Padgett Powell - A Woman Named Drown

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Hailed by Time as an "extravagantly comic" novel, A Woman Named Drown is a wild and strange journey through America's South that follows a young PhD dropout who falls in with an amateur actress-cum-pool shark On the brink of earning his doctorate in chemistry, the unnamed narrator decides to chuck it all away in favor of real life. So begins an odd pilgrimage through the American South. In Tennessee, our hero is bewitched by an older, gin-swilling, pool-playing sometimes-actress who claims to have recently starred in a theatrical production about a "woman named Drown." He moves in with her and just as quickly begins encountering her strange compatriots. Before he knows it, they're heading farther south together-to Florida-where the data that the dropout scientist is collecting from life's laboratory is about to get quite contradictory. Richly influenced by offbeat literary giant Donald Barthelme, Padgett Powell's A Woman Named Drown offers readers a smorgasbord of literary strangeness-a surreal series of adventures in which nothing much-and yet everything-happens at once.
"We are on the border of Donald Barthelme's never-never land. . Powell is very funny. His characters are raffish clowns with foul mouths and a kind of crazy sweetness. This is special stuff. There's a lot of vivid life here." — People
"Powell's ear for Southern speech is impeccable." — Publishers Weekly
Padgett Powell is the author of six novels, including The Interrogative Mood and You & Me. His novel Edisto was a finalist for the National Book Award. His writing has appeared in the New Yorker, Harper's Magazine, Little Star, and the Paris Review, and he is the recipient of the Rome Fellowship in Literature from the American Academy of Arts and Letters, as well as the Whiting Writers' Award. He lives in Gainesville, Florida, where he teaches writing at MFA@FLA, the writing program of the University of Florida.

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I recalled his card to me:

Remember Elaine? (Good girl.) I married her. Sold tent. Sold Mustang. It was a good car.

And then enthusiasm about a "ghoul mouse," as I recall.

We sat there, listening to appliances and other subtle noises of a house settling for the night, passing the half-pint. I told Tom about the kid chopping onions who couldn't take it. I told him about all the fools I'd seen who were smarter than you'd think because they were not letting their lives become constructs of what was expected of them. I felt like the polyester preacher and shut up. I'm not sure Tom understood me, and I'm certain that wasn't his fault. Perhaps I wasn't even speaking to the central causes of his depression. But it looked like he wasn't all fired up about living the life good-girl Elaine had cooked up for them.

We heard one more firm door closing in the back of the house, a final not loud sound that somehow communicates lost patience on the part of those going to bed with those not. It didn't look like any fun to me. I thought of all the careless fun I'd been having with women who offered no closing-door crap, of old Dr. Eminence in Love with Polanski, who had presumably set this whole reaction series to rolling.

"You still going to Norway?" Tom asked. It was frankly unbelievable-as if we were thought-for-thought with each other.

"No. As they say in Brooklyn, das out."

"Sort of thought so."

"Why?"

"It never was going to work."

"Why Not?"

"Don't know." He probably thought he did, but wasn't going to speculate. I think we were both coming to the conclusion that we didn't know each other at all beyond the slingshot lunacy.

"What about you?" I said.

"What?"

"You and-"

"It'll work."

"How do you know?"

"I'll make it."

"You'll make it or you'll make it work?"

"Make it work."

"You'd better get an extra bedroom for Fenster."

"Or an extra house! " Like that, he was restored, grinning openly at the prospect of Fenster's alter-life beside his, I suppose. I'm sure he could see getting Fenster's lights turned on, getting his credit established. Fenster could shoot his slingshot late at night. Fenster would have rats. Fenster Ludge would raise tapirs .

In the reaction-series-of-life scheme of things, Fenster would care for his untowardness as much as for his self-actualizing assets and towardness. Fenster could take a step backward or to the side now and again. Fenster Ludge would be a dallying kind of dude.

Tom got up and left the room and returned with a giant trophy that had a tiny car on its top. He set it on the table.

"I won the Soap Box Derby," he said.

"Come on."

"For years I thought I was sliced bread."

I looked at the trophy. Something about it looked real. He had won the damned Soap Box Derby.

"My God, son."

"The Soap Box Derby is nothing but going downhill with amateurs." Tom intoned this with a note of bitterness that convinced me I did not know him at

all.

"What the hell is it supposed to be, Tom?"

