Kashua Sayed - Second Person Singular

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Second Person Singular: краткое содержание, описание и аннотация

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Acclaimed novelist Sayed Kashua, the creator of the groundbreaking Israeli sitcom, “Arab Labor,” has been widely praised for his literary eye and deadpan wit. His new novel is considered internationally to be his most accomplished and entertaining work yet.
Winner of the prestigious Bernstein Award,
centers on an ambitious lawyer who is considered one of the best Arab criminal attorneys in Jerusalem. He has a thriving practice in the Jewish part of town, a large house, speaks perfect Hebrew, and is in love with his wife and two young children. One day at a used bookstore, he picks up a copy of Tolstoy’s The Kreutzer Sonata, and inside finds a love letter, in Arabic, in his wife’s handwriting. Consumed with suspicion and jealousy, the lawyer hunts for the book’s previous owner — a man named Yonatan — pulling at the strings that hold all their lives together.
With enormous emotional power, and a keen sense of the absurd, Kashua spins a tale of love and betrayal, honesty and artifice, and questions whether it is possible to truly reinvent ourselves. Second Person Singular is a deliciously complex psychological mystery and a searing dissection of the individuals that comprise a divided society.

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“Questions like how did this note, written in my wife’s hand, which you claim not to remember, wind up between the pages of one of your books. And also, if you would, please enlighten me as to when all of this happened.” There was something firm and resolved in the lawyer’s look, something that showed me how distraught he was. He was sure I’d had a relationship with his wife and I knew I had to tell him the truth — otherwise everything I’d accomplished would go down the drain and I’d find myself answering the questions of real investigators, incriminating not only myself but those dear to me.

I took a deep breath and started to tell the story.

I don’t remember the note or how it made it into that book, but I do remember the book well. It’s one of the first books I read here, at Yonatan’s place.

“When did you leave the clinic?” the lawyer asked.

“Over seven years ago. And I didn’t leave, I fled.”

“Do you have an exact date?” the lawyer asked.

“No, not exact, but I’m pretty sure it was in January, seven years ago.” I could tell that the date I provided set him at ease, apparently because it added up with his own arithmetic.

“You have to believe me that I really don’t know a thing about your wife. At the time I was struggling with a few different things. I didn’t know if she was married and I didn’t care. I was in a very different place then, you see.”

“No, I don’t see,” the lawyer said, without even mentioning whether they were married at the time.

“I don’t know what this note is about. I don’t even remember it. I don’t even know if she wrote it to me or it just ended up in my book. Maybe she wanted to thank me for the house call. I really don’t know. All I remember is that one day I left them a resignation letter and I fled the office. I ran away from everything. Maybe this note was in the incoming-mail box, maybe it was on the table, maybe I just shoved it into my bag by accident.”

The lawyer began moving around in his seat, looking anxious. “What about the party? Or do you not remember that, either?”

“I’m not exactly sure what you want to know or why you want to know it. What party?”

“I want to know everything, Amir,” he growled. “And you want to know why? Because I found this note, which, as far as I’m concerned, is a love letter written by my wife, in a book that belonged to someone by the name of Yonatan. I want to know who this Yonatan is and how he’s connected to my wife and to you. Where is he, Amir?”

He was not going to leave without the whole story. He’d stay until he heard the whole thing. And the truth is I already started to feel myself wanting to tell. I wanted to tell someone everything that I had been through during these past years — the lies, the impersonations. To tell all, from the day I graduated and arrived at the house on Scout Street. All the things I couldn’t tell my mother or Noa or anyone else in the world. And maybe I also felt that he would understand.

I fought back the sob welling up inside me, took a deep breath, and started from the beginning.

“Yonatan’s dead,” I said. “I buried him a week ago.”

EPILOGUE

The lawyer looked at his watch and saw that it was already five thirty. He left the office and walked down the stairs and out to King George Street. Would he make it to the bookstore today? It had been several weeks since he’d last been. The lawyer wavered for a moment and then decided not to take any chances and headed back to the parking lot. He didn’t want to be late for the Thursday salon and dinner. This evening, he was pretty sure, they were going to meet at the accountant’s house, or was it the civil lawyer’s turn? He could not remember what they were to discuss, only that the gynecologist’s wife had festively announced the topic at their last meeting. No harm done; his wife probably knew. Of course she knew. Soon she would call to remind him to get a good bottle of red wine and some fine chocolate for the hosts’ kids.

Not that the lawyer lacked reading material. He still hadn’t even had the chance to read through all of Yonatan’s books. Truth be told, he hadn’t read any of them aside from The Kreutzer Sonata. He praised the novella, told Tarik, Samah, and the rest of his Arab friends that it was “an amazing work of art,” knowing full well that there was no chance in hell that they’d read it. His next book was Life: A User’s Manual— a thick and impressive tome by some French author whose name the lawyer had forgotten, and even though he was never really able to focus or follow the plot, he forced himself to read a few lines before sleep, mostly because, from what he’d learned on the back cover, the Frenchman who’d written the book was so important that he’d had a planet named in his honor.

The lawyer, promising himself a new book the following Thursday, hurried off to his car. He had to buy wine and chocolate and shower and get dressed for dinner, but before all that he had to make it to Bezalel. He wanted to see Yonatan’s show.

Why was he going? the lawyer wondered as he lurched down the steep and narrow Hillel Street. He had not been invited to the graduating class’s year-end exhibition but Yonatan had mentioned it once or twice during their subsequent conversations and it seemed to the lawyer that he wanted him to come. But why did he want to go? In the morning, at Oved’s Café, he’d heard the art history professor telling a friend that he’d seen some “extremely compelling” works at Bezalel’s year-end exhibition, including one outstanding project by a graduating photography major. The lawyer, sure the professor was referring to Yonatan, felt the jealousy begin to bubble.

Why was he so jealous? After all, the lawyer believed Yonatan’s story. He believed him even when he said that he didn’t remember Leila’s note and that he could hardly recall her name. But the fact that she might have had a relationship with a talented, perhaps successful artist rattled him nonetheless.

All things considered, the lawyer thought as he lit a cigarette with the electric lighter in the car, Yonatan’s revelations had only improved his relationship with his wife. After their initial meeting on Scout Street, the lawyer had come home full of love and lust for his wife, so much so that he decided to alter his sleeping habits and return to her bed.

“We have to force the kids to sleep in their rooms,” he had told his wife as he took his daughter down to the ground floor and moved his son’s crib into his room. The feeling was wonderful: he desired his wife, fell back in love with her, and, despite the discomfort, even insisted on spooning before sleep. When their daughter came upstairs crying in the middle of the night, the lawyer insisted that she return to her room. His vigilance lasted for several nights. After that he gave up and let his daughter back into the bed and resumed sleeping in her room downstairs. What can you do? he thought. With all due respect to love, I sleep much better alone.

What would he say if he met Yonatan at the exhibition? Walking toward the art academy, the lawyer tried to formulate the sentences that would explain his presence. But why did he even need to offer an explanation? The show was open to the public. They would surely speak in Hebrew, only in Hebrew. He could say to Yonatan, I remember you mentioning the opening and art has always interested me so I decided I’d swing by, or he could mention that he had heard about the exhibition from a friend, a professor of art history, and had decided that he couldn’t afford to miss it. After all, he also liked art, especially the work of a certain Egon Schiele. The lawyer’s apprehension quickly changed shades, turning into a desire to know what “Yonatan” was like in public, among his friends, among the artsy crowd in attendance, and to see his reaction when he saw the lawyer — whether he blushed when he lied, whether his lies were transparent, and whether this charade was something he could really pull off.

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