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Thomas Bernhard: The Loser

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Thomas Bernhard The Loser

The Loser: краткое содержание, описание и аннотация

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Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other- the obsessive, witty, and self-mocking narrator- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, is a brilliant meditation on success, failure, genius, and fame.

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described them into the dirt . Hated his father, mother, sister, reproached them all with his unhappiness. That he had to continue existing, constantly reminding them that they had thrown him up into that awful existence machine so that he would be spewed out below, a mangled pulp. His mother threw her child into this existence machine, all his life his father kept this existence machine running, which accurately hacked his son to pieces. Parents know very well that they perpetuate their own unhappiness in their children, they go about it cruelly by having children and throwing them into the existence machine, he said, I thought, contemplating the restaurant. I first saw Wertheimer in the Nussdorferstrasse, in front of the Markthalle. He should have become a businessman like his father, but in fact he didn’t even become a musician as he, Wertheimer, wanted but was destroyed by the so-called human sciences , as Wertheimer said. We run away from one thing into the other and destroy ourselves in the process, he said. We just simply go away until we have given up, so he said. Preference for cemeteries, like me, I thought, entire days spent in the cemeteries in Döbling and in Neustift am Wald, I thought. His lifelong yearning to be alone, I thought, is mine too. Wertheimer was no traveler like me. Was no passionate address-switcher. Once with his parents in Egypt, that was all. Whereas I exploited every opportunity to travel, no matter where, broke loose the first time to Venice for ten days with my grandfather’s medical bag and one hundred and fifty schillings, visiting the Accademia by day and attending performances at La Fenice by night. Tancredi for the first time in La Fenice , I thought, my first desire to make a go at music. Wertheimer was always and only the loser. No one pounded the streets of Vienna like he did, coming and going in all directions again and again until he was totally exhausted. Diversion maneuvers, I thought. He wore out tremendous quantities of shoes. Shoe fetishist were words that Glenn once said to Wertheimer, I think he had hundreds of shoes in his Kohlmarkt apartment, and that was also a way he drove his sister to the brink of madness. He revered, indeed loved, his sister, I thought, and in time drove her crazy. In the nick of time she escaped his clutches by going to Zizers bei Chur, broke off all contact, ditched him. He left her clothes exactly the way she had kept them in her wardrobes. Didn’t touch any of her things. Basically I misused my sister as a page turner , he once said, I thought. No one could turn pages like her, I taught her how in my ruthless manner, he once said, in the beginning she couldn’t even read music. My brilliant page turner , he once said, I thought. He had degraded his sister into a page turner, in the long run she couldn’t put up with it. His she’ll never find a husband turned out to be a horrible mistake, I thought. Wertheimer had built a top-security prison for his sister, totally escapeproof, but she got away, in the dead of night, as they say. That had made Wertheimer terribly ashamed. Sitting in his armchair he became obsessed with the idea of killing himself, as he said, I thought, pondered over the proper method for days at a time, but then didn’t do it. Glenn’s death already made the thought of suicide a permanent frame of mind for him, his sister’s escape strengthened this permanent frame of mind, as he related. Glenn’s death drove home his own failure with furious clarity. As for his sister, it was her base, vicious nature to have abandoned him in a crisis situation for a thoroughly low-life character from Switzerland who wore tasteless raincoats with pointy lapels and Bally shoes with brass buckles, as Wertheimer said, I thought. I should never have let her go to that awful internist Horch (her doctor!), he said, for that’s where she met that Swiss. Doctors are in cahoots with chemical-plant owners, he said, I thought. Never should have let her go , he said about his forty-six-year-old sister, I thought. The forty-six-year-old had to ask his permission to go out, I thought, had to account for every one of her outings. At first he, Wertheimer, believed that the Swiss, whom he’d sized up as a ruthlessly self-interested person, had married her for her money, but then it turned out that he was much richer than the two of them put together, that is, loaded , Swiss rich, which is a good deal richer than Austrian rich, as he put it. The father of this person (the Swiss), said Wertheimer, had been one of the directors of the Leu Bank in Zurich, just imagine, Wertheimer said, the son owns one of the biggest chemical plants in the world! His first wife lost her life in mysterious circumstances, no one knows what happened. My sister as the second wife of some upstart, so Wertheimer, I thought. Once he sat for eight hours in the ice-cold St. Stephen’s Cathedral and stared at the altar, the beadle showed him the door to St. Stephen’s with the words: Sir we’re closing . As he went out he slipped the beadle a hundred-schilling bill, a short-circuit operation, as Wertheimer put it. I wanted to sit in St. Stephen’s till I fell over dead, he said. But I couldn’t manage it, not even by totally concentrating on this wish. It wasn’t possible for me to be totally concentrated, and our desires are realized only when we are totally concentrated. From early childhood he had experienced the wish to die, to commit suicide, as they say, but never was totally concentrated. He could never come to terms with being born into a world that basically repulsed him in every detail from the very beginning. He grew older and thought that his wish to die would suddenly no longer be there, but this wish grew more intense from year to year, without ever becoming totally intense and concentrated. My constant curiosity got in the way of my suicide, so he said, I thought. We never forgive our fathers for having sired us, nor our mothers for having brought us into the world, he said, nor our sisters for continuing to be witnesses to our unhappiness. To exist means nothing other than we despair, he said. When I get up I’m revolted by myself and everything I have to do. When I go to bed I have no other wish than to die, never to wake up, but then I wake up again and the awful process repeats itself, finally repeats itself for fifty years, he said. To think that for fifty years we don’t wish for anything other than to be dead and are still alive and can’t change it because we are thoroughly inconsistent, so he said. Because we are wretched, vile creatures. No musical ability! he cried out, no life ability! We’re so arrogant that we think we’re studying music whereas we’re not even capable of living, not even capable of existing, for we don’t exist, we get existed, so he once said in the Währingerstrasse after we had hiked through the Brigittenau to the point of complete exhaustion for four and a half hours. Once we used to spend half the night in the Koralle , he said, now we don’t even go to the Kolosseum! he said, how everything has become absolutely unfavorable . We think we have a friend and in time see we don’t have a friend at all, since we have absolutely no one, that’s the truth, so he said. He clung to his Bösendorfer and still everything had turned out to be a mistake, an awful mistake. Glenn had the good fortune of collapsing at his Steinway in the middle of the Goldberg Variations . He claimed he’d been trying to collapse for years, without success. Went several times with his sister to the so-called Promenade in the Prater to improve her health, he said, so that she could get some fresh air, but she didn’t appreciate these outings, why only the Prater Promenade and not the Burgenland, why only the Prater Promenade and not Kreuzenstein or Retz
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