Lynne Tillman - No Lease on Life

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This book channels the rage, filth, anguish, and the bust-a-gut hilarity of pre-gentrified New York.
The New York of Lynne Tillman’s hilarious, audacious fourth novel is a boiling point of urban decay. The East Village streets are overrun with crooked cops, drug addicts, pimps, and prostitutes. Garbage piles up along the sidewalks amid the blaring soundtrack of car stereos. Confrontations are supercharged by the summer heat wave. This merciless noise has left Elizabeth Hall an insomniac. Junkies roam her building and overturn trashcans, but the landlord refuses to help clean or repair the decrepit conditions. Live-in boyfriend Roy is good-natured but too avoidant to soothe the sores of city life. Though Elizabeth fights for sanity in this apathetic metropolis, violent fantasies threaten to push her over the edge. In vivid detail, she begins to imagine murders: those of the “morons” she despises, and, most obsessively, her own. Frightening, hilarious, and wholly addictive,
is an avant-garde sucker-punch, a plea for humanity propelled by dark wit and unflinching honesty. Tillman’s spare prose, frank, poignant and always illuminating, captures all the raving absurdity of a very bad day in America's toughest, hottest melting pot.

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The cute guy’s place wasn’t predictable, not from the way he looked. It wasn’t that unusual either, except no one talked about it. People live like this voluntarily. People are free to live like this.

Ernest took notes on the yellow pad while the cute guy talked. Ernest was stable and winning. Elizabeth wandered mentally while Ernest talked to the guy. He was collecting information for their dossier to the City. That was their agenda.

She was collecting other information. She was taking her own notes. She was looking around. She was taking in the guy and his place. It was hard. But she found a way not to be there. She wasn’t fucking the cute musician in her head, she couldn’t bring herself to do it, with him and Ernest in the room. Instead she saw the girl he’d brought back from a club, it was very late, and they were both high, drunk, stoned, and he opens his door, and the girl gasps, she has an asthma attack because of the years of dust, so they never fuck. Or, maybe they do fuck, she’s really turned on by the shit they’re fucking in, she’s from a strict family in the Midwest, or from an upstate New York farm, and she’s never seen anything like this, and she thinks it’s romantic. Elizabeth couldn’t remember if she found this scene romantic when she was twenty. Fucking on dirty clothes. She was too old to be young, couldn’t revive her adolescence like a comeback career. She didn’t think she’d be rejuvenated by fucking him. She could imagine it. The smells would be the same, the actions would be the same, nothing would be changed. But she was older. She was going to grow even older, old, and she was going to become less flexible and drier and more indifferent and she’d eventually become decrepit no matter who or what she fucked, and then she would breathe her last breath and expire. It was inevitable.

The cute guy had filed a complaint with the City once, he told them. Ernest and Elizabeth had him sign his name to their petition. It felt like success. Then they started to leave. The cute guy said to Elizabeth, How’s about getting together again and talking about the situation? Ernest shot Elizabeth a look. Elizabeth said, Whatever, I mean, whatever Ernest wants…. She pretended she didn’t realize what kind of situation he had in mind. She wondered if Ernest was jealous. Ernest never referred to it. Ernest had deep reserves.

The other tenants never materialized, they never answered Elizabeth’s carefully crafted letters. They could have been eliminated, through intimidation for one thing. It was not out of the question — Elizabeth could imagine it — that the renovations started and the tenants, the complaining ones, were not told when the walls were going to be torn down, because the Big G hated them, the way she hated Elizabeth, a little less, and some were lying in bed and the walls fell on them, so their legs were broken, or they were buried under the debris or in a wall. A cryptic end in a tenement crypt. Improbable.

They were eliminated because the noise of construction, the daily crash and boom, drove them out, drove them screaming into the night, or, when the walls came down, and the vermin came out and bit them, the tenants’ legs became swollen and inflamed and covered in red itchy wounds, and, marked by disease, they fled, yelling about bugs and rats, about hardy roaches. They were driven out, and the landlord could raise the rent. Or the drilling and banging every day ended their relationships, decimated their tenuous loves, and they broke up, broke their leases, or they developed respiratory illnesses, living in dust for months, and they fled their homes, and the landlord had its way, forced them out. The landlord could raise the rent the way it planned, and the landlord did raise the rent on the smaller, blighted apartments, on the newly fixed-up, reconditioned hovels.

