes, I do.

Smiling tenderly, he pulled out his Para-Ordnance P-12, cocked the hammer, and put the barrel to the spot on her throat that he had kissed. — You know, it has a grip safety, he said. Klexter, klokan, kladd, kludd, kligrapp… That’s Invisible Empire talk. That’s Klan talk, baby. If I don’t actually squeeze the grip, it won’t shoot, even when I pull the trigger. See?

Don’t, the woman whispered.

Now I know you’re not the Queen. The Queen would never beg before me like that.

He ground the barrel hard against her larynx and pulled the trigger. Nothing happened. Withdrawing the gun from the sagging woman, he pulled the slide back and thumbed the magazine release. — You see, it’s empty. Do you know why, nigger? ’Cause carrying a concealed weapon is a felony. Hah!

From his pocket he took out another clip, this one loaded with hollowpoints. He clicked it firmly in with the heel of his hand, and forefingered the slide release so that the slide suddenly lunged forward with a steely slamming noise.

Now let’s try that grip safety, he said.

He put the gun to the woman’s head again. The hammer had remained cocked. With his hand not touching the back of the grip, he began very slowly to squeeze the trigger.

What do you want me to prove? she wailed. How am I supposed to prove that? You either believe me or you don’t. Oh, I was such a fool. I’d started to trust you. I thought you were a nice guy.

And when you tell me you’re the Queen, are you just saying you’re the Queen or are you lying to me?

What kind of a choice is that? I told you I’m the Queen because I’m the Queen.

Okay, here come two joggers. I’m going to put my arm around you and you’re going to put your head on my shoulder like this so that nobody can see the gun. If you scream, I’ll kill you. Do you believe me?

Please… please… What do you want me to do? I can give really good head.

Calls herself the Queen, said Brady in disgust, shoving her down in the mud and kicking her. The joggers were very close now. They were a young couple, spoiled and athletic from the look of them, with expensive running shoes and tinted sunglasses. The woman looked shocked and started to say something, so Brady flashed the gun, put on his most menacing expression and snarled: Keep moving, cunt!

Come on, Tracy, said the husband, let’s get out of here.

Okay, said Brady to the sobbing prostitute underfoot. He turned her over with a kick and stepped on her breast, pointing the gun down at her. — This is your only chance, nigger, he said. Where’s the Queen?

In — in the garage…

Which garage?

The one… the same one—

Where we found you?

Yes—

And she’s waiting for you to report in?

Yes… I didn’t… If you let me go I won’t tell…

All right then. Stand up, nigger. Goddamned fucking puke-faced muddy bitch Queen of the Whores, Queen of Scum… Now I’m going to hit you in the stomach. If you scream you’re dead. I’m going to put you in the hospital, bitch. I’m going to break a couple ribs. You know why? Because your Queen tried to Jew me down, and you lied to me.

Having cooled down, body and soul, Brady achieved the conclusion that Tyler had not betrayed him. Shoddy work, to be sure, but not dishonest — thus the boss’s conclusion; for Tyler had never testified under oath that this woman (toward whose blackness Brady admitted to have been predisposed) was definitely the Queen. Shit happens, thought original Brady. He eased himself into the rental car, opened the glove compartment, and cross-checked some receipts that Tyler had given him, pounding the calculator with his stubby fingers until he was soothed. All Tyler’s numbers were correct, he was happy to say. He knew the sonofabitch was robbing him but that was okay as long as he didn’t get too sloppy or greedy about it; such was the prime rule. Here was a manila envelope full of surveillance forms, too. Brady pulled one sheet out of the middle of the pile, skimmed it, grunted, and then took the whole stack and threw them into a garbage can. That put him in fine spirits. He eased his rental car out of there and turned back east onto Geary Street, passing the Chinese seafood restaurant with painted dragons on the walls and then Joe’s ice cream parlor, where he had never been, flashed square and white in his sideview mirror; here came the Korean barbeque joints and the Korean restaurants. Geary Street was wide, characterless, and full of traffic. At Stanyan Street the big road opened up further, letting in windy brightness. He wormed through the squat short tunnel with daylight in narrow truncated pyramids upon its tiles, rolled down the slope to Divisadero, did not read the graffiti on the bricks of the middle school, dipped under the next bridge and yawned at the astrological signs of Japantown — crab, mandala, elephant — and then rolled up the last hill whose ugly vertebral columns of apartments along the Gough Street ridge offered strategic Tenderloin views; down the curve of Starr King to Van Ness he went, and suddenly he was in the narrow canyon of old badlands which constituted the Tenderloin. Here glowed the rain forest mural on the side wall of the Mitchell Brothers theater where world-famed Will McMaster had once pissed in one corner of the Ultra Room; here stood the Iroquois Hotel where Tyler had once stayed for a week between jobs; here grew the bricks, fire escapes and Vietnamese restaurants of the kingdom. Tyler would have shot a glance down Leavenworth, which was sunny and empty, the grating retracted on liquor stores; as for Brady, he was too busy. As usual, the Queen’s parking garage offered vacancies. Up the slanting alimentary tract to the third floor he drove, mad as hell. There was the grating that Tyler had shown him, double-locked, with darkness behind it. — He shook it like an orangutan in a cage and yelled: Hey you, bitch!

The Queen did not answer.

He kicked the grating one more time, then laughed.

Tyler says we’re already burned, he shouted. Tyler says you know us. Well, I don’t give a shit! You get the hint?

He opened the trunk, dumped the half-dead woman out. Her flesh slapped liquidly against the concrete. She lay still.

In the basement the ceiling was low enough to touch, everything humming and echoing, piss and oil and gasoline on the concrete whose painted arrows lay like frozen missiles at the mouths of downramps in this gilded gloom. He heard voices everywhere, unintelligibly pulsing. At last he realized that they were coming through the pipes. Khrushchev-inspired, he took one of his shoes off and banged it against the nearest conduit: Going, goiiinnnnng! The voices stopped.