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Thomas Bernhard: Old Masters

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Thomas Bernhard Old Masters

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In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher — who fears Reger's plans to kill himself — gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating.

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still participate. To this day Heidegger has still not been entirely exposed for what he is; true, the Heidegger cow has become thinner but the Heidegger cow is still being milked. Heidegger in his worn plus-fours in front of that lie of a log cabin at Todtnauberg is all I have left as an unmasking photograph, the philosophical philistine with his crocheted black Black Forest cap on his head, under which, when all is said and done, nothing but German feeble-mindedness is warmed up over and over again, Reger said. By the time we are old we have undergone a great many murderous fashions, all those murderous fashions in art and in philosophy and in consumer goods. Heidegger is a good example of how nothing is left of a fashion in philosophy which at one time had gripped the whole of Germany, nothing left but a number of ridiculous photographs and a number of even more ridiculous writings. Heidegger was a philosophical market crier who only brought stolen goods to the market, everything of Heidegger's is second-hand, he was and is the prototype of the re -thinker, who lacked everything, but truly everything, for independent thinking. Heidegger's method consisted in the most unscrupulous turning of other people's great ideas into small ideas of his own, that is a fact. Heidegger has so reduced everything great that it has become Germancompatible, you understand: German-compatible, Reger said. Heidegger is the petit bourgeois of German philosophy, the man who has placed on German philosophy his kitschy nightcap, that kitschy black night-cap which Heidegger always wore, on all occasions. Heidegger is the carpet-slipper and night-cap philosopher of the Germans, nothing else. I don't know why, Reger said yesterday, whenever I think of Stifter I also think of Heidegger and the other way about. Surely it is no accident, Reger said, that Heidegger just as Stifter has always been popular, and is still popular, mainly with those tense women, and just as those fussy do-gooding nuns and those fussy do-gooding nurses devour Stifter as their favourite dish, in a manner of speaking, so they also devour Heidegger. Heidegger to this day is the favourite philosopher of German womanhood. Heidegger is the women's philosopher, the specially suitable luncheon philosopher straight from the scholars' frying pan. When you come to a petit-bourgeois or even an aristocratic -petit-bourgeois party, you are very often served Heidegger even before the hors-d'oeuvre, you have not even taken off your overcoat and already you are being offered a piece of Heidegger, you have not even sat down and already the lady of the house has brought Heidegger in with the sherry on a silver salver. Heidegger is invariably a well-cooked German philosophy which may be served anywhere and at any time, Reger said, in any household. I do not know of any philosopher today who has been more degraded, Reger said. Anyway, Heidegger is finished as far as philosophy is concerned, whereas ten years ago he was still the great thinker, he now, as it were, only haunts pseudo-intellectual households and pseudo-intellectual parties, adding an artificial mendaciousness to their entirely natural one. Like Stifter, Heidegger is a tasteless and readily digestible reader's pudding for the mediocre German mind. Heidegger has no more to do with intellect than Stifter has with poetry, believe me, and as far as philosophy and poetry are concerned, the two of them are worth nothing, although I still value Stifter more highly than Heidegger, who has always repelled me, because everything about Heidegger has always been repulsive to me, not only the night-cap on his head and his homespun winter long-johns above the stove which he himself had lit at Todtnauberg, not only his Black Forest walking stick which he himself had whittled, in fact his entire hand-whittled Black Forest philosophy, everything about that tragicomical man has always been repulsive to me, has always profoundly repulsed me whenever I even thought of it; I only had to know a single line of Heidegger to feel repulsed, let alone when reading Heidegger, Reger said; I have always thought of Heidegger as a charlatan who merely utilized everything around him and who, during that utilization, sunned himself on his bench at Todtnauberg. When I think that even super-intelligent people have been taken in by Heidegger and that even one of my best women friends wrote a dissertation about Heidegger, and moreover wrote that dissertation quite seriously, I feel sick to this day, Reger said. His nothing is without reason is the most ludicrous thing ever, Reger said. But the Germans are impressed by posturing, Reger said, the Germans have an interest in posturing, that is one of their most striking characteristics. And as for the Austrians, they are a lot worse still in all these respects. I have seen a series of photographs which a supremely talented woman photographer made of Heidegger, who in all of them looked like a retired bloated staff officer, Reger said; in these photographs Heidegger is just climbing out of bed, or Heidegger is climbing into bed, or Heidegger is sleeping, or waking up, putting on his underpants, pulling on his socks, taking a nip of grapejuice, stepping out of his log cabin and looking towards the horizon, whittling away at his stick, putting on his cap, taking off his cap, holding his cap in his hands, opening out his legs, raising his head, lowering his head, putting his right hand in his wife's left hand while his wife is putting her left hand in his right hand, walking in front of his house, walking at the back of his house, walking towards his house, walking away from his house, reading, eating, spooning his soup, cutting a slice of bread (baked by himself), opening a book (written by himself), closing a book (written by himself), bending down, straightening up, and so on, Reger said. Enough to make you throw up. If even the Wagnerians are more than flesh and blood can bear, what about the Heideggerians, Reger said. But of course Heidegger cannot be compared to Wagner, who really was a genius, a man to whom the concept of genius really applies more than to anyone else, whereas Heidegger has always only been a small philosophical rear-rank man. Heidegger, that much is clear, was the most pampered German philosopher of the century, and simultaneously the most insignificant. The people who made pilgrimages to Heidegger were mainly those who confused philosophy with culinary science, who regarded philosophy as something fried and roasted and cooked, which is entirely in line with German taste. Heidegger used to hold court at Todtnauberg and at all times would allow himself to be admired on his philosophical Black Forest plinth like a sacred cow. Even a famous and much-feared North German publisher of periodicals kneeled before him devotionally and open-mouthed, as though, in a manner of speaking, he was expecting the host of the spirit from Heidegger sitting there under the setting sun on his bench before his house. All these people made their pilgrimages to Todtnauberg to see Heidegger and made themselves look ridiculous, Reger said. They made their pilgrimages, as it were, into the philosophical Black Forest, to the sacred Mount Heidegger and knelt down before their idol. That their idol was a total spiritual wash-out — that they could not know with their dull-wittedness. They did not even suspect it, Reger said. Nevertheless the Heidegger episode is revealing as an example of the German cult of philosophers. They invariably cling to the false ones, Reger said, to those who suit them best, to the stupid and the suspect ones. But the most terrible thing is that I am related to both of them, to Stifter on my mother's side and to Heidegger on my father's side, that is positively grotesque, Reger said yesterday. I am even related to Bruckner, even though in a very round-about way, as the saying goes, but related nonetheless. Needless to say, I am not so stupid as to feel ashamed of these connections, that would be the most stupid thing of all, Reger said, even though I am not necessarily as delighted about these connections as my parents always were or as my family always was. Most of my ancestors, no matter from what Upper Austrian, or generally Austrian or German
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