Jennifer duBois - A Partial History of Lost Causes

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In Jennifer duBois’s mesmerizing and exquisitely rendered debut novel, a long-lost letter links two disparate characters, each searching for meaning against seemingly insurmountable odds. With uncommon perception and wit, duBois explores the power of memory, the depths of human courage, and the endurance of love.
In St. Petersburg, Russia, world chess champion Aleksandr Bezetov begins a quixotic quest: He launches a dissident presidential campaign against Vladimir Putin. He knows he will not win — and that he is risking his life in the process — but a deeper conviction propels him forward.
In Cambridge, Massachusetts, thirty-year-old English lecturer Irina Ellison struggles for a sense of purpose. Irina is certain she has inherited Huntington’s disease — the same cruel illness that ended her father’s life. When Irina finds an old, photocopied letter her father wrote to the young Aleksandr Bezetov, she makes a fateful decision. Her father asked the chess prodigy a profound question — How does one proceed in a lost cause? — but never received an adequate reply. Leaving everything behind, Irina travels to Russia to find Bezetov and get an answer for her father, and for herself.

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Aleksandr didn’t find Nikolai again. But once he went looking, he started seeing him everywhere.

10. IRINA

St. Petersburg, 2006

And then the summer was over, and I did not know where it had gone. There were listless courses around the city, respectful and silent visits to the chilly long-abandoned houses of great writers, voracious reading of the chronically postponed Russian classics. I wrote scraps of pointless poems on the backs of napkins. I developed a taste for tea. I practiced making Russian statements about what had happened in the past, about what would happen in the future, about what might happen and what should happen. I learned to properly decline my nouns. Around me, the leaves paled and fell, leaving stark black branches that forked against the snow. It grew cold, a kind of cold that made me understand that I’d never understood cold before this — certainly not in those shallow Boston winters, mitigated by the churning Atlantic, uncomfortably brusque but leaving you with just enough composure to walk upright, to look around, to admire the way the seagulls seemed to shiver and how the tufts of snow on all the trees made the city beautiful and ornate.

The cold, that winter in Russia — it was striking in its absoluteness, its bracing singularity. It was an astronomical cold, otherworldly and menacing, and it left me bent, submissive, muttering curses to I don’t know who. But there was something I liked about it, too. There was some wisdom, it seemed, in coming to terms with the fact that there could be something beyond what felt like nothing. That there were realities outside of imagination.

The Neva marbleized and turned still. Through the frost, the moon grew three haloes. Attempts at communication — from my mother, from Claire — slowed and then staggered, like a relenting hemorrhage from a severed limb. They kept at it periodically — my in-box, when I bothered to check it at the Internet café, was peppered with pleas, rants, the odd attempt at normalcy, as though I could be tricked by feigned casualness into responding — though I didn’t answer. It was cruel. I know I was being cruel. But I didn’t have the energy not to be.

I felt myself growing passive and immobilized. The cold pinned me down; I could feel in my bones a fatigue, an oncoming frailty. I felt lucky for the chance I’d had to disappear from everyone else. I started to wonder if I hadn’t disappeared from myself a little, too.

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I began writing to Jonathan, long-winded and inarticulate letters that I knew I’d never send. I talked to him about the beginning, about how the days after seeing him were always a little like heroin withdrawal, about the shaky, wrung-out feeling of having all the serotonin in your body explode and disappear at one burst. I said that he was a wholly singular occurrence in my life. I said that I wasn’t asking him to understand anything else, but I needed him to understand that. I said that he was the most implausible plot point in the fairly implausible narrative of my life. I said that we do not know ourselves, so how could we ever really know each other? I talked about biology and pair-bonding and pheromones. I talked about Rilke’s idea of love as the bordering of two great solitudes. I talked about the subject-object problem. I talked about the arbitrary mythology of romance, the post-Arthurian nonsense we still cling to, nationally and culturally. I talked about divorce rates. I talked about my mother’s metastatic grief. I talked about my own cellular, atavistic, visceral fear. I talked about suicide and how many Huntington’s patients commit suicide — usually once they’ve lost some mobility but before they’ve lost their minds. They wrestle themselves into their cars to breathe in carbon monoxide; they shoot themselves in the head if they live in a state where that is easy to do. Their hands shake, their arms jerk. Sometimes they need to ask for help in this, their final act of independence. I told him that I had always known I was not cut out for terminal illness. I told him that I had always known about him, that the first time I’d seen him I’d known about him, that this was not just the retroactive sentimentalization of an ordinary day, that I had known. I told him that this was not possible. I told him that he was the single most beautiful human I had ever seen. I told him that this was due to uncontrollable evolutionarily wired neuron firings in my brain, my still-functioning brain. I told him I was sorry for what I was doing. I told him there was no such thing as free will. I told him I loved him. I told him there was no such thing as love.

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I wandered the city — through the epic emptiness of Palace Square, past the filigreed willow-colored Winter Palace, to the rotunda of St. Isaac’s, spiking up through the mist. I walked to the Church of the Savior on Spilled Blood and stared at the gorgeous schizophrenia of its spires. I traced the canals and counted the houses, all done up in cupcake pastels. I walked past Kazan Cathedral, turning the color of manganese in the November light. I watched adolescent daughters walking hand in hand with their mothers. I watched the passersby in the metro bend down and actually give money to the beggar women.

I began to research Bezetov. As far as I could tell, his coalition, Alternative Russia, served as an umbrella organization that included several subgroups, such as Pomerancovo and Right Russia. Pomerancovo was apparently the more conventionally liberal of the two — pro-West, pro-trade, pro — civil liberties, pro-democracy, anti-corruption, pro-reform. Right Russia was a bit more complicated — they were reactionary, contrarian, uneasy with the status quo but with vague, slightly alarming ideas about what should be happening instead. They’d harnessed resentment from all corners, played on xenophobia and nationalism, and were as willing to exploit frustration with Central Asian workers as they were to exploit frustration with the regime. It wasn’t entirely clear to me why Alternative Russia counted Right Russia as an ally, though I stumbled across a YouTube video of Bezetov answering that exact question — muttering something about the virtues of a broad tent, the power of a diverse coalition. A man named Mikhail Andreyevich Solovyov headed up Right Russia. Further research revealed that their offices were located on Konyushennaya Ulitsa, a block from the Moika, where I went every day to throw coins.

I thought about going to see him. I walked by, and I walked by again, and I approached and examined the doorbell, just to make sure they had one, I told myself. I meandered past the windows, slowed down, looked in — expecting to see what? I wondered. Aleksandr Bezetov himself, at the office for some kind of intergroup summit, staring idly out the window and just hoping to be accosted by an aimless American? I caught glimpses of dour young people and the luminous glow of computers. I didn’t see Aleksandr Bezetov. Neither did I see Mikhail Andreyevich Solovyov.

One day I did it. I hadn’t necessarily planned for that day to be the day; I walked by and peered, as usual, but then some sliver of self-disgust caught me, and I marched to the door. I rang the doorbell and skittered back quickly, as though my distance from the door would absolve me from any reprimands that might be forthcoming.

The door opened. A sallow man stared out at me. There was something wrong with his face, though I couldn’t quite figure out what — the angles or contours seemed off somehow, by some nearly imperceptible degree.

“Hello,” I said.

“Hello.” The meat of his eyeballs was inflamed, blood-colored. I wondered why they let this guy answer the door.

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