"No, the thing is-" He made a gesture in the air, as if to indicate the entire environs-walls, wife, nieces, the stars above.

"Okay, Tom."

* * *

Sometime in the night I got up and ran into Elaine coming out of the bathroom. We did one of those side-to-side unsuccessful evasions people do in the same path-she did not smile. She looked down, holding her robe at the throat, and finally passed. Again I got the impression she was in thorough contempt of me, though, in fact, she was simply a tired woman in a bathrobe trying to get by a strange man in her house at 3 a.m. The sensation of her disapproval was strong enough, however, that I wanted to ask her what was the matter right there in the bad hall light. I decided finally that while she had good reason to turn her nose up, she had no way of knowing it, so she was either supernaturally perceptive of character or flatly impolite, and I did not need worry about her. I hardly even knew about Tom and me well enough to be worried about me and his

wife.

The bathroom was a Southern Living model with terry-cloth bibs and caps on the commode and an army of toiletries neatly marshaled into plastic trays and racks. I spotted a pink box of bubble bath and had a kooky urge to take one, but did not-I did not want to be to my neck in suds if Elaine attacked.

* * *

In the morning I had a conversation on the lawn with the girls as they waited to be taken somewhere. As if in response to their no-nitrate upbringing, they had begun, it looked, to get prematurely surly. They were little adults. I thought to try new utterance on them.

"Monsters, girls."

"Monsters what?"

"I think they're the thing."

They gave each other looks which contained concealed exasperation, quick passing glances designed to betray nothing. These were remarkable six-year-old women.

"I am a monster," one of them said. The other looked off, as if commenting without speaking, silently approving the sentiment. She would have pulled on a cigarette were they older and not no-nitrate. She is , her idle look said. We are . I wondered what they meant: could they possibly mean they knew they were premature not-children and thus monstrous?

"What do you mean?"

At this moment Elaine bounded out of the house with a picnic basket, binoculars, a bird book, and headed for the family car.

"You'd better skip over there and help her," the other girl said to the monster, and the monster did just that, brightly.

They were taking the girls to an "interpretive center" at a wildlife refuge and I declined Elaine's stiff invitation to go along. I declined Tom's somewhat sheepish invitation to ride with them to the bus station. Tom looked like he'd been thrashed.

"This is the bus station, Tom," I said, exacting from him no goofy mirth. He stood there near the car of loading women. I shook his hand and they left. I walked through the polite suburb and found a larger street and then a larger street and the true bus station, and worked on placing Tom and the monsters into the fool/true-fool gradient all the way to Lafayette. As I have it, Tom is perhaps the worst victim to date, intelligent enough, unlike the Orphan, to have accepted someone else's notions of living correctly and to have applied considerable industry toward that end before sensing it was all downhill and all advised by amateurs. The girls were smart; bucking at an early age, wanting potato chips badly. They were duplicitous. "You'd better skip over there." They could run the fish camp, they could soothe the Veteran, they could act in any of Mary's plays. I could have kissed those little monsters, and I was certain that with due cover they'd have let me. One would have kissed while the other stood by smoking her imaginary cigarette, with a kind of jaw-out, hip-slung petulance, trying to locate something she knew they were not to find. They were as mad for Saturday cartoons and dangerous toys as was the Veteran for his phantom, and they were just beginning to show signs of denial.

A true scientist could run a control, a failed one makes these speculations and, where no experiments can be had, makes these statements stridently, I suppose. So, mark my words: the little girls are tiny, early Veterans. They are being ruined by unwanted, forced purpose that seeks to free them of lateral waste. They are, as they say, monsters.

A Woman Named Drown - изображение 17

Every time I go home, I think suddenly how much more sense I had as a child, and that the years growing up in the house I am about to enter robbed me of that wit, as evidenced by my voluntary arrival of the moment. My father and I have developed a greeting which seems to acknowledge this solemn loss; whether I'm back from a month or a year away, " he stands, extends his hand not very far toward me, broadly opened to receive the handshake, rather like a catcher's mitt held close to the body; and as we shake, meeting with elbows bent in order to retain leverage should we decide to Indian-wrestle, and gripping each other harder than desperate salesmen who squeeze rubber balls in their sleep, he will say, "Hey, bud." That seems to sum it all up neatly. You've lost your marbles, he says; I know, I gave the feeble things to you.

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