Lynne Tillman - Cast in Doubt

Instead of being a secret writer, Mother spoke in private to me, and only with me did she abandon her daily life and duties to enter into a world of her own making, an intriguing world. This must have been what impelled me to become a writer, to enter into a world of my own making, a world of literature. I ought not to have turned against her, but then I was a teenager, not much younger than Helen is now. I’m sure Helen has turned against her mother too, though mothers are different for boys and girls, I should think.

I am utterly susceptible to intrigue, my own and others. It relieves my boredom and fills my mind with puzzles and problems that I must solve. I play games, one would say in the current lingo that Helen uses, but I do not want ever to hurt anyone. When I am drunk, it is a different matter. Drinking releases both the worst and the best in me. It heightens ordinary perceptions, dulls my sense of existence as sheer repetition, and alleviates a growing and gnawing ennui, though only temporarily. Sometimes, and it’s a feeling I can barely describe, sometimes I am at a table and someone begins to speak and I feel, oh no, not this, oh, not this, not again; and inside me, in the pit of my stomach, I sense I am dying, that the words being spoken by the other are in fact drawing my life from me, bleeding me. At other times I feel I cannot breathe, that I am being suffocated, that the breath of life itself is being stolen from me and I am being buried alive.

Normal boredom is not so dramatic, of course. I became bored with life when I was about thirty-five. It was then that I recognized that there wasn’t more to it than there’d already been, and that it would go on and on in a similar manner. I took to my bed for a year and then, years later, moved to Greece. I move slowly along the dusty streets, watching my shadow, which is more nimble than I. The sun still holds itself firmly overhead, glaring at us mortals, at me and my shadow. Me and my shadow…Me and my shadow. Fred Astaire, da-da, and my shadow, strolling down the avenue. In my mind’s eye, I wrest the pearl-handled cane from my arthritic fourth-grade teacher, Mrs. Wheeler, and stride across the unpaved avenue. No one notices my dashing movements, for this dance is internal, not of this world, and in slow motion. Time moves so slowly here. Time is a tortoise, not a frog. Take my hand, I’m a frog in paradise, just a frog in paradise. Da-da.

The stores close for several hours during the heat of the day. Shopkeepers dawdle as they pull down the shutters. Salespeople dally among themselves, talking in groups. Their bodies are relaxed, planted in the moment; they are not rushing to the next appointment. In cafés the old men — dare I say that, they may be my age — sit at plain wooden card tables, wearing frayed jackets, and play tavoli, their white heads bent in concentration over the board, their fingers jiggling their worry beads. Small glasses of ouzo may be gulped down between moves, yet none of them ever seems to become drunk. It is a marvel to me. Their wives are at home, attending to their small houses or carrying roasts to the baker’s oven. The men have their cafés. The women meet in the tangled alleyways between their houses, and they exchange news. Do they complain about their husbands? Nectaria, who takes care of me and the hotel, Nectaria knows all the town gossip. She is the queen of this part of town as Alicia is the queen of our community.

The covered market is open. It is so grand and plain, so complex and simple, such a home of opposites, of everything and nothing. I could become dizzy merely from the pungent scents and mellifluous rumble of voices. So much life exists here, it bubbles forth from the stalls. Today it excites me, satisfies me, whereas on other days the very same scenes, sounds and smells might bring me to an exhaustion I despair of, to an aggrieved alienation. I love the displays of fruit and vegetables, the range and array of colors any nineteenth-century artist would have envied. Green and purple figs, brown and black olives, ocher nuts, golden raisins, thick white yogurt — some feel it is the best in the world — gray and pink fish. I dislike looking at the various fish, but not as much as looking at octopuses. A cornucopia of delights with none of the razzmatazz of modern life, just a marketplace, just a meeting place, something ordinary to all who live here. Why trade this ordinary beauty, this everyday luxury, for supermarkets. Yet this is how life has gone in the West, and though I am in the West, even in the birthplace of its civilization, as the Greeks love to boast, I am far from its most avid practitioners, far from total modernity, from the city, the sophisticated city I know, love and hare, the city that thrills and repels me. I miss it sometimes but as I grow less agile, I am aware that merely walking down Fifth Avenue would afford so much less of the pleasure it once did. I couldn’t walk it as I did in my youth. Why has life gone as it has?

I sigh deeply, audibly, and buy figs, picking each one carefully. I shop only at the stands that allow one to touch the fruit and vegetables. I prefer yellow figs; they are sweeter than purple ones. The market people know me well. The good ones let me do as I please. I take my time but this is hardly a demand here. I am thankful for their familiarity. I talk with Sultana, who has sold me the figs, about some kittens she has and think to ask Helen if she’d want to adopt another. Yá sas, yá sas, I call out, leaving the market. Yá sou, Horace, kali mera, Sultana calls out in return.

The harbor is quiet at this time of day. I eat my lunch rather late, usually in my rooms, an old habit I can’t or don’t want to break. I look up from the street. Helen’s not on her terrace and her curtains are drawn again. Is she being a naughty girl? I’ll have to pay the piper with Alicia; no doubt she’ll invite me to tea again, which will be more like an inquisition. It is very odd, I’m completely conscious of this, it is odd that I went to visit John, but I could not help myself, and that’s what I’ll tell Alicia. I had a desperate need to know. Then I’ll add, I’m bored and unhappy, and I will complain about Yannis and pluck at the strings of her heart. Then we will discuss men and love and perhaps she will confess her infatuation with John. After all these years — we have in many ways grown up and old or up and down together — she will ultimately forgive me. She must, as our town is too small for petty enmities.

I open the door and find Yannis on the bed, quietly reading, which I like him to do. He may even be studying to please me. I feel a rush of affection for him and walk over to him on the bed and ruffle his hair. He turns and smiles and I believe he may even feel some real affection for me. Would sex now spoil this precious moment? Lust rises in me and my sex responds, rising too. Yannis undoes my zipper and gently strokes me, until I reach a delicious orgasm. I am with Helen’s John. I am a young man with long hair like his. We are lying side by side and I am as beautiful as he is. Yannis doesn’t want me to bring him to orgasm. This may have been an entirely unselfish act or a mercenary one. But I am happy. I have for a moment forgotten myself, what I truly look like, how foolish I may appear to others and myself.

Yannis moves from the bed. He leaps off it, with terrific ease. I feel old. I am old. Yet, and this surprised me, for I did not expect aging to be like this, my desire continues to be and has remained and remains the same as if I were thirty. It may not be the same as it was when, at seventeen, just a ride on a bus produced an erection, when desire always settled in one’s genitals. No, not like that. But with age, desire suffuses one’s whole body, one’s whole being, and is so much more difficult to satisfy. In a way it is more clearly life itself, life itself that is desire, that is as elusive as fantasy, amorphous fantasy.