Padgett Powell - Typical - Stories

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Typical: Stories: краткое содержание, описание и аннотация

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Twenty-three surreal fictions-stories, character assassinations, and mini-travelogues-from one of the most heralded writers of the American South There are many things that repulse "Dr. Ordinary." "Kansas" is notable for its distinct lack of farmland. "Wayne's Fate" is most unfortunate, not merely for Wayne but for the roofer pal who stands by watching his good buddy lose his head. "Miss Resignation" simply cannot win at Bingo. And there is nothing "Typical" about the unemployed steelworker and self-described "piece of crud" who strides through this collection's title story. Welcome to the world of Padgett Powell, one of the most original American literary voices in recent memory. Typical is both a bravura demonstration of Powell's passion for words, and an offbeat, perceptive view of contemporary life-an enthralling work by a one-of-a-kind wordsmith, and a redefinition of what short fiction can be. "A sparkling collection." — Time "Powell takes short stories to places where I've rarely seen them go." — Chicago Tribune "Powerful. . Powell has an almost unequaled ability to bring Southern colloquial speech to the page." — The New York Times "Lyrically intense and full of the surreal juxtapositions you find in the flotsam of floodwaters: stories at once edgy and exuberant." — Kirkus Reviews Padgett Powell is the author of six novels, includingThe Interrogative Mood and You & Me. His novel Edisto was a finalist for the National Book Award. His writing has appeared in the New Yorker, Harper's Magazine, Little Star, and the Paris Review, and he is the recipient of the Rome Fellowship in Literature from the American Academy of Arts and Letters, as well as the Whiting Writers' Award. He lives in Gainesville, Florida, where he teaches writing at MFA@FLA, the writing program of the University of Florida.

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I look around. Suddenly I want Wayne’s head. I am its rightful finder. My previous inclination would have been to get up from where I knelt and, not looking one inch either side of Wayne, go into the house, tell the woman to call somebody, and begin drinking beer unasked from her refrigerator, and sit at her cute kitchen bar on one of her expensive blond-wood barstools and wait and drink more beer. But she has cut me off from all that. She has ruled out the feeble.

I get up and begin to look around. I stand still and survey the open ground. Wayne’s head is not in the open, apparently. I change position to see behind things I can’t see behind, and keep looking at the actually open ground, because that is where I’m convinced Wayne will turn up. I do not want to step on Wayne’s head. This makes me take very small, shuffling steps.

Shuffling so, damned near scooting, I circle in and out and around the compressor and the felt and the cooler and the cans of mastic. I am afraid for a moment his head will be on the sofa, and that that will be too much, will undo this steely resolve in which I scoot in figure eights about the job site looking for my partner’s head. The sofa is a comic thing we do. We got it somewhere, some job, and carry it from job to job and sit on it to amuse (and enrage) customers. It’s quite comfortable, except that deep down it is wet, and this will wet your clothes, so we sit on plastic. Because it got wet the sofa is ungodly heavy, too, and we have threatened to abandon it when we find a good place. I am thinking that if Wayne’s head is on it, it’s going to be a good place. I cannot see the seat side of the sofa and must go up and look over the back. Carefully I do this. A weird idea strikes: Wayne hit the sofa and somehow his body bounced over to where he lies now. What could have held his head?

Before looking over the back of the sofa, I see the woman at the screen door watching me. She’s smoking a cigarette and has one hip out as if she’s impatient with me. Her attitude somehow suggests that if I don’t get on with it she’s going to come out here and do it herself, find Wayne’s head. She smokes like Lauren Bacall.

I look and Wayne’s not on the sofa. I am as relieved as if I have found him alive. I cut a glance at the woman that has a kind of See there? taunt to it. She can’t bully me around in my search. She can come out here herself if she’s so smart, my next long glance at her says. I’ve half a mind to walk in past her and get that beer and say, “Can’t find his head. Have you got a dog? Please go get some good beer, none of this Coors shit, and stop interfering with the search effort.” I am getting irrationally pissed off at this woman and her problem, which was a pissant wind-only leak in her half-million-dollar Texas-fake-ranch shit house, which had to be fixed, which cost me Wayne and Wayne his head. And Wayne’s dead, and she said it.