That was a while ago.

Two women are at a hotel in the Catskills. One says, The food is terrible here. Yes, the other says, and there’s so little of it.

Now a few people were leaving their floor-throughs or one-bedrooms, or studio apartments, to go to work. The blue collars. The housekeepers. The train conductors. The nurses. Some people were coming home. The prostitutes, the bartenders, the club managers, the clubgoers, the musicians, the alcoholics, the night people. There weren’t as many of them as those going to day jobs. There were several taxi drivers.

One night a taxi — a checker — was parked across the street. Elizabeth noticed some movement in the front seat. She couldn’t tell what it was. She watched. The driver was getting a blow job. The prostitute’s head went up and down, up and down, up and down. Then it stopped, the movement stopped, and, like an animal stuck in the mud, the taxi driver, who was large, rolled over and lay on top of the poor prostitute.

The taxi driver had a huge ass. The moon was out, a full moon, and the moon lit his ass, spotlighted it. If it was done in the movies, no one would believe it.

He starts to fuck her and his big white ass, all lit up, goes up and down, up and down, up and down.

Three people come out of the front door of a building. Two men, one woman, maybe coming from a party, maybe they’d had a menage a trois. They looked preppy. Maybe they’d had coffee. one of the men immediately spots the taxi driver’s big ass humping up and down, up and down, the moon shining on it, but he doesn’t want the woman to see. He positions himself between her and the taxi. But finally they all see it. The three stand there, spellbound on the sidewalk, watching until the taxi driver comes. Then the driver sits up, the prostitute sits up, and he starts the car and drives away.

The hooker was probably from the next corner. It was before AIDS hit big-time. There were a lot more hookers on the next block. They all had habits and most of them were gone now, dead. The serial murderer Joel Rilkin killed at least one of them. The mother of one of the murdered hookers said in the Times , “Think of her as a girl, my daughter, not just as a whore.” There were always ripe, new working girls. They faded fast.

It was pretty late the night Elizabeth and Ernest left the cute guy’s hideous hole. But that night, and it was the only one, Ernest and Elizabeth went for a serious cup of coffee in a nearby cafe. Elizabeth’s regular, the Pick Me Up.

Even though it was late and cold, the crusties — that’s what Roy called them — weren’t far away. They were never far away. They were lying on the street near the Pick Me Up with their dogs and their dogs’ puppies. Elizabeth liked the puppies. They would be raised to be vicious. The crusties were probably already training them to go for people’s throats when they didn’t give them money. The crusties thought of themselves as road warriors, except they never moved, they sat or lay on the sidewalk, and then in a group they’d move off, they never walked alone, they were terrified kids who talked shit to everyone in the neighborhood, they looked miserable, they smelled terrible, they didn’t shower even in the summer, so their piercings became infected. Except for a few of the females who retained surprisingly old-fashioned feminine wiles, all the others smelled of things no one wanted to get near.

The crusties spit at people who walked on the sidewalk near them. You went out to get a newspaper in the morning, and even if you didn’t look at them, which Elizabeth didn’t, she never looked at them if she could help it, they made nasty comments and spit. She was walking behind a guy in shorts. He passed the crusties, and one said to the other, Let’s kill him. The guy stumbled, completely weirded out. The crusties weren’t liked on the block or in the neighborhood, not even by other so-called outlaws. They spit at people in the morning before they were barely awake. They said things like, Let’s kill him, for no reason. They pretended to be squatters. They were nothing, and there was nothing to them. If you open your eyes, get dressed, walk outside to get a cup of coffee, and someone spits at you for no reason, first thing, the spitter is nothing, doesn’t deserve to live. Not everyone does. Elizabeth wouldn’t even talk about it.

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