“Goddamn, lady,” I say to her, but not loud enough for her to hear it. Because — things are clear now that ordinarily are not, painful things are clear— I am afraid of her. I suddenly see that I am afraid of everybody in the world who has any balls. This woman could be indicted for her undeserved wealth and asshole lassitude and I’m an honest roofer and I am afraid of her.

Wayne’s head — I suddenly know where it is. I have known all along. It is in an open bucket of mastic, concealed in the stack of closed buckets, it will be there and I hope not facedown, and I know I’ll never know how the body got clear over there. Maybe Wayne ran over there. Hell, he probably walked over there intending to climb back up and find the bitch’s leak. He could have walked all around, for all I know; I was quivering on the ladder with white knuckles and closed eyes.

Wayne’s head is in profile in its bed of high-quality, low-asbestos asphalt pookie. As he would be, he is grinning. He looks alive. He looks like he is whispering. I look at the woman, still smoking. Is it the same cigarette or is she smoking a carton of cigarettes watching me?

I can’t hear Wayne. I kneel down.

“What?”

He says something again I still can’t hear. I push the back of his head slightly into the pookie to turn his mouth up toward me.

“Tell that broad to come out here and give me a knobber,” Wayne says. I start laughing.

“I will,” I say. “Relax.”

Never in my life have I been so complete. I feel like Achilles, or whoever. The shit stops here, I vow. I have a bunch of pookie on my hand from handling Wayne and I Go-jo it off. I put some fresh Varsol on the hand tools — there are none on the roof I know of — close the compressor, take down the ladder, put it on the truck, look in the cooler, wash the Go-jo off in the ice water, dry my hands with a clean rag, put the rag through a belt loop, and walk into the house. My hands are chilled still from the ice water and I warm them by rubbing them together. It is as though I’ve come in from the cold. My hands feel strong and good.

The woman has backed away as if surprised or scared.

“Have you called anyone?” I ask.

“Called anyone?”

“I think it’s time. Let me have a beer.”

She just stands there. What is this? Lauren Bacall suffers sudden loss of composure.

The refrigerator is packed with every kind of packaged food there is. Wine in the door, exotic mustards, a lot of them. Hebrew National weenies, and nobody’s Jewish. The beer, when I find it, I know will be in whole, unbroken six-packs, or it will be in deli twos. I have a very good feeling about this particular fridge, though. These people are not far from Nolan Ryan, and I’ll bet they know him, and if Nolan drops in, Nolan will want more than two beers, two Löwenbräus. I dig through a bushel of produce, noting the absence of iceberg lettuce. If it weren’t for McDonald’s, iceberg lettuce wouldn’t have no luck at all. I sit down to take a longer look. Look at things from the underside. Pickle jars have a ring of little glass nibs around their lower rim, maybe for gripping? Silver-canned light Coors beer in tallboy, yes two six-packs. The woman is on the phone.

On the barstool I regard her. Not so bad.

“Who’s your husband with?” I ask.

“With?” she says, smiling, I think, rather too broadly.

“Work with.”

“The police are coming.”

“May I ask you what the roof leak damaged?”

“It wet the floor. Awful bleachy kind of stains.”

“I see.”

Something of Achilles has been lost, but not much.

“My friend Wayne wants you to give him a knobber.”

“What?”

“Nothing.”

Some friend I am. Some friend I am. Some friend I am.

She bursts into tears. Violent sobbing that scares me. I get off the stool as if to run.

“What did you have to say that for?” she asks.

“Say what?”

“I see. In that way.”

“I take it back. I don’t see.”

“My husband—” she starts, and then is overcome with hard crying. She really is not bad at all. I have a vision of eating a meal with her, steaks handsomely char-broiled on the Jenn-Air, and later holding hands strolling the cattleless ranch with her. I have a vision of almost everything. My mind is spongy. “What the hell’s wrong with you?” I think to say to her, but it seems silly.

“There aren’t warts on character,” I tell her. “Character is nothing but warts. Character, ma’am, is plate tectonics. The mind is all buckle and shear, buckle and shear.” She pays no attention.

“Ma’am, I hope they get here soon. And I know you do, too. Your husband might be the sort people would kidnap for money, it occurred to me, but this is not probably the sort of thing rational people can afford to worry about.”

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